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DTSTART;TZID=America/Phoenix:20231007T120000
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SUMMARY:Goldrush 2023 at Phoenix Raceway Oct 7th-8th
DESCRIPTION:Relentless Beats brings you Goldrush 2023\, and this year it’s out at Phoenix Raceway in Avondale\, AZ. \n \nYour Goldrush: Sonoran Skies Lineup\n2-Day & Single Day Tickets On Sale Now!\n\n\nSaturday\, October 7\nAlison Wonderland • Louis The Child (Playground Set) • Tiesto • ATLiens • Brondo • Champagne Drip • Cloonee • Dabin • Dion Timmer • Dombresky • Kayzo Unleashed • Lizzy Jane • Marie Vaunt • Nostalgix • Ship Wrek • Slushii • Sonny Fodera • Weiss • Will Clarke • Anatta • Svnday Drvr \nSunday\, October 8\nZeds Dead • ZHU • Ameme • Ben Bohmer (LIVE) • BLOND:ISH • Bou • Detlef • FrostTop • Hamdi • Jessica Audiffred • Kai Wachi • KHIVA • Lady Faith • Madeon (DJ Set) • PAWSA • Riot Ten • S!CK!CK • TOBEHONEST • Austin Feldman • Michael Hooker • Sed’s Vortex b2b PrettyHard \n \n \n \n \n \nTICKETS\n  \n  \n\nAlone we can do so little\, together we can do so much\n\n\nWithout the brands listed below\, we simply couldn’t have the memorable experiences you have grown to love. We would like to extend our gratitude to each of these brands and companies for helping to provide texture to Goldrush and providing a lasting impression to fans! \nPartnership Inquiries\nIs your brand interested in partnering with Goldrush?\nWe would love to hear from you\, please CLICK HERE. \n\n\n\nOur Partners
URL:https://globalazmedia.com/event/goldrush-2023-at-phoenix-raceway/
LOCATION:Phoenix Raceway\, 7602 Jimmie Johnson Dr\, Avondale\, 85323\, United States
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DTSTART;TZID=America/Phoenix:20231007T190000
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SUMMARY:Coheed and Cambria + Deafheaven at The Hollywood Palladium
DESCRIPTION:It’s been over two years since Coheed and Cambria’s 2015 album\, The Color Before the Sun\, was released as the band’s first “non-concept” album over the span of their 15-year career. The album left the sci-fi universe of “The Amory Wars” and instead focused on frontman Claudio Sanchez’s personal life\, including the birth of his first child. With 2018 upon us\, and a major summer tour now announced\, the volume of fans’ chatter for a new album and whether or not it will return to the band’s fictional concept arc will surely reach new heights. \nCoheed and Cambria is a rare band whose music is able to transcend “scenes” and effortlessly cross genres of rock – from indie to progressive\, to metal and pop-punk to classic rock. The band is frequently compared to progressive\, operatic rock bands of the ‘70s\, ala Queen\, Supertramp or Rush due to their thrilling concept albums that take you on a grand journey of sounds and often clock-in around 10 mins\, but still somehow include sugary pop-laden hooks. \nThe group’s following has grown steadily every album\, partly due to their ferocious live show that brings fans to their knees with an equally expansive light show. This summer\, the band will be performing songs from their expansive catalog\, and we can only imagine they’ll pull a few new tricks from up their sleeves. \n \n \nOriginally formed as a duo in 2010\, Deafheaven\, now a quintet\, are a restless and experimental metal band from San Francisco. Often referred to as black metal\, the group finds the term limiting\, and sees the metal subgenre as a prime inspiration. Their ever-evolving sound includes elements of black metal\, shoegaze\, post-rock\, and even accessible — but musically challenging — arena rock\, as evidenced by albums such as 2013’s Sunbather and the punchier\, more dynamic New Bermuda two years later. 2018’s Ordinary Corrupt Human Love wed somewhat gentler and more experimental and cinematic songwriting to their established black metal roots. Their fifth studio album\, 2021’s Infinite Granite\, was their least metal-influenced record yet\, leaning closer to dream pop\, ambient\, and alternative rock. \nInitially made up of George Clarke (vocals) and Kerry McCoy (guitars)\, the band has a sound that blends black metal with elements of shoegaze\, adding a layer of warmth to the genre’s typically icy sound while expanding the emotional range outside of the typical themes of death\, despair\, and hopelessness. As a duo\, Clarke and McCoy wrote and recorded a demo on their own that would get the attention of Converge frontman Jacob Bannon’s label\, Deathwish Inc.\, which released the untitled EP in 2010. The pair expanded the lineup to include guitarist Nick Bassett\, bassist Derek Prine\, and drummer Trevor Deschryver\, who appeared on Deafheaven’s 2011 full-length debut\, Roads to Judah\, before parting ways with the band the following year. Looking to get back to their roots a bit\, McCoy and Clarke worked on the writing for their follow-up album as a duo again\, though they would recruit drummer Daniel Tracy to join them in the studio for the recording process. The result was their sophomore effort\, Sunbather\, which was released to critical acclaim in the summer of 2013. Recruiting new bassist Stephen Clark and guitarist Shiv Mehra\, Deafheaven toured across the globe extensively as a quintet\, including gigs with Between the Buried and Me\, Pallbearer\, No Joy\, and many others. In 2015\, Deafheaven signed to Anti- for the release of their highly anticipated third album\, New Bermuda. Produced by frequent collaborator Jack Shirley\, it arrived in early October. The set reached number 16 on the Top Rock Albums charts\, and was supported by lengthy international tours. Its critical and commercial success brought it to the ears of listeners not normally enamored of heavy metal. \nIn late 2017\, Deafheaven de-camped to 25th St. Recording in Oakland with Shirley again listed as producer. By their own admission\, they expanded their heavy\, kinetic sound by adding psychedelia-inspired vocals\, jazzy percussion\, and intricate organic piano melodies to juxtapose against their trademark black metal-inspired and post-hardcore trademark sonics. Ordinary Corrupt Human Love took its title from Graham Greene‘s novel The End of the Affair\, reflecting a theme of yearning romanticism. The set’s first single and video\, “Honeycomb\,” was issued in April of 2018\, and clocked in at nearly 12 minutes. While the video images showed glimpses of Deafheaven in the studio and wandering around San Francisco\, the song’s lyrics actually referenced the work of Argentine novelist Julio Cortázar. The full-length was released in May. The singer/songwriter Chelsea Wolfe guested on the track “Near.” \nIn 2020\, the band planned a ten-year anniversary tour that had to be postponed due to the COVID-19 pandemic. To celebrate the occasion anyway\, Deafheaven released 10 Years Gone (Sargent House) in December\, a live-in-studio recording of their planned touring set. In addition to revitalizing long-established crowd favorites such as “Vertigo” and “Kettle\,” they also included a recording of “Daedalus\,” the first song the band ever wrote together. Infinite Granite\, the band’s fifth studio album\, arrived in 2021. A departure from their previous albums\, Infinite Granite featured barely any screaming or metal riffs\, instead featuring swirling guitars and clean vocals reflecting influences including Radiohead\, Ride\, Tears for Fears\, and Chet Baker. ~ Gregory Heaney & Thom Jurek\, Rovi
URL:https://globalazmedia.com/event/coheed-and-cambria-deafheaven-at-the-hollywood-palladium/
LOCATION:The Hollywood Palladium\, 6215 W Sunset Blvd\, Los Angeles\, 90028\, United States
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