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X-WR-CALDESC:Events for Global AZ Media
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TZID:America/Phoenix
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TZOFFSETFROM:-0700
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260512T180000
DTEND;TZID=America/Phoenix:20260512T233000
DTSTAMP:20260517T122203
CREATED:20260507T021850Z
LAST-MODIFIED:20260507T021850Z
UID:20752-1778608800-1778628600@globalazmedia.com
SUMMARY:Poison The Well and Converge at Nile Theater
DESCRIPTION:In the space of barely a breath\, Poison The Well pacify fits of jarring brutality with moments of fragile beauty. Their unmistakable melodic hardcore gently dilutes the residue of pain\, betrayal\, depression\, and loss with hard-won wisdom and diligently earned self-acceptance. For as much force as they commit to the riffs and the breakdowns\, there’s an equal amount of naked emotion encoded in their hooks. Poison The Well’s 1999 debut\, The Opposite of December… A Season of Separation has claimed spots on Brooklyn Vegan’s “15 ‘90s Metalcore Albums That Still Resonate Today\,” KERRANG!’s “21 Best U.S. Metalcore Albums of All Time\,” Loudwire’s “25 Best Metalcore Albums of All Time\,” and Revolver’s “10 Most Influential Metalcore Albums of All Time.” Stereogum put it best\, “The Opposite of December… influenced a whole generation of metalcore bands.” Meanwhile\, 2003’s You Come Before You remains regarded among Metal Hammer’s “100 Greatest Metal Albums of the 21st Century” and Rock Sound’s “250 Greatest Albums of Our Lifetime.” \nAfter touring in 2015 and 2021\, they’ve commemorated birthdays of both You Come Before You and The Opposite of December with in-demand headline jaunts. Once again\, the members—Jeff Moreira [vocals]\, Ryan Primack [guitar]\, and Chris Hornbrook [drums]—felt an intense need to create as a unit. Rallying together\, the guys channeled the spirit of their most celebrated material through a prism of new experience on their sixth full-length offering\, Peace In Place. \n \n \nYou feel it before you hear it. When you hear it\, you can’t un-hear it. A low\, persistent noise throbbing in the background. Scientists say it registers between 30 and 40 hertz. It’s been heard in Ipswich\, Massachusetts. Auckland\, New Zealand. Windsor\, Ontario. It’s been haunting the population of Taos\, New Mexico\, for decades. It’s been linked to suicides in the UK.  Not everyone can hear it. No one knows where it’s coming from. They call it The Hum. \nConverge have taken this mysterious real-world phenomenon and re-imagined it as a physical manifestation of human suffering.  “What if the Hum is the culmination of all the pain in the world creating an audible hum across the universe?” vocalist and lyricist Jacob Bannon posits. “Something noticeable to others operating on a similar frequency.” \nHum of Hurt  follows Love Is Not Enough as Converge’s second full-length release of 2026. Like its predecessor\, the album presents a bleak but empathetic assessment of the human condition and its ongoing deterioration. Unlike Love Is Not Enough\, the songs are rawer and more exposed. “When we got together to write\, we ended up with a lot of material\,” Bannon says. “We realized it was two separate albums.”
URL:https://globalazmedia.com/event/poison-the-well-and-converge-at-nile-theater/
LOCATION:The Nile Theater\, 105 West Main Street\, Mesa\, 85201\, United States
ATTACH;FMTTYPE=image/avif:https://globalazmedia.com/wp-content/uploads/2026/05/Poison-the-Well-and-Converge-at-Nile-Theater.avif
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DTSTART;TZID=America/Phoenix:20260525T193000
DTEND;TZID=America/Phoenix:20260525T233000
DTSTAMP:20260517T122203
CREATED:20260514T121224Z
LAST-MODIFIED:20260514T121224Z
UID:20769-1779737400-1779751800@globalazmedia.com
SUMMARY:Yungblud at Arizona Financial Theatre
DESCRIPTION:English musician Yungblud twists genres and societal conventions\, incorporating rock\, punk\, and hip-hop into a rebellious mix that has endeared him to the outcast masses around the globe. Blending punk spirit with pop savvy\, he made a steady climb in the late 2010s before scoring a trio of hits with Halsey\, Machine Gun Kelly\, Dan Reynolds\, and frequent collaborator Travis Barker. While his full-length debut\, 21st Century Liability\, landed in 2018\, he made his mainstream breakthrough a year later with the EP The Underrated Youth. That burgeoning success helped push his 2020 sophomore LP\, Weird!\, to the top of the U.K. albums chart. In 2022\, he rode the contemporary pop-punk revivalist wave with his third set\, Yungblud\, followed by a clutch of singles in 2023. Ambitious fourth album Idols appeared in 2025. \nBorn Dominic Harrison in Yorkshire\, the singer/songwriter was raised in a musical family. His father was a vintage guitar dealer and his grandfather played with T. Rex. Influenced by Bob Dylan\, the Clash\, and the Beatles\, he played guitar and sang from a young age. In 2017\, when he was 19\, he issued his debut single\, “King Charles\,” a genre-blending protest song that fell somewhere between early Arctic Monkeys\, Jamie T\, and Rat Boy. He followed with the song “I Love You\, Will You Marry Me\,” which incorporated some dub and grime elements. A major-label deal with Geffen yielded Yungblud’s first collection\, an eponymous 2018 EP that included his first two singles alongside three new tracks. His debut full-length\, 21st Century Liability\, appeared in May of that year and made a solid chart showing in Australia and Belgium. \nYungblud returned in early 2019 with “Parents\,” “Loner\,” and “11 Minutes\,” the latter of which was a collaboration with Halsey and Travis Barker. Later that year\, another track with Barker helped push Yungblud higher up the U.S. rock chart\, this time with rapper Machine Gun Kelly on the raucous “I Think I’m Okay.” Primed by these chart placements\, he scored his first spot on the Billboard 200 at the end of the year with his third EP\, The Underrated Youth\, which included his third Top Ten single on the Billboard Hot Rock & Alternative Songs chart\, “Original Me\,” featuring Imagine Dragons‘ Dan Reynolds. Rounding out 2019\, Yungblud teamed with Marshmello and Blackbear on “Tongue Tied.” \nAt the start of the next decade\, he began a fresh blitz with the ecstatic pop of “Weird!” He later issued collaborations with rapper Denzel Curry (“Lemonade”) and fellow Englishmen Bring Me the Horizon (“Obey”). Yungblud closed 2020 with the release of his official sophomore effort\, Weird!\, which topped the U.K. albums chart. He returned in 2021 with a stirring live cover of David Bowie‘s “Life on Mars\,” which was used as the soundtrack to NASA’s livestream following the Perseverance Mars rover’s touchdown. Yungblud started off 2022 with the fiery pop-punk single “The Funeral\,” following it with “Memories\,” a collaboration with fellow pop-punk revivalist Willow. His eponymously titled third album arrived later that year. Yungblud included those singles\, as well as “Don’t Feel Like Feeling Sad Today.” He returned to his alt-rock roots in 2023 with the anthemic\, inward-looking single “Lowlife\,” followed by the brash “Hated” and “Happier” featuring Oli Sykes. Another collaboration\, “When We Die (Can We Still Get High?)” with rapper Lil Yachty\, appeared in January 2024. Full-length Idols arrived in 2025\, drawing inspiration from Brit-pop and artists including David Bowie\, Oasis\, and My Chemical Romance\, and was expanded as Idols [Complete] the following year\, with help from the Smashing Pumpkins. \n \n \nA familial Mexican hard rock band that blends savvy riffage\, fist-pumping beats\, and stadium-ready choruses\, the Warning have evolved from viral sensations to festival faves with the release of their 2017 debut album\, XXI Century Blood. Comprised of sisters Daniela (guitar\, lead vocals)\, Paulina (drums\, vocals\, piano)\, and Alejandra Villarreal (bass\, piano\, backing vocals)\, the trio inked a deal with Universal imprint Lava Records in 2021 and issued the full-length ERROR in 2022. The group spent much of 2023 touring before ramping up for their fourth album\, 2024’s Keep Me Fed. \nThe Villarreal sisters began posting videos online around 2014 and soon attracted attention due to the teen siblings’ instrumental precocity as well as a repertory made up of heavy metal covers by Metallica\, Guns N’ Roses\, and AC/DC. Signed by Victoria Records\, the Warning issued their first EP\, Escape the Mind\, in 2015. The group’s debut album\, XXI Century Blood\, appeared in 2017\, and before long the trio were sharing the stage with the likes of Def Leppard and the Killers. They released their sophomore full-length effort\, Queen of the Murder Scene\, in 2019\, and caught the attention of Lava Records\, which quickly added the band to its roster. “Choke\,” the Warning’s debut single for the major label\, arrived in 2021\, and appeared on the 2022 long-player ERROR. Throughout 2023\, they toured heavily\, opening for Muse and Gun N’ Roses and visiting Europe for the first time. A string of 2024 singles like “S!CK” and “Burnout” preceded the release of the Warning’s fourth album\, Keep Me Fed.
URL:https://globalazmedia.com/event/yungblud-at-arizona-financial-theatre/
LOCATION:Arizona Financial Theatre\, 400 W Washington St\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/05/Yungblud-at-Arizona-Financial-Theatre.jpg
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DTSTART;TZID=America/Phoenix:20260526T193000
DTEND;TZID=America/Phoenix:20260526T233000
DTSTAMP:20260517T122203
CREATED:20260505T010707Z
LAST-MODIFIED:20260505T010707Z
UID:20748-1779823800-1779838200@globalazmedia.com
SUMMARY:The Cab at Nile Theater
DESCRIPTION:The Cab is a pop-rock band from Las Vegas\, Nevada\, known for their emotionally rich songwriting\, genre-blending sound\, and sharp musicality. Since forming in 2005\, the band has carved out a lasting place in the alternative music scene—fusing sleek pop production with rock instrumentation\, R&B influences\, and lyrical depth. \nThe Cab gained early momentum with their breakout debut album\, Whisper War (2008). In 2011\, they made a bold creative leap with Symphony Soldier—a self-funded\, independently released album that elevated their sound to cinematic levels and featured fan favorite “Angel with a Shotgun.” “Angel with a Shotgun” has surpassed 260M+ streams and\, despite its pre-tiktok release\, found massive success on shortform\, reaching 400M+ views across 300K+ TikTok creates. \nAfter an extended hiatus\, The Cab officially returned in 2025\, announcing their first new music in over a decade alongside live touring dates. Their new material dives deeper into themes of growth\, reinvention\, and emotional clarity—filtered through the lens of lived experience and creative maturity—while still delivering the cinematic energy and relatable themes that made them fan favorites over 10 years ago. \nOn Sept 26\, 2025\, the band marked their return with the release of a new EP\, Road To Reign: A Prelude. \nThe lineup features returning members Alex DeLeon (vocals)\, Alex Marshall (guitar\, keys)\, Dave Briggs (drums)\, and Joey Thunder (bass).
URL:https://globalazmedia.com/event/the-cab-at-nile-theater/
LOCATION:The Nile Theater\, 105 West Main Street\, Mesa\, 85201\, United States
ATTACH;FMTTYPE=image/png:https://globalazmedia.com/wp-content/uploads/2026/05/The-Cab-at-Nile-Theater.png
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260529T190000
DTEND;TZID=America/Phoenix:20260529T233000
DTSTAMP:20260517T122203
CREATED:20260516T001755Z
LAST-MODIFIED:20260516T001755Z
UID:20775-1780081200-1780097400@globalazmedia.com
SUMMARY:The HU + Apocalyptica at The Van Buren
DESCRIPTION:The Hu are a Mongolian band whose fusion of heavy metal\, throat singing\, and traditional Mongolian instrumentation brought them global attention and commercial success at the end of the 2010s. Their single “Wolf Totem” enjoyed a surprising run in the U.S.\, topping two Billboard charts\, making them the first band from their country to do so. Following the breakout success of their 2019 debut\, The Gereg\, the Hu toured heavily\, took part in a 2020 Metallica tribute album\, and in 2022 began teasing singles from their follow-up LP\, Rumble of Thunder. \nFormed in 2016 in the capital city of Ulaanbaatar by Gala (morin khuur\, vocals)\, Jaya (tumur khuur\, tsuur\, vocals)\, Enkush (morin khuur\, vocals)\, and Temka (tovshuur\, backing vocals)\, the quartet take their name from the ancient Mongolian empire known as the Hunna\, which in Western culture is referred to as the Huns. Utilizing the distinctive\, multi-octave droning technique known as throat singing as well as the traditional string and wind instruments of their homeland\, the Hu and their producer\, Dashka\, married this sound with electric guitars\, bass\, and heavy metal drums to great success. Their first two singles\, “Yuve Yuve Yu” and “Wolf Totem\,” appeared in 2018 and went viral\, notching millions of streams worldwide; the latter song hit number one on Billboard’s Hard Rock Digital Sales chart as well as the World Music chart. Both tracks appeared the following year on the Hu’s debut album\, The Gereg\, which saw international release from Eleven Seven Records. \nThe end of 2019 proved to be a fruitful period\, with the group’s first North American tour and the release of collaborative mixes of “Yuve Yuve Yu” and “Wolf Totem\,” featuring American singers Danny Case (From Ashes to New) and Jacoby Shaddix (Papa Roach)\, respectively. The band also landed a song on the soundtrack to the popular Star Wars video game Star Wars Jedi: Fallen Order. The collaborations continued into 2020 with another Hu track\, “Song of Women\,” featuring Halestorm vocalist Lzzy Hale. That same year\, they contributed a cover of Metallica‘s “Sad But True” to the Metallica Blacklist tribute album. In May 2022\, the Hu delivered “This Is Mongol\,” the lead single from their second album\, Rumble of Thunder. A second song\, “Black Thunder\,” arrived two months later. \n \n \nA listen to Apocalyptica’s Apocalyptica brings with it the nagging urge to figure out where\, exactly\, the music fits. Certain moments — entire tracks\, even — are given over to classical formality\, and it is in those moments\, steeped as they are in traditional loveliness\, that a listener can come dangerously close to thinking he is hearing something lofty and important. He is not. Apocalyptica\, the genre-splicing Finnish instrumental band that changed headbangers’ perception of the cello\, is not pretentious exactly\, but its effect is the same as that of a rock band whose lead singer is audibly British: it sounds smart. Too smart\, for instance\, to issue from the headphones of a kid just discovering Black Sabbath or lining up for Slipknot tickets. Where Apocalyptica might fit\, then\, is not with heavy rock scenesters but with aging metal heads. It is not hard to envision tracks like “Fatal Error” and “Fisheye” booming from the speakers of a splashy convertible with a bald guy at the wheel. Elaborate fantasy-concocting gamers — Dungeons & Dragons players and their descendants — also stand a better chance than most of finding relatable rock bliss here. \n \n \nThe album Weirdo (2025) is The Rasmus’ 11th full-length outing\, produced and co-written by Desmond Child and Marti Fredriksen. The band was formed in 1994 while the members were still in high school. Their debut\, Peep\, rapidly went gold in Finland\, making them rock stars at the age of 16. The follow-up\, Playboys\, also went gold and earned the group an Emma\, Finland’s version of a Grammy. Their third album\, Hell of a Tester\, included “Liquid\,” a track voted Best Single of the Year by Finnish music critics. 2001’s Into went double platinum\, with its debut single\, “F-F-F-Falling\,” topping the charts. An international audience started to build\, and the band toured Europe. Their fifth album\, Dead Letters (2003)\, became their breakthrough\, due in large part to the single “In the Shadows.” 2005’s Hide from the Sun went platinum in Finland. Their fourth Finnish chart-topper\, Black Roses\, was released in 2008\, also produced by Desmond Child. After the Best of The Rasmus: 2001–2009 compilation\, they released their self-titled eighth album in 2012. The band returned in 2017 with Dark Matters. In January 2022\, they announced the departure of founding guitarist Pauli Rantasalmi and introduced new guitarist Emilia ‘Emppu’ Suhonen. The album Rise was released the same year\, including “Jezebel\,” Finland’s entry in the Eurovision competition. The Rasmus are vocalist Lauri Ylönen\, bassist Eero Heinonen\, guitarist Emppu Suhonen\, and drummer Aki Hakala.
URL:https://globalazmedia.com/event/the-hu-apocalyptica-at-the-van-buren/
LOCATION:The Van Buren\, 401 W. Van Buren St\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/05/The-HU-Apocalyptica-at-The-Van-Buren.jpg
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