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DTSTART;TZID=America/Phoenix:20260925T200000
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SUMMARY:Dexter and The Moonrocks at Marquee Theatre
DESCRIPTION:Dexter and The Moonrocks didn’t set out to change rock music – but that’s exactly what they’re doing. A fry cook\, an oil field operator\, a  concrete surface decorator\, and a kids’ baseball coach came together in West Texas\, blending the country and western of their childhoods with the grunge they fell in  love with as teenagers. That fusion became Western Space Grunge—a genre of their own making that turned them from a grassroots phenomenon into a force to be reckoned with. \nThey first broke through in 2021 with “Couch\,” a melancholy slow-burn that  resonated deeply with fans and set the foundation for what was to come. That early momentum  caught the attention of Severance Records\, an imprint of Big Loud Rock\, looking to make a statement with its first signing. Together\, they released “Western Space Grunge” in July 2024\, solidifying the band’s identity and introducing their most defining songs  yet. The breakout single “Sad in Carolina” took them from small-town bars to seven weeks at No. 1 on U.S. Alternative radio\, proving their DIY grit and fearless sound could go head-to-head with the biggest names in rock. \nNow\, with “Ritalin”—a stadium-ready anthem already climbing the charts—the record captures a band fully coming into their own. From viral covers to festival stages\, they’re proving they’re not just next up: they’re inevitable. \n \n \nHigh June adopt an old school approach to make new school rock. These five musicians get together face-to-face\, play live until their fingers practically bleed\, and write songs steeped in truth. The Greenville\, NC quintet—Jack Flowers [lead vocals]\, Will Sain [guitar]\, James Barbee [guitar]\, Ryon Gerringer [bass\, backing vocals]\, and Hayden Church [drums]—bring grungy grit back to 21st century hard rock\, drenching hummable hooks in distortion and cigarette smoke. These musicians first rallied together during their time as students at East Carolina University. Once all five members got in the same room\, instant chemistry sizzled. In 2024\, High June independently made waves with “After Hours” followed by the It Never Really Mattered EP\, which housed their breakout “Coming Home Soon.” Along the way\, they emerged as the rare band versatile enough to hold their own on bills with either The Black Crowes or Dexter and The Moonrocks. For as much as they gained renown for energetic and cathartic performances\, their songs struck a deep emotional chord with fans. 2026’s “You’re Sorry” went viral and took flight fueled in part by a flurry of posts tagged with phrases like\, “If you ever think of me\, just go listen to High June.” With buzz behind them and countless gigs already in the rearview\, the boys arrive as the kind of rock band their generation needs—unafraid to open up\, yet undeniably ready to kick ass on stage.
URL:https://globalazmedia.com/event/dexter-and-the-moonrocks-at-marquee-theatre/
LOCATION:Marquee Theatre\, 730 N Mill Ave\, Tempe\, 85281\, United States
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DTSTART;TZID=America/Phoenix:20261001T190000
DTEND;TZID=America/Phoenix:20261001T233000
DTSTAMP:20260921T115619Z
CREATED:20260921T115619Z
LAST-MODIFIED:20260921T115619Z
UID:21223-1790881200-1790897400@globalazmedia.com
SUMMARY:BABYMETAL + Halestorm at Talking Stick Resort Amphitheatre
DESCRIPTION:Tokyo’s BABYMETAL is a fascinating collision of J-pop and heavy metal that may have started off as a novelty\, but has endured to become something more serious. They emerged in the early 2010s at the dawn of the kawaii metal movement (also known as kawaiicore or idol/cute metal). Fronted by vocalist SU-METAL\, the group’s eponymous 2014 debut album was certified gold and found international success with the single “Gimme Chocolate!!\,” which became a viral hit. Subsequent offerings Metal Resistance (2016)\, Metal Galaxy (2019)\, and The Other One (2023) continued to mine the seemingly disparate worlds of pop and metal\, while 2025’s collaborator-heavy collection Metal Forth provided tangible evidence that they had gained the respect of the metal community. \nThe early lineup of BABYMETAL featured SU-METAL (Suzuka Nakamoto)\, MOAMETAL (Moa Kikuchi)\, and YUIMETAL (Yui Mizuno). The trio began as a subgroup of Sakura Gakuin\, a more traditional-sounding J-pop act whose members would leave the group once they graduated from junior high school. Taking their name from producer Key Kobayashi aka Kobametal‘s concept that BABYMETAL marked the birth of a new genre\, the band arrived in 2011 with the song “Doki Doki Morning\,” which introduced their mix of sugary vocals and melodies with pummeling riffs and drums. Their first indie single\, BabyMetal x Kiba of Akiba\, debuted at number three on Oricon’s weekly indie chart in early 2012; later that year\, the limited edition of another single\, Headbangeeerrr\, came with a neck corset to ease listeners into headbanging. BABYMETAL’s first major-label single\, Ijime\, Dame\, Zettai\, arrived in January 2013 and entered Oricon’s Weekly Singles chart at number six after selling 19\,000 in its first week of release. Later that year\, the Megitsune single and the live video Live: Legend I\, D\, Z Apocalypse set the stage for the release of BABYMETAL’s self-titled album and lead single “Gimme Chocolate!!” in early 2014. Soon after its release\, BABYMETAL made the Top Ten of online rock charts as well as some digital chart lists in six other countries. That March\, the trio became the youngest group to play the Budokan. \nFinding favor with more adventurous metalheads as well as pop music fans\, the band continued to tour the world\, playing festivals and opening shows for Lady Gaga on her U.S. tour. They also racked up an impressive array of awards\, including Breakthrough Act at the 2015 Metal Hammer Golden Gods and the Spirit of Independence prize at the 2015 Relentless Kerrang! Awards. In November\, they released the single “Road of Resistance\,” which featured Sam Totman and Herman Li of DragonForce on guitars. That song plus a live version of “Gimme Chocolate!!” were featured on the mid-2015 U.S. release of their eponymous album. \nBABYMETAL’s next album\, 2016’s Metal Resistance\, was again produced by Kobametal and featured a heavier\, slightly more serious sound and tone. The band spent the next year touring\, playing festival shows and American late-night talk shows\, and generally spreading the kawaii metal sound around the world. Highlights included headlining Wembley Arena in April 2016 (Live at Wembley arrived later that year)\, having their debut LP voted Best Metal Album of the 21st century by the readers of Metal Hammer\, and performing with Judas Priest‘s legendary singer Rob Halford at the Alternative Press Music Awards. The group finished the year with the release of a CD/DVD set taken from their Wembley concert and an opening slot on the Red Hot Chili Peppers‘ U.K. tour. \nIn 2017\, BABYMETAL continued touring in support of high-profile metal acts like Metallica and Korn\, which kept them on the road for most of the year. Festival slots followed in 2018 as the band promoted their next album cycle. The single “Distortion” was released in May on their own BABYMETAL RECORDS label. Several more singles followed\, including “Pa Pa Ya!” featuring Thai rapper F. Hero\, before their third album\, Metal Galaxy\, arrived in October 2019; it was their first without YUIMETAL\, who had left the band a year earlier. 2021 brought 10 Babymetal Years\, their first compilation album\, which celebrated their first decade in the business. 2022 saw the release of “Divine Attack (Shingeki)\,” the inaugural single from the group’s fourth long-player. A concept album about a virtual world called “The Metalverse\,” The Other One\, appeared in 2023. Following its release\, Momoko Okazaki\, a backup dancer for the group since 2019\, officially became a member\, dubbed Momometal. She was in the band for their two 2024 concerts at Yokohama Arena where 30\,000 people attended as well as their appearance in the film Heavier Trip and their collaboration with Indian metal band Bloodywood on their song “Bekhauf.” The latter foreshadowed the group’s 2025 album Metal Forth\, which featured the band working with quite a few collaborators including Tom Morello\, Bloodywood\, Slaughter to Prevail\, and Poppy. It was released in August of a busy year which also saw them launch a radio show on Toyko FM and play a sell-out show at the O2 Arena in London. \n \n \nAfter several decades together as a band\, Halestorm find themselves still climbing. Their sixth full-length album\, Everest\, represents both a return to the Nashville-based band’s roots and an evolution into the next chapter of their career. The aptly-titled Everest is a dark\, deeply personal effort that pushed each musician to their artistic limits\, ultimately resulting in an evocative\, genuine collection of rock songs. \nHalestorm began working on Everest only months after releasing their acclaimed album\, Back from the Dead\, in the spring 2022. They enlisted GRAMMY-winning producer Dave Cobb who suggested they come into the studio without preparing any ideas or writing any songs. “We’ve never done a record like this before\,” Lzzy says. “It was a very uncomfortable situation\, which was good.” Joe adds\, “We went in with the shirts on our back and 20 years of being professional musicians and we loved it.” \nLzzy’s brutal honesty and thoughtful vulnerability resonates through the songs. By opening herself up and accepting harder truths\, she continues to create a space for Halestorm’s fans\, who have found relatability in the lyrics and melodies since Lzzy formed Halestorm with Arejay in 1997. \nEverest represents the next stage of Halestorm’s climb. It underscores the connection they have as musicians and as friends\, and adds to the ever-growing list of accolades the band has achieved\, including a GRAMMY win\, another nomination\, and seven #1 songs at rock radio. \n \n \nVIOLENT VIRA channels her music from traumatic yet deeply relatable life experiences and extraordinary empathy for the world around her. That sensitivity manifests at both extremes\, swinging between beguiling melodies and cathartic screams. The Mexican-American songstress born Amy Gonzalez\, alongside bandmates Anthony Brown and Matt Bolling\, has quietly emerged as a hard rock phenomenon with hundreds of millions of streams and dozens of sold-out shows.​Born to first-generation Mexican parents\, she found solace in art. She went from listening to Mexican pop juggernaut RBD to obsessing over Selena and Michael Jackson before later discovering Evanescence\, Linkin Park\, Asking Alexandria and Three Days Grace.​Her 2023 EP\, Till’ Death Was Never Enough\, produced fan favorites “Collar of Truth” and “You’re Not Gone\, You’re Just Dead!” She later relocated to Texas and signed with MOM+POP. Beyond selling out headline tours\, she has appeared at major festivals including Aftershock\, RIOT Fest\, SICK NEW WORLD\, Welcome To Rockville\, and more.​Now\, VIOLENT VIRA returns sounding like someone clawing their way back to life against all odds as an artist/band. The three piece continues on.
URL:https://globalazmedia.com/event/babymetal-halestorm-at-talking-stick-resort-amphitheatre/
LOCATION:Talking Stick Resort Amphitheatre\, 2121 N 83rd Ave\, Phoenix\, AZ\, 85035\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/09/BABYMETAL-Halestorm-at-Talking-Stick-Resort-Amphitheatre.jpg
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DTSTART;TZID=America/Phoenix:20261004T193000
DTEND;TZID=America/Phoenix:20261004T233000
DTSTAMP:20260923T120356Z
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SUMMARY:Wu-Tang Forever: The Final Chamber at Talking Stick Resort Amphitheatre
DESCRIPTION:Emerging in 1993\, when ‘s G-funk had overtaken the hip-hop world\, the Staten Island\, New York-based Wu-Tang Clan proved to be the most revolutionary rap group of the ’90s — and only partially because of their music. Turning the standard concept of a hip-hop crew inside out\, the Wu-Tang Clan were assembled as a loose congregation of nine MCs\, almost as a support group. Instead of releasing one album after another\, the Clan were designed to overtake the record industry in as profitable a fashion as possible\, the idea being to establish themselves as a force with their debut album and then spin off into as many side projects as possible. In the process\, the members would all become individual stars as well as receive individual royalty checks. \nSurprisingly\, the plan worked. All of the various Wu-Tang solo projects elaborated on the theme the group laid out on its 1993 debut\, the spare\, menacing Enter the Wu-Tang (36 Chambers). The collective’s name was taken from a powerful\, mythical kung fu sword wielded by an invincible congregation of warriors\, and all nine members have worked under a number of pseudonyms\, but they are best known as (formerly ; aka \, \, and ; born Robert Diggs)\, (aka \, \, and ; born Gary Grice)\, (aka \, \, Dirt McGirt\, \, and ; born Russell Jones)\, (aka \, \, \, \, and ; born Clifford Smith)\, (aka Shallah Raekwon and ; born )\, (aka and ; born Dennis Coles)\, (aka \, \, \, and ; born )\, (aka and ; born Jason Hunter)\, and (aka ; born ). \nAlthough wasn’t one of the two founding members — and were the first — the vision of the Wu-Tang Clan undoubtedly arises from his musical skills. Under his direction\, the group — through its own efforts and the solo projects\, all of which he produced or co-produced — created a hazy\, surreal\, and menacing soundscape out of hardcore beats\, eerie piano riffs\, and minimal samples. Over these surrealistic backing tracks\, the MCs rapped hard\, updating the old-school attack with vicious violence\, martial arts imagery\, and a welcome warped humor. By 1995\, the sound was one of the most instantly recognizable in hip-hop. \nIt wasn’t always that way. Like most rappers\, they began their careers trying to get ahead whatever way they could. For \, that meant releasing a silly single\, “Ooh\, I Love You Rakeem\,” on in 1991. On the advice of his label and producers\, he cut the humorous lover-man single\, which went absolutely nowhere. Neither did the follow-up single\, “My Deadly Venom.” The experience strengthened his resolve to subvert and attack record industry conventions. He found partners in and . had also released a record in 1991\, the full-length Words from the Genius on \, which was preceded by the single “Come Do Me.” Both records were unsuccessful. After the failure of his album\, teamed with an old friend\, \, to form the crew that would evolve into the Wu-Tang Clan within a year. \nquickly became part of the crew\, as did several other local MCs\, including \, \, \, \, \, and . The nine rappers made a pact to a form an artistic and financial community — the Wu-Tang Clan wouldn’t merely be a group\, it would be its own industry. In order to do this\, they decided to establish themselves through a group effort and then begin to spread the word through solo projects\, picking up additional collaborators along the way and\, in the process\, becoming stronger and more influential. \nThe first Wu-Tang Clan single\, the hard-hitting “Protect Ya Neck\,” appeared on their own independent label and became an underground hit. Soon\, record labels were offering them lucrative contracts. The group held out until it landed a deal that would allow each member to record solo albums for whatever label he chose — in essence\, each rapper was a free agent. / agreed to the deal\, and the band’s debut album\, Enter the Wu-Tang (36 Chambers)\, appeared in November 1993. Enter the Wu-Tang (36 Chambers) was both critically acclaimed and commercially successful; although its financial success wasn’t immediate\, it was the result of a slow build. “C.R.E.A.M.\,” released in early 1994\, was the single that put them over the top and won them a devoted following. The group wasted no time in pursuing other projects\, as a total of five of the members — \, \, \, \, and — landed solo contracts as a result of the success of “C.R.E.A.M.” was the first to reenter the studio\, this time as a member of \, a group he founded; in addition to \, who was rechristened \, the group included producer \, ‘s \, and ‘s . The ‘s album 6 Feet Deep appeared in August 1994; it eventually would go gold. Labeled “horrorcore” by the group\, it was an ultra-violent but comical tour de force that demonstrated ‘s production prowess. Shortly after its release\, released his first single\, “Heaven and Hell\,” on the Fresh soundtrack; the song was produced by and featured . \nThe first Wu-Tang member to become a major solo star was . In November 1994\, he released Tical\, the first official Wu-Tang solo album. Again\, produced the album\, creating a dense\, dirty sonic collage. Tical became a big hit in early 1995\, as did ‘s duet with \, “I’ll Be There for You/You’re All I Need to Get By.” followed ‘s breakthrough success with Return to the 36 Chambers\, which appeared in March 1995 on . Thanks to the hits “Brooklyn Zoo” and “Shimmy Shimmy Ya\,” the record became a gold success. Out of all the solo albums\, it was the one that sounded the most like Enter the Wu-Tang\, although it did have a more pronounced comic bent\, due to ‘s maniacal vocals. Tales from the Hood\, a movie soundtrack featuring ‘s first solo track\, appeared in May. \nLater in 1995\, the two most critically acclaimed Wu-Tang records appeared: ‘s Only Built 4 Cuban Linx and ‘s Liquid Swords. released his album on / in August 1995; the record featured extensive contributions — a total of 12 songs — from \, his greatest exposure yet. ‘s solo album was released by in November 1995. In February 1996\, ‘s first solo track\, “Winter Warz\,” appeared on the Don’t Be a Menace to South Central While You’re Drinking Your Juice in the Hood soundtrack. Later that October\, he released his own solo debut\, the critically acclaimed\, ’70s soul-flavored Ironman; the record was the first released on ‘s new subsidiary\, . \nThe Wu-Tang Clan finally reconvened and returned with their second album\, the double CD Wu-Tang Forever\, in June of 1997. Hugely anticipated\, the album entered the charts at number one — selling over 600\,000 copies in its first week alone — and quickly spawned the hit single “Triumph.” There were several contributions from guest associate (born )\, who’d appeared on Only Built 4 Cuban Linx and Ironman\, and would later become the tenth member of the Wu-Tang Clan. The group toured extensively in support of the album\, getting into a few minor scuffles with the law along the way. \nIn the meantime\, the next phase of the Wu-Tang plan started to take shape: unearthing new associates and spinning the resulting stable of talent into a brand-name franchise. A group of Wu protégés dubbed released their debut album\, Silent Weapons for Quiet Wars\, on in August 1997\, drawing heavily upon the Clan’s martial imagery. However\, the real year for Wu-related side projects proved to be 1998. In March\, released his solo debut\, The Pillage\, on . The same month\, — not an official part of the Clan\, but a frequent guest and a member of another protégé group\, — made his solo debut on with Heavy Mental\, an acclaimed album filled with spiritual imagery that established him as one of the more distinctive solo artists in the Wu-Tang orbit. In July released their own debut album\, The Last Shall Be First\, on \, and yet another group of up-and-comers dubbed the Wu-Tang Killa Bees released their first album\, The Swarm\, Vol. 1\, on \, featuring a number of guest appearances by Wu members and associates. In August\, issued their second album\, Dirty Weaponry. \nAlso in 1998\, began a long and bizarre saga of erratic behavior and run-ins with police that found him making headlines with alarming (and ridiculous) regularity. In February he interrupted ‘s acceptance speech at the Grammy Awards to protest the Clan’s loss in the Best Rap Album category; shortly thereafter\, he announced he was changing his name to \, an idea that never picked up steam. This was only the beginning — over the next year and a half\, would be arrested for a litany of offenses that included assault\, shoplifting\, making terrorist threats\, wearing body armor after being convicted of a felony\, possessing cocaine\, and missing countless court dates. Plus\, in early 1999\, the whole Clan fell under suspicion of masterminding a gun-running operation between Staten Island and Steubenville\, Ohio — charges that were never proven to have any validity. \nIn the midst of this legal sideshow\, the Clan kicked off a second round of solo projects in late 1998. This time around\, curtailed his activities somewhat\, making appearances but often leaving the majority of the production duties to his protégés. Still\, he released his own solo debut\, the soundtrack-styled RZA as Bobby Digital in Stereo\, in November 1998 on ; the same month\, ‘s second album\, Tical 2000: Judgement Day\, debuted at number two on the charts. June 1999 saw the release of an excellent singles compilation\, RZA Hits\, which covered the first Wu-Tang album and the first round of solo albums (1994-1995); the very next week\, ‘s second album\, Beneath the Surface\, was released. September brought plenty of new Wu product: ‘s Nigga Please\, released while the rapper was in rehab; ‘s acclaimed duo album with \, Blackout!; and the first-ever solo album by \, Uncontrolled Substance\, which appeared on . Another Wu member made his solo debut in October\, when issued Golden Arms Redemption on ; returned the following month with Immobilarity. Finally\, issued his well-received sophomore set\, Supreme Clientele\, in January 2000. \nHowever\, this second round of Wu-Tang solo albums didn’t attract as much attention\, either critically or commercially. True\, remained a popular solo star (and\, to a lesser degree\, so did )\, and reviews were highly positive for (and\, to a lesser degree\, ). But the Wu franchise was suffering from inconsistency\, overexposure (they’d spawned a clothing line\, a video game\, a comic book\, and more)\, and a flood of musical product that even diehards found difficult to keep up with. Their once-distinctive sound was becoming commonplace and diluted\, not just through the collective’s own releases but also ‘s many imitators; plus\, by this time\, had taken over the mantle of hip-hop’s most cutting-edge producer. \nIndie filmmaker commissioned to compose a soundtrack for his acclaimed Ghost Dog: The Way of the Samurai\, the results of which were unveiled in early 2000. Other than that\, the Clan reconvened for a new album and were mostly quiet during much of 2000 — aside from \, who unfortunately continued to spiral out of control. He spent some time in a California jail for violating the terms of his probation\, but appeared to be on the right track when suddenly\, in October — with just two months of rehab to go — he escaped the California facility and spent a month on the run from the law. Fans were shocked when turned up on-stage at the New York record-release party for the Clan’s new album\, The W\, which was released with considerably less fanfare in November 2000. A leaner\, more focused collection\, The W featured only one track from and pictured as a full-fledged member of the group (though he remained unnamed on their official contract with ). \nmanaged to exit the club after his surprise performance but was soon captured by police in Philadelphia and extradited to New York to face charges of cocaine possession. In April 2001\, he cut a deal with prosecutors that resulted in a sentence of two to four years in state prison\, bringing his outlaw saga to a sad end. In August 2001\, issued his second album\, Digital Bullet; November brought solo albums from (Bulletproof Wallets) and (The Yin and the Yang). This time\, though\, there was no full round of solo projects in between Wu albums; the full group (minus ) assembled for its fourth album\, Iron Flag\, which was released in December 2001\, just one year after its predecessor. Despite a lot of activity for the various solo projects\, Wu-Tang released only a live album\, 2004’s Disciples of the 36 Chambers\, during the subsequent five years. That document was one of the last places to hear \, who died of a heart attack in November 2004. \nIn early 2007\, in anticipation for the Clan’s upcoming album\, 8 Diagrams\, issued the -compiled Unreleased\, a collection of new remixes and hard-to-find\, previously unreleased songs from the group and some of its friends. It wasn’t until the end of the year\, however — after a couple of delays and some criticism from and directed at regarding the overall sound of the record — that 8 Diagrams came out. Solo albums from most members would follow\, but the Clan itself would remain dormant until 2011\, when the Wu-related compilation Legendary Weapons landed with some new tracks from the full group. That year\, it was also announced that the Clan were working on a new studio album that would be released in 2013 to celebrate their 20th anniversary. \nHowever\, the album failed to materialize as 2013 came and went\, with production stymied by a further public beef between and over the new album’s stylistic direction. Eventually they reconciled\, and in 2014 the album was finally finished. Entitled A Better Tomorrow\, it was released in December through That year the Clan also made history with the announcement that they had recorded a secret album called Once Upon a Time in Shaolin\, of which only one copy would be pressed and sold as a unique artwork\, in a custom-made hand-carved nickel and silver box\, to the highest bidder. In December 2015\, controversial pharmaceuticals CEO Martin Shkreli purchased the album for two million dollars. In 2017\, in addition to contributing “Don’t Stop” to the Silicon Valley soundtrack\, the Clan issued “People Say” with . The DJ Mathematics-produced single was the first offering from their album The Saga Continues. The soundtrack EP Of Mics and Men arrived in May of 2019 and featured songs inspired by the group’s Showtime documentary series. ~ Stephen Thomas Erlewine & Steve Huey\, Rovi \n \n \nBone Thugs-N-Harmony is an American Hip Hop music group hailing from the streets of Cleveland\, Ohio. The group includes members Wish Bone and brothers & The group met at a concert he promoted in Cleveland where they auditioned in his dressing room. Once signed to Ruthless Records\, BTNH released their debut EP in 1994 with hit singles & From 1995-1997 BTNH reached their pinnacle in the game with their best-selling multi platinum album with help from their #1 hit single They followed up their efforts with their first double album ‘The Art of War’ featuring the song ‘Thug Luv’ with the late That same year they featured on album ‘Life After Death’ on the song The group released BTNHRESURRECTION in 2000 & ‘Thug World Order’ in 2002. The group became a trio in 2006 and released ‘Thug Stories’ and in 2007 that featured the #1 single ‘I Tried’ featuring . In 2010 all 5 members reunited and they released the album which brought them back to the top of the charts.Since then they have focused their attention on releasing singles like ‘Everything 100’ featuring & ‘Reach for the Stars’ featuring . Group members & also released the much-anticipated duet album ‘New Waves’.
URL:https://globalazmedia.com/event/wu-tang-forever-the-final-chamber-at-talking-stick-resort-amphitheatre/
LOCATION:Talking Stick Resort Amphitheatre\, 2121 N 83rd Ave\, Phoenix\, AZ\, 85035\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/09/wu-tang-clan-at-Talking-Stick-Resort-Amphitheatre.jpg
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