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SUMMARY:Hanabie at The Van Buren
DESCRIPTION:HANABIE. is a Tokyo-based all-girl rock band that has been making waves since 2015\, when YUKINA\, MATSURI\, and HETTSU came together for a high school club activity. With the addition of CHIKA in May 2023\, the band has evolved into a force to be reckoned with. Don’t be fooled by their cute\, girlish image—their sound is a hard-hitting blend of powerful shouts\, heavy riffs\, and unique Japanese flair\, capturing fans at home and abroad. Their hit single “Pardon Me\, I Have To Go Now” has amassed over 10 million views on YouTube and 5.3 million views on TikTok. \nIn December 2024\, HANABIE. released their EP\, Bucchigiri Tokyo\, further showcasing their dynamic range and signature style. Next\, the band will release their latest EP\, HOT TOPIC\, on Wednesday\, January 28\, 2026. \n2023 marked the beginning of their overseas ventures\, and in August 2024\, they made history as the first Japanese women to perform on the main stage at Lollapalooza in Chicago\, USA. The quartet will soon bring the heat on their first North American headliner beginning mid-March 2026. With a rapidly growing international following\, HANABIE. is actively expanding their presence and making a bold statement on the global stage. \n \n \nThe world’s premiere goblin metal masters\, Nekrogoblikon\, are set to unleash their latest sonic assault in the form of The Boiling Sea EP. Formed in 2006\, the band catapulted from obscurity to global cult stardom with their 2012 viral anthem “No One Survives\,” cementing a legacy of chaotic melodic death metal and zany\, goblin-themed lore. \nAfter years of relentless touring and five studio albums\, the band has entered a bold new era. The Boiling Sea marks a historic milestone as the first official studio release to feature the band’s new vocal powerhouse duo: John Goblikon and Dickie Allen. \nOnce the band’s longtime mascot\, insurance salesman\, and podcast host\, John Goblikon has finally been promoted to permanent lead vocalist\, handling the melodic and clean singing duties. \nDickie Allen\, renowned for his “throat-shredding” prowess in Infant Annihilator\, the “goblin-in-human-form” now spearheads the band’s signature harsh vocals\, bringing a new level of “carnage” to their recorded sound \nProduced and mixed by veteran “part-goblin” Jason Suecof (Job for a Cowboy\, The Black Dahlia Murder)\, this new EP serves as a high-octane testing ground for the duo’s dynamic chemistry — first teased by the 2025 singles “Show Me Your Goblin” and “Fiend.” \nAs Nekrogoblikon prepares to submerge fans in the murky depths of The Boiling Sea\, they prove that even after nearly two decades\, they are still the undisputed kings of the goblin-core realm. \n \n \nTaking their name from a confluence of Illuminati and other conspiracy theories\, Enterprise Earth is a punishing technical deathcore outfit founded in 2014 by ex-Infant Annihilator vocalist Dan Watson and ex-Takeover guitarist BJ Sampson. The band rose to the fore of the deathcore scene with the punitive and critically acclaimed Embodiment and Luciferous\, released in 2017 and 2019\, respectively. After the departures of Sampson in 2019 and Watson in 2022\, the band started a new chapter with the release of 2024’s Death: An Anthology with new frontman Travis Worland. \nBased out of Spokane\, Washington\, Enterprise Earth issued their debut EP\, XXIII\, shortly after forming. In 2015 they inked a deal with Attila frontman Chris Fronzak‘s Stay Sick Recordings and released their debut studio long-player\, Patient 0. Featuring guest appearances from Rings of Saturn guitarist Joel Omans and Oceano vocalist Adam Warren\, the LP reached number five on Billboard’s Heatseekers/Top New Artist Chart. Enterprise Earth spent the next two years touring hard in support of the album\, but eventually found the time to head back into the studio and lay down tracks for their sophomore release. The resulting Embodiment appeared in early 2017\, and the set reached number six on Billboard’s Heatseekers chart. December 2018 saw the band issue the single “He Exists” before releasing their lauded third full-length effort\, Luciferous\, which arrived in April 2019 and appeared on numerous year-end lists. After dropping 2020’s surprise Foundation of Bones EP\, the group returned to the studio and began work on album number four. Released in 2022\, The Chosen saw Enterprise Earth deliver an assured\, uncompromising deathcore set with considerably more melodic elements than previous efforts. Frontman Dan Watson left the fold shortly after that\, making way for new vocalist Travis Worland\, who made his studio debut on 2024’s punishing Death: An Anthology.
URL:https://globalazmedia.com/event/hanabie-at-the-van-buren/
LOCATION:The Van Buren\, 401 W. Van Buren St\, Phoenix\, AZ\, 85003\, United States
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DTSTART;TZID=America/Phoenix:20260409T080000
DTEND;TZID=America/Phoenix:20260412T233000
DTSTAMP:20260427T114817
CREATED:20260309T015100Z
LAST-MODIFIED:20260309T015100Z
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SUMMARY:Country Thunder 2026 at Talio Ranch
DESCRIPTION:Thursday\, April 9th. \n \nGavin Adcock \nGavin Adcock\, dubbed by Billboard as “one of country music’s most buzzed-about artists\,” is a Georgia native from Watkinsville. A former football player at Georgia Southern University\, he grew up on his family’s cattle farm and dreamed of riding bulls in the PBR. He started writing songs in high school\, but after tearing his knee in 2021\, Adcock used his recovery time to record and release his first single. Since then\, he has amassed more than 1.5 billion global streams\, fueled by hits like the RIAA Platinum-certified “A Cigarette” and Gold-certified tracks “Run Your Mouth\,” “Deep End\,” and “Four Leaf Clover.” His 2024 album Actin’ Up Again became the year’s largest major-label country debut by a solo male artist and the top streaming major-label debut in the genre. In 2025\, Own Worst Enemy debuted at No. 4 on the Billboard 200 Country Chart and No. 14 on the all-genre chart\, earning over 25 million U.S. streams in its first week. A MusicRow Awards “Discovery Artist of the Year” nominee and ACM New Artist of the Year nominee\, Adcock continues to sell out headline tours nationwide and internationally. He will also join Morgan Wallen for a second time on 16 dates of Wallen’s 2026 Still The Problem Tour. \n \n \nWaylon Wyatt \nWaylon Wyatt’s songs\, with their no-frills acoustic arrangements and old-soul lyrics\, have proven resonant with country music audiences. After releasing the breakthrough singles “Arkansas Diamond” and “Everything Under the Sun\,” Wyatt enjoyed a banner year as a rising artist\, opening for acts like Dwight Yoakam and signing a major-label deal and releasing 2025’s Out of the Blue EP — all before earning his high school diploma. \nWaylon Wyatt Potter was born in Hackett\, Arkansas\, in 2006. Named after outlaw country icon Waylon Jennings\, he in turn gravitated toward modern country songsmiths like Tyler Childers and Zach Bryan. He was initially content to share covers of his songs on social media — keeping original songs a closely guarded secret that he would tinker on at home. He finally caved into a friend’s demands and posted himself singing the heartbroken lover’s plea “Everything Under the Sun\,” and as his songs started to gain streams in the millions\, he fielded an offer from indie label Music Soup\, which took the bold step of calling Wyatt’s father’s construction company to schedule a meeting after seeing him wear a hat with the company logo in a video. \nWyatt recorded originals like “Everything Under the Sun\,” “Arkansas Diamond\,” and “Back to Then” in the kitchen of his family home\, accompanying himself on acoustic guitar. Those tracks formed the backbone of his debut EP\, 2024’s Til the Sun Goes Down. He gained additional exposure after another rising country songwriter\, Bayker Blankenship\, covered “Arkansas Diamond” in a video; the duo met up in Nashville and wrote a catchy heartland folk number\, “Jailbreak.” It became one of Wyatt’s first releases in partnership with Darkroom Records\, best known for signing Billie Eilish. Wyatt became the label’s first country artist\, and they reissued Til the Sun Goes Down with a new\, road-tested fan favorite called “O.D.” Wyatt spent part of 2024 as an opening act for Dwight Yoakam and appeared at the Stagecoach Festival in California in 2025\, just months before completing his senior year of high school. He delivered the Out of the Blue EP\, featuring “Smoke & Embers\,” a duet with Willow Avalon\, later in 2025. \n \n \nJay Webb \nJay Webb writes songs that hit like a gut punch. Raised between the backroads of North Alabama and the city in the south\, music was how he made sense of the chaos around him. What started as a way to process a turbulent childhood quickly became his purpose — gritty storytelling over genre-blurring beats\, delivered with zero filter. He started cutting demos in high school and never stopped\, releasing track after track on his own and building a following from the ground up. His lyrics cut deep\, his voice carries the scars and his sound refuses to stay in one lane. Webb doesn’t clean up the mess — he leans into it\, and has a good time doing it. \nPulling from a wide range of influences\, he pairs the weight of Johnny Cash and Hank Williams with the edge of Juice WRLD and Post Malone. It’s not traditional country — and he doesn’t want it to be. He calls it “music for real people with real problems\,” and his fans know exactly what that means. In 2022\, a viral TikTok pushed his music to a wider audience. Since then\, he’s dropped standout tracks like “” “” and “” racking up over 415M streams and more than 2M fans. Webb is charging forward — not as a trend-chaser\, but a truth-teller. And the numbers prove people are listening. \n \n \nLogan Layman \nLogan resides in Nashville\, Tennessee and is a very busy and active professional musician who plays and tours extensively. Logan is an Indiana University alumnus\, where she studied Music and Psychology. She grew up making music with her brother since grade school. Logan is no stranger to accolades. In 2013\, she was named “Blues Kid of the Year\,” and was inducted into The Brotherhood of the Guitar\, an elite group of young musicians from all over the world. She was the Sea Level Singer/Songwriter’s Emerging Artist of 2014. Logan was named Veer Magazine’s Emerging Artist of the Year in 2015. She was featured in Bass Player Magazine in 2016. Logan endorses Ernie Ball Music Man basses and Sennheiser microphones. \n \n\nFriday\, April 10th \n \nLainey Wilson continues to take over the world\, capturing the hearts of fans\, the excitement of the industry and the respect of her peers. Adding to her monumental rise\, Wilson will host the 2025 CMA Awards\, where she is also tied for the most nominations with six nods: Entertainer of the Year\, Female Vocalist of the Year\, Album of the Year\, Single of the Year\, Song of the Year and Music Video of the Year. \nThese are just the latest milestones for the 9x CMA\, 16x ACM\, Grammy-winner and Grand Ole Opry member\, who will headline Stagecoach Festival 2026\, is featured on the 2025 TIME100 Next list and recently released the deluxe version of her acclaimed album\, Whirlwind. In addition to the original 14 songs\, the extended edition features five more tracks including “Somewhere Over Laredo\,” which is currently top 10 at country radio and rising. \nA sought-after songwriter\, Wilson has eight #1s including “4x4xU\,” “Watermelon Moonshine” and the 2x Platinum “Heart Like A Truck\,” in addition to collaborations with Jelly Roll (“Save Me”) and HARDY (“wait in the truck”). Moreover\, Wilson wrote “Out of Oklahoma” for the Twisters movie\, has worked with artists such as Reba McEntire\, Dolly Parton and Post Malone\, and will make her film debut 2026’s adaptation of Colleen Hoover’s Reminders of Him\, after first acting in “Yellowstone.” Wilson is in the midst of her sold-out Whirlwind World Tour\, and recently launched her 4th collection with Wrangler as well as her own boot & jewelry lines. \n \n \nA native son of Wyoming\, Ian Munsick has accumulated over 1 billion global streams across 3 albums – Coyote Cry\, White Buffalo and Eagle Feather – and a host of accolades\, including 19 awards and 14 festival selections for his documentary\, White Buffalo: Voices of the West. Having painted a spirited portrait of the American West with his sophomore album White Buffalo in 2023\, Munsick expanded on the concepts of the land\, people\, culture and stories that inspire him\, with the project’s follow-up 20-track album\, Eagle Feather\, released on April 18\, 2025. In addition to selling over 100\,000 headlining tickets in 2024 and 2025\, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his One Night At A Time Tour. He has been named an “Artist to Watch” by Spotify\, CMT\, Fender\, MusicRow\, headlined Cheyenne Frontier Days and founded WEST TO THE REST RECORDS. Standout RIAA-Platinum duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown\, was named one of Amazon Music’s Best Country Songs of 2022 with “Long Haul” and “Horses Are Faster” receiving RIAA Gold-certification alongside “God Bless the West” named as one of Spotify Hot Country Presents’ Best Songs of 2025. As he partners with Triple Tigers for new music in 2026 and beyond\, fans will always find an open heart\, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. \n \n \nOne of Nashville’s most intriguing artists with his strong gravel-toned vocals\, wayward spirit\, intentional songwriting and overall mystique\, the fast-rising singer/songwriter Jackson Dean is quickly earning a reputation for his impressive live show and thought-provoking\, lyric-driven music. The young talent burst on the scene in 2022\, showing people how real music can be with his atmospheric\, musically-forward debut album  that featured his debut single\, “” (which cemented Jackson as the youngest solo male Country artist to reach the top of the charts with a debut) and his Top 10 follow up single “”. The demand for Jackson skyrocketed after landing on Spotify’s Hot Country Artists to Watch 2023\, the CMT Listen Up class of 2023\, CRS New Faces 2023\, as well as a slew of other artist to watch lists and nominations. A vocalist who truly thrives on stage (as evident in his  album)\, the Maryland native has leaned hard into touring\, joining bills with superstar acts like \, \, \, \, \,  and  as well as his own headline tour. Dean wows audiences and has built a passionate fanbase that connects on a deeper level. As a result\, his live show stand out “” has evolved to become his latest single—and lead track from his sophomore album On The Back Of My Dreams\, out now (via Big Machine Records). \n \n \nAfter an acclaimed album debut and a year-plus on the road with stars like Morgan Wallen\, Riley Green\, and Lainey Wilson – plus Billboard accolades and a monumental first appearance on the Grand Ole Opry – Big Loud Records / Songs & Daughters artist Lauren Watkins has emerged as a proudly defiant projection of pure country-music moxy. But with her second full album\, In A Perfect World\, Watkins learns that the highway life is only part of her path. A Nashville native inspired by crowd-pleasing outlaws like Willie Nelson\, Sheryl Crow\, Lee Ann Womack and Miranda Lambert\, Watkins’ 17-track 2024 debut\, The Heartbroken Record\, introduced a mainstream maverick with a thirst for lyrical truth – and an old-school country rebel whose modern instincts never succumb to trends. Coming to know the fast lane by heart\, the modern-classic singer-songwriter has racked up millions of streams and rocked full-on stadiums\, while learning from the legendary songwriters like Nicolle Galyon\, Luke Laird and The Warren Brothers. Yet In A Perfect World finds Watkins in a fresh phase\, featuring an earthy mix of sunset country and hazy heartland grit\, she’s no longer expecting to get her heart broken\, and not pushing the idea of home away. Produced by husband and CMA/ACM Award winner Will Bundy\, with additional co-production from hit maker Joey Moi on select tracks\, Watkins builds on her of-the-moment and always-organic sound; 10 co-written songs capturing the passion and promise of a new outlook. \n \n\nSaturday\, April 11th \n \nRaised in Sunnyside\, WA\, Zach Top grew up on classic country music around the family farm. At the age of seven\, he formed a band with his siblings which set the stage for his musical ambitions. Hailed by Rolling Stone as one of the “hottest acts right now\,” Top is quickly establishing himself as a preeminent artist to watch. Released to widespread acclaim\, his debut album\, Cold Beer & Country Music\, garnered over 3.5 million streams in just its first week with The Tennessean declaring it full of “star-making tunes” and Country Central calling it a “masterclass in traditional country music.” In 2024\, he was awarded Discovery Artist of the Year at the MusicRow Awards and received his first nomination for New Artist of the Year at the 58th Annual CMA Awards. Known for his “thrilling” live performances (Holler)\, Top’s “Cold Beer & Country Music” headline tour sold out just hours after tickets went on sale\, coinciding with the debut of his viral single “I Never Lie” on the Billboard Hot 100 chart. This summer\, Top has been on Lainey Wilson’s “Country’s Cool Again” tour and will be direct support for select Alan Jackson dates in 2025. \n \n \nLonestar is an American country music group currently consisting of Dean Sams\, Michael Britt\, Keech Rainwater and Drew Womack. Lonestar has charted more than 20 singles on the Hot Country Songs chart\, including 10 that reached No. 1. Not every band can revisit and even potentially improve upon their biggest hits. But on the forthcoming TEN to 1 record\, the award-winning band Lonestar are taking a fresh look at all 10 of their chart-topping country songs.   This streak started in 1996 with the band’s second single\, the rock-edged “No News\,” and continued with the following year’s “Come Cryin’ to Me” and “Everything’s Changed.” The band’s quadruple-platinum 1999 album Lonely Grill spawned four No. 1 hits (including the beloved global smash “Amazed”) and established Lonestar as music’s preeminent pop-country band—a status they’d maintain through the 2000s and beyond. Fittingly\, TEN to 1 reflects the ways Lonestar’s hits have evolved over the years during the band’s rousing\, high-energy concerts. Such talent has contributed to the band winning many of music’s top honors\, including Academy Of Country Music awards for New Vocal Group in 1996\, Single and Song Of The Year in 2000\, along with Humanitarian Of The Year in 2002. They also won Country Music Association’s Vocal Group of the Year and International Artist Achievement award in 2001. All told\, Lonestar have sold more than 10.5 million records since their formation. \n \n \nRECORDS Nashville artist-songwriter George Birge fast-follows two back-to-back #1s (“Cowboy Songs” and “Mind On You”) in one consecutive year (2024) with current Top 25-and-climbing single “It Won’t Be Long.” Boasting 217 MILLION global streams across his catalog\, American Songwriter praises\, “George Birge has a talent for taking a simple concept and turning it into an in-depth song\,” as PEOPLE hails that he’s “Always Meant for the Solo Spotlight.” Named Billboard’s Country Rookie of the Month (January 2024) and one of Nashville Lifestyles’ “Artists You Need To Know\,” the Austin\, TX\, native’s star is on the rise after earning his first award show nomination at the 2025 iHeartRadio Music Awards\, and making his TV debut on The Tonight Show Starring Jimmy Fallon. \n \n \nLanie Gardner’s extraordinary journey is a testament to her unmatched talent and unwavering determination\, from her roots in the Appalachian Mountains to international stages. A gifted storyteller and songwriter from an early age\, she crafted a distinctive blend of classic rock\, R&B\, and country that quickly set her apart. Her career skyrocketed after her cover of Fleetwood Mac’s “Dreams” went viral\, amassing over 100 million views. With her debut self-penned album A Songwriter’s Diary\, released in late 2024\, Gardner delivered a deeply personal 10-track journey through her creative beginnings. Her rise includes being named a “2025 Artist to Watch” by the Recording Academy\, a member of CMT’s Next Women of Country: Class of 2025\, and a SiriusXM Highway Find. This year alone\, she made her Grand Ole Opry debut\, performed at Stagecoach\, joined Corey Kent’s Black Bandana Tour\, and is on the road again this summer and fall with Gavin Adcock. From movie soundtracks (Queen of the Ring\, Twisters) to touring with the Jonas Brothers\, Jelly Roll\, Cody Johnson\, and ZZ Ward\, Gardner is on the fast track to stardom. Recent collaborations include Thomas Rhett (“What Could Go Right”) reaching #1 on the SiriusXM charts\, Warren Zeiders (“Love In Letting Go”)\, and Dorothy (“Tombstone Town”). With her sophomore album Faded Polaroids\, Gardner delivers more than an album. It is a collection of memories and stories that reflect her journey while pointing to an extraordinary future. \n \n \nThe Wilder Blue began in 2019 when Zane Williams\, already a seasoned troubadour with seven solo albums under his belt\, pulled together a select group of multi-talented musicians from the Texas music scene. Their debut album Hill Country (2020) and its follow-up The Wilder Blue (2022) garnered comparisons to early Eagles and 80’s-era Alabama by interweaving five-part harmonies with bluegrassy arrangements of folk-rock and country songs. \nFor their newest release Super Natural in the fall of 2023\, the band enlisted Grammy-nominated Brent Cobb to produce the album and perform on the title track\, a song he and the band co-wrote in the studio. Brent’s groovy\, vintage sensibilities proved a natural fit for a band with influences as diverse as Little Feat\, Del McCoury\, and Robert Earl Keen. A cover of the Eagle’s classic “Seven Bridges Road” also features band admirer Luke Combs\, who has added The Wilder Blue to his 2024 stadium tour lineup. \n \n\nSunday\, April 12th \n \nWith 20 No. One hits stretching back to 1991\, two Grammy awards\, dozens of ACM and CMA honors and a discography counting more album sales than any country duo in history – regardless of genre – Brooks & Dunn’s influence on today’s country has never been in question. Hits like “Boot Scootin’ Boogie\,” “My Maria\,” “Only in America\,” and “Believe” have propelled the duo to more than 30 million albums sold\, with the New York Times heralding “together they helped drive the power-country era of the early-to-mid 1990s and continued to benefit from the sea change in the genre they helped initiate right through their most recent albums.” Their original “ meets ” vibe made them progressive stars in their own right. In 2014\, the duo announced their reunion along with long-time friend\, \, for a residency called “Together in Vegas” at The Colosseum at Caesar’s Palace in Las Vegas\, which received rave reviews and continues to be extended including more shows throughout this year. The duo recently announced their upcoming collaboration album REBOOT\, available on April 5. The project will see the duo team up with \, \, \, \, \, \, \, \, \, \,  and  on re-ignited versions of their biggest hits. It was also revealed that Brooks & Dunn will be inducted into the Country Music Hall of Fame in the “Modern Era Artist” category. \n \n \nScotty McCreery has been a household name for nearly half his life\, ever since making history in 2011 as both the first country artist and the youngest male artist of any genre to debut his first studio album\, the Platinum-certified Clear as Day\, at No. 1 on the all-genre Billboard Top 200 Albums chart. His new single “Bottle Rockets” features the iconic Hootie and the Blowfish. The 31-year-old has sold more than 4 million albums and achieved 6 No.1 hits including the most recent “Cab in a Solo” from his album Rise & Fall. The North Carolina native has earned one Triple Platinum\, five Platinum and four Gold singles; one Platinum and two Gold albums; won the 10th season of “American Idol” in 2011 at age 17; was named the ACM New Artist of the Year in 2011; won two CMT Music Awards\, the first for Breakthrough Video of the Year (“The Trouble with Girls”) in 2012\, and the second for Digital-First Performance of the Year (‘It Matters to Her’ from “CMT Stages”) in 2024; and BMI Awards for writing One of the Top 50 Country Songs of the Year six times. McCreery was inducted into the North Carolina Music Hall of Fame in 2023. Last year\, he was inducted into the Grand Ole Opry by Josh Turner and Randy Travis\, after being invited by Garth Brooks. \n \n \nSince she was a child\, Dasha never questioned if she’d make it in music—only when. After years of grinding and writing over a thousand songs—including her breakout hit\, the 40x platinum “Austin (Boots Stop Workin’)”—her moment finally arrived. What came next was nothing short of explosive. In 2024\, she hit the country circuit hard\, with standout performances at Stagecoach\, Austin City Limits\, the CMT Awards\, and CMA Fest. She sold out her first global headlining tour\, Dashville USA\, and lit up two of the biggest stages on TV: the Macy’s Thanksgiving Day Parade and Dick Clark’s Rockin’ New Year’s Eve. “Austin” became one of the most-streamed country songs of the year and earned her the People’s Choice Country Award for Female Song of the Year. She’s currently on the road again\, this time as support for Kane Brown and Thomas Rhett. “This is exactly where I’m meant to be\,” she says. “I love this community… and I think it shows just how excited I am to be here.” \n \n \nFusing hard-rocking sonic aggression with the deep-feeling confessions of a country troubadour\, River House Artists/Warner Music Nashville’s Austin Snell is an emerging country talent for whom the rules have never really applied. A Georgia native and Air Force vet who grew up on a steady diet of Nickelback\, Three Doors Down\, Creed and Alan Jackson\, the Nashville newcomer has bucked Nashville’s “10 year town” moniker\, arriving in 2022 and quickly starting work to make “grunge country” a household name. With distorted\, dark-energy guitars\, thundering drums and a wounded vocal at the end of its emotional rope\, his gritty debut single “Excuse the Mess\,” co-written with Presley Aaron and Christian Yancey\, leads the charge into Snell’s opening chapter. The rising star now counts a rare SiriusXM Highway Find accolade – the same one bestowed on now-superstars like Maren Morris and Luke Combs. He is also the second artist ever chosen for SiriusXM’s Artist Accelerator program\, and with a growing touring footprint that has put him on the road with country’s brightest stars. Mixing blacked-out rock aggression with late-night country reflection\, “Pray All the Way Home” (co-written by Snell\, Andrew Baylis\, Michael Whitworth\, Cam Walker) points the way ahead for one of Nashville’s most exciting new talents\, proving once and for all: Some rules are really more like suggestions. His latest single\, “Circles\,” along with his EP ‘Home Sweet Hell’ is out now. \n \n \nRaised in California’s Central Valley as a farmer’s daughter\, Annie Bosko blends the grit of her roots with the firepower of her influences—including The Judds\, Shania Twain\, Deana Carter\, and George Strait—on her debut album California Cowgirl\, available now via QHMG / Stone Country Records. The 19-song collection\, featuring collaborations with Darius Rucker\, Dwight Yoakam and Joe Nichols\, brings traditional country instrumentation into sharp focus while celebrating female strength\, vulnerability and joy. Bosko first broke out with the SiriusXM / CMT favorite “Crooked Halo” and was named a Rolling Stone Country Artist to Watch\, later making her late-night debut on Jimmy Kimmel Live! with “Neon Baby\,” which marked her first charting single at country radio. Bosko’s latest track\, “Goodbye California\,” is a heartbreaking unrequited love song for her home state. She has written songs recorded by Willie Nelson and Jessica Simpson\, toured with Tim McGraw\, Dierks Bentley and Blake Shelton\, and sold out Los Angeles’ famed Troubadour. Bosko will join Dolly Parton for Dolly: Live in Las Vegas at The Colosseum at Caesars Palace on Sept. 23\, 2026. \n \n\nTICKETS\nMAP \n \nHOTELS
URL:https://globalazmedia.com/event/country-thunder-2026-at-talio-ranch/
LOCATION:Talio Ranch\, 20585 E WATER WAY\, Florence\, AZ\, 85132\, United States
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DTSTART;TZID=America/Phoenix:20260412T193000
DTEND;TZID=America/Phoenix:20260412T233000
DTSTAMP:20260427T114817
CREATED:20260403T015258Z
LAST-MODIFIED:20260403T015258Z
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SUMMARY:Lacuna Coil at The Van Buren
DESCRIPTION:If you know Lacuna Coil then you’ll already be aware that every album entry in their storied career is more than just a sound. Each one is a richly textured soundtrack to a specific time and a place. With Sleepless Empire\, that place is dark\, cinematic\, and unmistakably true to the unique characteristics that have given Lacuna Coil such a celebrated entry in the annals of heavy music.\nAs founding songwriter-in-chief Marco Coti Zelati\, aka Maki explains\, while the writing process for Lacuna Coil’s tenth studio record began in December\, the record’s real creative birth coincided with the release of 2022’s Comalies XX\, a 20th-anniversary reimagining of their landmark 2002 record\, Comalies. It was more than an epic and rapturously received reinvention of that 21st century classic. It would serve to align the past\, the present\, and the future of Lacuna Coil as they take their first steps into the fourth decade of their remarkable career.\n“I never get stuck in the past\,” says Maki. “Sure\, I still love Type O Negative and Paradise Lost\, but I also love soundtracks: big orchestral stuff like Hans Zimmer\, Danny Elfman or even John Williams. If people had a chance to listen to Sleepless Empire without the voice\, guitars or drums – the orchestral part – it’d be a soundtrack because it’s very cinematic and that’s how I spend most of my time. I grew up watching movies all day long\, even with my father – there was this massive culture of movies and soundtracks\, even iconic horror ones like Friday the 13th or Halloween and obviously growing up in Italy\, Goblin and their incredible soundtracks for Profondo Rosso and Suspiria.”\nAnd from the colossal refrains of album opener The Siege to the wickedly catchy I Wish You Were Dead and the irrepressibly classic feel of Sleepless Empire’s title track\, there’s no mistaking the confidence of Lacuna Coil’s latest\, and it has its share of surprises\, too. They come in the form of two very special guest appearances from none other than New Years Day banshee Ash Costello on their epic In The Mean Time and an ear-splittingly over-the-top contribution from Lamb of God singer Randy Blythe on Hosting the Shadow. According to founding vocalist Andrea Ferro\, Randy’s inclusion was a family affair.\n“We met Randy when we did Ozzfest together back in 2004\,” he says. “We were on the same stage and we started a friendship and always stayed in touch – we toured together in so many different situations and at so many festivals\, so we know each other – he’s really like a part of the family to us. Finally doing a collab with him was both a natural thing but also a huge honor for us\, as we’re friends but also fans.”\nAs for the addition of Ash Costello to the proceedings\, it came from a place of mutual admiration and wanting to bring her celebrated vocal style into the fray.\n“We were searching for that perfect ‘rock’ voice\,” Ferro explains. “Not too clean or symphonic but rather something with fire in it\, and she has it – exactly what we needed for that part. We really loved what she did to the song\, it’s absolutely perfect.”\nAnd if there’s a special edge to Sleepless Empire it’s about more than that vocal cross pollination alone. As Ferro explains\, the key to Lacuna Coil’s eternally youthful aura is their curiosity and ability to respond creatively to new inspiration without losing sight of the qualities that make them who they are – and he counts Sleep Token\, Spiritbox\, Bad Omens\, and Bring Me The Horizon as examples of other bands who are doing the same to keep the scene and their own sounds vibrant. That independent spirit has been key to balancing Lacuna Coil’s artistic prerogative against the weight of expectation\, and Ferro is emphatic when describing how these strange times have generated no shortage of material to influence Sleepless Empire’s weighty lyrics and mood.\n“Our sound is dark because it reflects the society we’re living in – it’s a portrait of our times\,” he says. “We’re from a unique generation that remembers the analog world but lives in the digital one\, we’re the first generation that’s lived through both so we’ve been witnesses the change to our society and that’s the Sleepless Empire. Everyone is always on their phone\, always scrolling\, always doing something – morning to night\, it just never stops.”\nAnd it’s perhaps the simultaneous promise and peril of our increasingly tech-governed world that’s been on Cristina Scabbia’s mind for some time\, an unease she’s channeled into Lacuna Coil’s latest. It’s a feeling she’s unafraid of expressing outside of the studio\, too.\n“Before Comalies XX we literally stopped creating\,” she says. “With the pandemic going on\, everything was so negative around us that we didn’t want to connect to anything and in some way\, it was like a comeback for us because it renewed our love of songwriting\, but we needed to find a spark that’d create the concept for our record. We love singles\, but we like an idea of a whole record that tells a story – the kind that captures a moment in time.”\nIt’s a philosophy that’s reflected in every aspect of Sleepless Empire. The album’s box set includes an Oracle divination game which the band have playfully hidden in the booklet for fans to find. It also influenced their decision to work with Neapolitan illustrator Roberto Toderico\, whose stunning cover art is something that Cristina explains reflects a deeper sentiment than a purely aesthetic choice. It’s an expression of the band’s desire to remain defiantly authentic in an increasingly challenged creative landscape.\n“I met Roberto at a comic convention. I love his work because it’s completely handmade\,” she says. “People pretend that AI is creating something new and I disagree with that. I’m not against tech\, what I’m against is people confusing tech with 100% creativity like music or painting or drawing that comes from what you have inside. I understand people’s pain from all this because I feel that too.”\nIt’s perhaps that perspective that gives Sleepless Empire such a timely but timeless feel. It’s a portrait of these times\, and a powerful statement of intent from a band at ease with their past and defiantly forging ever-forward. \n \n \nIn their almost 20 years as a band there have been many changes to the lineup of  – with vocalist  holding down vocals for 15 of them. In preparation for their upcoming album –– they have reached peak stability and happiness. They may come at the music from different directions\, but both Ortiz and Mabbitt agree on the importance of the band’s live presentation. “Whether it is 500 or 50\,000 people in the room\, we BRING IT\,” says Mabbitt. Ortiz agrees and adds “the honor of the ability to do this for a living for our amazing fans is not lost on us. We are really grateful.” Gratitude and humility are the buzzwords for the new . \nAnother thing that is new is the official addition of longtime bassist\, Erik Jensen\, to the lineup. TJ Bell has been ‘the glue’ that held the chaotic lot together in his nearly 10 years with the band. Matti Hoffman is the coffee-chugging\, guitar-solo-writing\, high-energy new guitarist taking on his duties while Kevin ‘Thrasher’ Gruft explores the world of production. \nLaying themselves bare for the fans\, it is a re-invigorated  on . New label (Big Noise – run by longtime collaborator producer John Feldmann)\, new bandmates and a new lease on life for each of them\, the only thing that has not changed is ’s love for their fans and determination to give them the very best of which they are capable. \n \n \nSelf-described death-pop duo VOWWS write buzzing\, hook-filled songs that thread together influences such as new wave\, surf rock\, goth\, and film scores. The duo’s music is dark and dreamy yet focused and energetic\, prioritizing melodies and warmth while experimenting with unconventional song structures and textures. The group’s 2015 debut album\, The Great Sun\, featured a collaboration with synth pop pioneer Gary Numan\, and the duo subsequently shared the stage with Deftones\, Cold Cave\, and the Soft Moon. After collaborating with Chino Moreno and Chelsea Wolfe\, the band released their third album\, I’ll Fill Your House with an Army\, in 2025. \nOriginally from Sydney\, Australia\, Rizz and Matt lived in New York City for a few years\, releasing an album under the name WAZU in 2012. Refining their blend of synth pop\, metal\, industrial\, and other influences\, the duo issued a self-titled EP as VOWS in 2013. In 2015\, the duo relocated to Los Angeles and signed with Cleopatra Records\, releasing full-length The Great Sun under the altered name VOWWS that year. Gary Numan guested on the single “Losing Myself in You\,” and Swans drummer Thor Harris also contributed to the album. The duo spent the next few years writing new material and playing gigs with bands such as Sextile and Prayers. In 2018\, VOWWS’ second album\, Under the World\, was released by Weyrd Son Records\, and the duo toured across North America with Soft Kill. After VOWWS appeared at the Dia de los Deftones festival in San Diego that November\, Deftones leader Chino Moreno appeared on “Structure of Love II\,” a reworked version of a song off Under the World. \nVOWWS released the songs “Impulse Control” and “Stay Where You Are” in 2020. A cover of Britney Spears‘ “Womanizer” appeared in 2021. “One by One”/”Shadow Man” was released in 2022\, and VOWWS additionally collaborated with Chelsea Wolfe on the song “WAIT.” After signing with German label Out of Line\, VOWWS returned with their third full-length\, I’ll Fill Your House with an Army\, in 2025. The song “SHUDDER” featured James “Munky” Shaffer from Korn and drummer Josh Freese (Nine Inch Nails\, Guns N’ Roses\, Foo Fighters).
URL:https://globalazmedia.com/event/lacuna-coil-at-the-van-buren/
LOCATION:The Van Buren\, 401 W. Van Buren St\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/04/Lacuna-Coil-at-The-Van-Buren.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260414T190000
DTEND;TZID=America/Phoenix:20260415T233000
DTSTAMP:20260427T114817
CREATED:20260406T122433Z
LAST-MODIFIED:20260406T122433Z
UID:20642-1776193200-1776295800@globalazmedia.com
SUMMARY:Bruno Mars at State Farm Stadium
DESCRIPTION:A born entertainer with a stage name ideal for a showman\, Bruno Mars is not only a charismatic performer but also a songwriter\, producer\, multi-instrumentalist\, and all-around studio collaborator whose Grammy nominations and awards have recognized his full range of talent. Putting an updated pop twist on styles such as early rock & roll and R&B\, new wave\, and reggae\, Mars rose to prominence in 2010\, the year his name appeared at or near the top of the Billboard Hot 100 with B.o.B‘s “Nothin’ on You\,” his own “Just the Way You Are\,” and CeeLo Green‘s “Fuck You” — all three of which he had a hand in writing and producing. Those hits\, along with Mars’ multi-platinum debut album Doo-Wops & Hooligans\, led to a total of 13 Grammy nominations and a win for Male Pop Vocal Performance. Mars was only getting started. His 2012 return Unorthodox Jukebox\, chart-topping Mark Ronson collaboration “Uptown Funk\,” and production for Adele‘s 25\, followed by his 2016-issued third album 24K Magic\, combined for ten Grammys including wins in three of the Big Four categories. Having contemporized several shades of funk\, mid-’80s pop\, and new jack swing on 24K Magic\, Mars then teamed with touring partner Anderson .Paak to record a set of knowing retro-soul under the name Silk Sonic. Their 2021 LP\, An Evening with Silk Sonic\, became Mars’ fourth platinum album with the number one pop hit “Leave the Door Open” alone taking four Grammys. The duo’s 2022 cover of Con Funk Shun‘s “Love’s Train\,” fronted by Mars with typically raspy conviction\, has since become an R&B radio staple. Collaborations with Lady Gaga (“Die with a Smile”) and Rosé (“APT.”) attracted further accolades before Mars returned with his fourth album\, The Romantic (2026)\, heralded by the chart-topping “I Just Might.” \nBorn Peter Hernandez in 1985 in Honolulu\, Hawaii\, Mars kicked off his career at the age of four by fronting his uncle’s band\, becoming Oahu’s youngest Elvis impersonator in the process. Ten years later\, he was impersonating the King of Pop\, Michael Jackson\, as part of the Legends in Concert show. After graduating high school in 2003\, he took his uncle’s advice and moved to California to pursue a music career. He eventually met songwriter Philip Lawrence\, who convinced Mars to try his hand at writing songs for other artists. The two dubbed themselves the Smeezingtons and co-wrote Brandy‘s “Long Distance.” The duo scored their first number one hit in 2009\, when they co-authored Flo Rida‘s international smash “Right Round.” \nBy 2010\, Mars seemed to be everywhere: singing alongside B.o.B on the chart-topping “Nothin’ on You\,” co-writing “Billionaire\,” and collaborating with CeeLo Green on the Grammy-nominated hit “Fuck You.” He also began issuing his own material\, starting with the May 2010 release of his first EP\, It’s Better If You Don’t Understand. Doo-Wops & Hooligans\, his full-length debut\, appeared later that year and quickly produced a number one single\, “Just the Way You Are.” He hit number one again with “Grenade” and remained in the Top Ten with “The Lazy Song” and “It Will Rain.” In 2012\, Mars both hosted and performed as a musical guest on Saturday Night Live\, debuting tracks from his upcoming album. \nThat record\, the genre-jumping effort Unorthodox Jukebox\, was released later in the year and featured the chart-topping single “Locked Out of Heaven\,” along with production from Mark Ronson\, Diplo\, and others. “Locked Out of Heaven” topped the Hot 100\, and the album reached number two in the U.S. The second single\, “When I Was Your Man\,” also hit number one. Unorthodox Jukebox later won a Grammy Award for Best Pop Vocal Album. All that success made Mars a natural for one of the world’s most prestigious gigs\, the half-time show for Super Bowl XLVIII\, where he performed with Red Hot Chili Peppers in 2014. Mars later fronted Mark Ronson‘s “Uptown Funk\,” a song he co-wrote that was among the most popular singles of that year. It topped charts around the globe (becoming his sixth number one) and took home several Grammy Awards\, including Record of the Year. \nIn 2016\, Mars returned with another funk-flavored hit\, “24K Magic\,” and its parent album of the same title. Influenced by soul\, funk\, and ’90s R&B\, 24K Magic peaked at number two on the Billboard 200 and produced Mars’ seventh chart-topper\, “That’s What I Like\,” as well as “Finesse” with rapper Cardi B and “Versace on the Floor\,” which was also released as a remix by David Guetta. The album took home the Grammy Award for Best Engineered Album\, Non-Classical. In February 2019\, Mars again collaborated with Cardi B on the track “Please Me\,” which landed at number three on the Billboard Hot 100. That July\, he joined Ed Sheeran and Chris Stapleton on the song “Blow.” \nIn early 2021\, Mars teamed with Anderson .Paak — who opened the European leg of the 24K Magic World Tour — as Silk Sonic. After releasing their first single\, “Leave the Door Open\,” in March\, the duo made their television debut with a performance at the 2021 Grammy Awards. A year later\, the pair dominated the 2022 Grammys ceremony\, taking home awards for Record of the Year\, Song of the Year\, Best R&B Performance\, and Best R&B Song for “Leave the Door Open” from their global Top Ten debut An Evening with Silk Sonic. Also in 2022\, the duo returned to the airwaves with a faithful cover of Con Funk Shun‘s 1982 deep quiet storm classic “Love’s Train.” 2024 saw Mars collaborating on a pair of high-profile hits. “Die with a Smile” was a joint effort with Lady Gaga that topped the Hot 100 and earned them a Grammy Award for Best Pop Duo/Group\, and it was followed in October by an appearance on “APT.\,” a number three hit single for Rosé. The latter was nominated for three Grammys. Mars returned to solo recording for the first time in a decade with 2026’s The Romantic. Led by the single “I Just Might\,” his first song to debut at number one in the U.S.\, it was produced by D’Mile and the artist himself.
URL:https://globalazmedia.com/event/bruno-mars-at-state-farm-stadium/
LOCATION:State Farm Stadium\, 1 Cardinals Dr\, Glendale\, AZ\, 85305\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260419T190000
DTEND;TZID=America/Phoenix:20260419T233000
DTSTAMP:20260427T114817
CREATED:20260414T124113Z
LAST-MODIFIED:20260414T124113Z
UID:20712-1776625200-1776641400@globalazmedia.com
SUMMARY:Insane Clown Posse at Marquee Theatre
DESCRIPTION:Part rap group\, part societal phenomenon\, Insane Clown Posse amassed an unlikely cult around their cartoonish and critically loathed horrorcore rap styles. Loosely connected themes of psychopathic clowns\, Faygo soda\, and the importance of friendship were enough for thousands of die-hard fans to don clown make up and proclaim themselves “juggalos\,” part of a community of Insane Clown Posse superfans drawn to their lowest-common-denominator humor and shock-factor rhymes. Staunchly independent\, ICP only had brief and controversy-heavy associations with major labels around the time of their 1997 album The Great Milenko\, but spent most of their decades of existence releasing their albums (as well as the music of an extended family of artists) on their own Psychopathic Records label. The group’s grassroots approach resulted in millions of album sales\, with a creative and commercial peak around the time of their highly conceptual late-’90s/early-2000s output. A loose narrative exposed over the course of several albums — records like 1995’s Riddle Box and 1999’s The Amazing Jeckel Brothers — was presented as different “joker’s cards\,” culminating with the spiritual reveal of 2002’s The Wraith: Shangri-La. At that point\, however\, the wicked clowns were the center of a global counterculture\, and they charged ahead for decades to come with releases like 2007’s The Tempest\, and the unveiling of a second deck of joker’s cards with albums like 2011’s Bang! Pow! Boom! and 2021’s Yum Yum Bedlam. \nDown to a duo\, ICP were originally formed in 1989 as a hardcore Detroit rap group called Inner City Posse. After combusting in 1991\, the only members left\, Violent J (born Joseph Bruce) and Shaggy 2 Dope (born Joseph Utsler)\, slightly altered their name to reflect the fact that they had been visited by the Carnival Spirit\, who ordered them to carry the word of an impending apocalypse by touring the nation and releasing six “joker cards” (popularly known as LPs) with successive revelations of the final judgment. The first\, Carnival of Carnage\, appeared in 1992 on their own Psychopathic Records label. The group became notorious in Detroit’s underground scene\, but several tours around the region failed to ignite much more than the rage of community leaders. \nDown to a duo\, ICP were originally formed in 1989 as a hardcore Detroit rap group called Inner City Posse. After combusting in 1991\, the only members left\, Violent J (born Joseph Bruce) and Shaggy 2 Dope (born Joseph Utsler)\, slightly altered their name to reflect the fact that they had been visited by the Carnival Spirit\, who ordered them to carry the word of an impending apocalypse by touring the nation and releasing six “joker cards” (popularly known as LPs) with successive revelations of the final judgment. The first\, Carnival of Carnage\, appeared in 1992 on their own Psychopathic Records label. The group became notorious in Detroit’s underground scene\, but several tours around the region failed to ignite much more than the rage of community leaders. \nOn Halloween 2000\, the group issued its sixth album\, which apparently did not count (as all the other albums had) as a joker card (in the ICP fantasy world\, the sixth joker card was supposed to signal the apocalypse). Similar to Guns N’ Roses‘ Use Your Illusion\, the album was released in two completely different\, separate versions\, titled Bizzar and Bizaar. Finally needing to live up to the years of hype\, 2002’s The Wraith: Shangri-La revealed that the hidden message of their music was always to follow God and make it to Heaven. Considering the murder fantasies of “Beverly Kills 50187” and the necrophiliac overtones of “Cemetery Girl\,” this may have been a shock to longtime fans. \nIn August 2004\, the band released the sixth and final joker card\, Hell’s Pit\, in two separate editions; both had the same CD but were packed with different DVDs. Nevertheless\, the Dark Carnival wasn’t fully shuttered. Spring 2005 found ICP hyping a new direction for the mythology\, to be revealed with the May release of Calm. The EP also prepped Insane Clown Posse’s devoted fan base for the sixth annual Gathering of the Juggalos that July. Their 2007 effort\, The Tempest\, found the duo reuniting with producer Mike E. Clark\, the man behind the first four joker card releases. Clark stuck around for their 2009 Bang! Pow! Boom! album. That same year\, the duo presented a second feature-length film. This time exploring a western motif\, Big Money Rustlas featured the clowns in gunslinger garb and was again released outside of theaters. \nFeaturing Freshness\, a two-disc collection of the group’s work with other artists\, arrived in 2011. A year later\, the conceptual The Mighty Death Pop focused on their detractors and other “certified hoes\,” with Clark returning as producer. In 2015\, The Marvelous Missing Link (Lost) landed as the first of that year’s two albums\, while The Marvelous Missing Link (Found) landed later in the year. In 2017\, while recording the next joker card\, the duo released a pair of solo albums\, with Shaggy 2 Dope‘s F.T.F.O.M.F. arriving months before Violent J‘s American Life/Lives. In mid-2018\, the group announced that their 15th studio album\, Fearless Fred Fury\, would be released in October of that year\, but it was ultimately pushed back until February 2019. An eight-song EP\, Flip the Rat\, was scheduled for release on the same day. In advance of the group’s next studio album\, they released the eight-song EP Yum Yum’s Lure in February of 2021\, eventually delivering a full album\, Yum Yum Bedlam\, on the last day of October that same year. The album represented the fifth joker’s card in the second deck of the ongoing Dark Carnival saga\, and included guest appearances from Roadside Ghost and Vinnie Dombroski.
URL:https://globalazmedia.com/event/insane-clown-posse-at-marquee-theatre/
LOCATION:Marquee Theatre\, 730 N Mill Ave\, Tempe\, 85281\, United States
ATTACH;FMTTYPE=image/png:https://globalazmedia.com/wp-content/uploads/2026/04/Insane-Clown-Posse-at-Marquee-Theatre.png
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DTSTART;TZID=America/Phoenix:20260425T100000
DTEND;TZID=America/Phoenix:20260425T233000
DTSTAMP:20260427T114817
CREATED:20260404T034039Z
LAST-MODIFIED:20260404T034039Z
UID:20627-1777111200-1777159800@globalazmedia.com
SUMMARY:Sick New World 2026 at Las Vegas Festival Grounds
DESCRIPTION:After hitting a bump in the road in 2025\, the Sick New World festival is returning in a big way in 2026\, staging massive one-day events in both Las Vegas and Forth Worth\, Texas\, both headlined by System of a Down. \nThe 2026 Vegas edition\, taking place April 25th at the Las Vegas Festival Grounds\, boasts System of a Down\, Korn\, Bring Me the Horizon\, Ministry\, Evanescence\, Marilyn Manson\, AFI\, Acid Bath\, Knocked Loose\, Danny Elfman\, Cypress Hill\, Mastodon\, Underoath\, Melvins\, Filter\, Clutch\, and many more acts. \nTICKETS\nThe inaugural Fort Worth edition\, set for October 24th\, 2026\, at the Texas Motor Speedway\, features System of a Down\, Deftones\, Slayer (celebrating the 40th anniversary of Reign in Blood)\, Evanescence\, Ministry\, AFI\, Mastodon\, Knocked Loose\, Power Trip\, The Prodigy\, Underoath\, Clutch\, Down\, Melvins\, and more. \nA pre-sale for the Vegas edition of Sick New World festival starts Thursday\, October 23rd\, at 10 a.m. local time\, using the code SICK26 at this location. The pre-sale for Texas starts on Friday\, October 24th\, at 10 a.m. local time using the code SICK26 at this link. \nThe 2025 edition that was set to feature Metallica and Linkin Park in Las Vegas was abruptly canceled within weeks of its announcement\, reportedly due to low ticket sales. For 2026\, organizers once again tapped System of a Down\, who headlined the successful first two editions of Sick New World in 2023 and 2024 in Sin City. \nSee the full lineups for both festivals in the posters below.
URL:https://globalazmedia.com/event/sick-new-world-2026-at-las-vegas-festival-grounds/
LOCATION:Las Vegas Festival Grounds\, 2880 S Las Vegas Blvd\, Las Vegas\, NV\, 89109\, United States
ATTACH;FMTTYPE=image/webp:https://globalazmedia.com/wp-content/uploads/2026/04/Sick-New-World-2026-in-Las-Vegas.webp
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