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SUM 41 & more at Marquee Theatre

October 20 @ 6:00 pm - 11:30 pm

Canadian rock outfit Sum 41 hit the worldwide radar in 1996 after their hometown of Ajax, Ontario, proved unable to fully contain the foursome’s mixture of arena-sized riffing, hip-hop poses, and toilet-bowl humor. Their breakthrough major-label debut, 2001’s All Killer No Filler, featured chart-topping MTV hit “Fat Lip” and follow-up “In Too Deep.” From there, the band’s mischievous pop-punk style was steadily hardened with darker, world-weary lyrics and a heavier, metal-inspired attack. 2002’s Does This Look Infected? veered in that hardcore direction and still managed to maintain their popularity with singles “The Hell Song” and “Still Waiting.” By the time double-platinum third effort Chuck landed in 2004, Sum 41’s metallic tendencies were at the fore on songs such as “We’re All to Blame.” Despite achieving a chart peak with 2007’s Underclass Hero, the band soon found themselves in decline in the mainstream during the 2010s, due in part to lineup changes and creeping health problems. While Screaming Bloody Murder produced the Grammy-nominated single “Blood in My Eyes,” the album was the band’s lowest-charting effort since their debut. Soon after, frontman Deryck Whibley announced serious health issues that would sideline the band until 2016, when they issued the successful comeback record 13 Voices.

In addition to vocalist/guitarist Whibley, the band also originally included guitarist/vocalist Dave Baksh, bassist Cone McCaslin, and drummer Steve Jocz. Wooed by the boys’ goofy antics and incendiary live show (and excited about the prospect of promoting their very own blink-182), Island put Sum 41 on the payroll in 1999. The Half Hour of Power EP followed, and Warped Tour dates put the word out. They returned in 2000 with the fun-filled full-length All Killer No Filler, and the singles “In Too Deep” and “Fat Lip” became staples of both modern rock radio and Total Request Live. An extensive tour followed, and Sum 41 enjoyed their success the way all near-teenage boys would, with plenty of towel-snapping, groupie-loving, and self-deprecating low-ball humor. In 2002, they returned to wax with Does This Look Infected? While the album was a bit harder-edged, it found the band as excited as ever to mix punk-pop business with sophomoric pleasure: The video for “Hell Song” featured the guys acting out a sort of rock-star debauchery cage match with the aid of a few celebrity action figures. Metallica, Jesus Christ, and the Osbournes all made appearances in the hilarious clip.

It was not all fun and games, however, as Sum 41’s involvement in the charity group War Child Canada had them lending a hand in the making of a 2004 documentary covering the effects of war in the Democratic Republic of the Congo. Five days into filming, fighting and gunfire suddenly erupted around them, and they barely escaped unharmed — these events led to 2004’s slightly more mature and serious effort, Chuck, named for the UN aid worker, Chuck Pelletier, who was instrumental in getting them to safety. The DVD Rocked: Sum 41 in Congo was released at the end of 2005, and the live album Go Chuck Yourself appeared the following March.

Guitarist Dave Baksh left the band during the spring of 2006 due to creative differences, going on to form the metal-punk outfit Brown Brigade. Sum 41 continued as a trio, and their first album as such, Underclass Hero, appeared in July 2007. They eventually returned to being a quartet, replacing Baksh with guitarist Tom Thacker, and began to work on a new album. Screaming Bloody Murder appeared in March 2011. “Blood in My Eyes,” a single from the album, was nominated for a Grammy that year. However, due to a series of back injuries for Whibley (and other issues that would soon come to light), Sum 41 would not return with new material for half a decade, despite their critical success.

During the break, Jocz left the band and was replaced by Street Drum Corps’ Frank Zummo. Baksh also returned to the fold just in time for Sum 41’s comeback in 2016. The group signed with Hopeless Records and embarked on an international tour that included stops in China and a stint on that summer’s Warped Tour. Their sixth LP, 13 Voices, featured the lead single “Fake My Own Death” and became their third highest-charting release in their native Canada, peaking just outside the Top 20 in the U.S. During promotion for the album, Whibley revealed that he had been in an alcohol-related induced coma during the band’s hiatus in 2014. While recovery included learning to walk and play guitar again, Whibley contributed a large part of his healing to the writing process of 13 Voices. To coincide with the album’s release, the band embarked on an international tour dubbed “Don’t Call It a Sum-Back.”

After setting out on another trek to celebrate the 15th anniversary of their breakthrough, they returned to the studio. Their seventh set, Order in Decline, arrived in the summer of 2019. Intensely political and pulling no punches with their message, the album included the tracks “Out for Blood,” “45 (A Matter of Time),” and “The New Sensation,” borrowing from Linkin Park, Bad Religion, and even Muse on a series of rallying cries aimed at waking up a society on the brink of moral collapse. ~ Johnny Loftus & Neil Z. Yeung, Rovi

Brisbane post-hardcore act the Amity Affliction were formed in 2002 by Ahren Stringer and Troy Brady, a pair of longtime pals — still high-schoolers at the time — who had been affected by the death of their friend in a road accident. The band — a quartet rounded out by bassist Garth Buchanan and drummer Lachlan Faulkner — released a demo in 2003 and an EP in 2004, but didn’t start making waves in earnest until sometime later. In 2005, after unclean vocalist Joel Birch joined the fold, Amity Affliction went on a touring spell, working up a nationwide reputation as a powerful live band. In 2007, they added keyboard player Trad Nathan; switched drummers, with Ryan Burt replacing Faulkner; and parted ways with Buchanan, with Stringer taking on bass duties. The newly formed group then hit the studio to record the EP High Hopes, followed in 2008 by the debut album Severed Ties, which peaked at number 26 on the ARIA charts.

Amity Affliction toured Australia again in 2008-2009, both as a support and headlining act, and in 2010 they released their second album, Youngbloods, which confirmed that their efforts paid off, reaching number six on the ARIA charts. They would top that achievement just two years later when their third album, Chasing Ghosts, debuted at number one on the ARIA charts. A fourth album, Let the Ocean Take Me, arrived on Roadrunner in 2014 and was the band’s second consecutive ARIA chart-topper. That year, Brady left the band, leaving Stringer as the only founding bandmember. After months of touring Ocean, the quartet returned to the studio to record their fifth LP. This Could Be Heartbreak arrived in August 2016, topping the ARIA charts once again. The band toured Australia, the U.S., and Europe in support of the record, before Ryan Burt left the band in February 2018 owing to mental health concerns. Later that year, the Amity Affliction released their sixth album, Misery. Their first concept effort, it featured an overarching narrative chronicling the tale of three friends on a dark quest for vengeance. ~ Alexey Eremenko & Neil Z. Yeung, Rovi

When the Ohio quartet—Landon Tewers [vocals], Josh Childress [guitar], Ethan Yoder [bass], and Mathis Arnell [drums]—began recording what would become their fourth full-length album and first for Fearless Records, DISPOSE, the process spurned the genesis of this next chapter for the band. For the first time, The Plot In You enlisted the talents of a producer, namely Drew Fulk. Another first, the band worked together to fine tune the music sonically; whereas, on previous records, songwriting and recording fell solely to Landon. As a result, these ten tracks comprise their most cohesive body of work to date. Lyrically, the songs depict a toxic personal relationship where, in the past, Landon had focused on formative years and fictional scenarios. In DISPOSE, the topics hit on a more intimate level about an experience as it unfolded in the moment, while representing a marked evolution. That kind of emotion has connected The Plot In You to listeners since day one. Over the course of three full-length albums, the group has spent years crafting their unique take on modern rock, transcending genres from metalcore to alternative, delivered fan favorite anthems such as “My Old Ways” and “Take Me Away,” and landed on the Billboard Top 200 with their third album Happiness In Self Destruction. Now, DISPOSE positions The Plot In You to make their deepest impact yet.