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DTSTART;TZID=America/Phoenix:20261005T180000
DTEND;TZID=America/Phoenix:20261005T233000
DTSTAMP:20261001T114807Z
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SUMMARY:Breaking Benjamin + Chevelle at Talking Stick Resort Amphitheatre
DESCRIPTION:Breaking Benjamin are Pennsylvania-based metal-tinged alternative rockers with a radio-friendly approach that’s aggressive and forceful\, yet still melodic. Originally indebted to the minor-chord dirges of grunge rockers like Alice in Chains and the menacing darkness of nu-metal acts like Godsmack and Chevelle\, Breaking Benjamin became one of the most popular rock groups in the United States\, scoring a number one with the single “Breath” in 2007 and topping the Billboard 200 in 2015 with Dark Before Dawn. In addition\, three of their albums — 2004’s We Are Not Alone\, 2006’s Phobia\, and 2009’s Dear Agony — have been certified platinum in the U.S. \nIn late 2000\, after parting ways with the band Lifer\, founding guitarist Aaron Fink and bassist Mark Klepaski joined forces with singer Benjamin Burnley and drummer Jeremy Hummel to form Breaking Benjamin. When the quartet started playing around their hometown of Wilkes-Barre\, they favored a radio-friendly post-grunge approach that was informed by influences like Live\, Bush\, Pearl Jam\, Stone Temple Pilots\, and Nirvana. Later\, they would adopt the downtuned guitar sound of groups such as Korn and Tool. \nIn 2001\, Breaking Benjamin’s Wilkes-Barre gigs caught the attention of a local radio DJ named Freddie Fabbri\, who was an on-air personality at alt-rock station WBSX-FM. Fabbri put their song “Polyamorous” in rotation\, later financing the recording of their self-titled debut EP. That year\, they signed with Hollywood Records\, which connected the band with Ulrich Wild (Static-X\, Pantera\, Slipknot)\, who served as both producer and engineer on their debut full-length\, 2002’s Saturate. The David Bendeth-produced We Are Not Alone followed two years later\, complete with a few collaborations with Billy Corgan. The group landed a spot on tour with Evanescence in support of the effort\, as three of the album’s singles made their way onto the Billboard charts (“So Cold” and “Sooner or Later” both peaked at number two on the Mainstream Rock Songs list). \nBreaking Benjamin issued their third album\, Phobia\, in August 2006 before heading out on a nationwide headlining trek. The album featured new drummer Chad Szeliga and was spearheaded by the single “The Diary of Jane\,” which gained radio airplay and helped the album debut at number two on the Billboard charts. Phobia was reissued that fall with additional bonus tracks\, while the band continued touring alongside Godsmack. After the tour\, Breaking Benjamin dove back into the studio to begin work on their fourth full-length. The resulting Dear Agony\, fueled by first single “I Will Not Bow\,” arrived in the summer of 2009. More touring followed\, including legs with Three Days Grace and Nickelback\, before Burnley announced a hiatus due to persistent health issues. Ensuing legal disputes within the group led to Fink and Klepaski being fired just before a collection\, Shallow Bay: The Best of Breaking Benjamin\, was released in 2011. Szeliga exited the band in 2013. \nThe following year\, Burnley confirmed that Breaking Benjamin would continue as a quintet\, and in June of 2015 they returned with their first album of new material in six years\, Dark Before Dawn. The comeback effort featured the lineup of Burnley (who also produced)\, guitarists Jasen Rauch and Keith Wallen\, bassist Aaron Bruch\, and drummer Shaun Foist. The lead single\, “Failure\,” cracked the Billboard Hot 100 and hit number one on the Mainstream Rock Songs chart\, and the album became their first American chart-topper. While still touring behind Dark Before Dawn\, Breaking Benjamin recorded their sixth effort\, Ember\, which arrived in 2018. Debuting on the charts at number three\, the LP included the hit singles “Red Cold River\,” “Feed the Wolf\,” and “Blood.” Two years later\, Breaking Benjamin returned with Aurora\, a collection of reimagined versions of some of their best-known songs featuring a guest list that included Cold frontman Scooter Ward\, Saint Asonia vocalist Adam Gontier\, and Underøath‘s Spencer Chamberlain. Two years later\, the band hit number two on the Billboard Mainstream Rock Airplay chart with the single “Waiting on the Sky to Change\,” a collaboration with Ohio rockers Starset. 2024 saw Breaking Benjamin ink a deal with BMG and release “Awaken\,” the first single from their forthcoming seventh long-player. “Something Wicked” surfaced in 2026. \n \n \nIn a dizzying display of evolutionary action\, Chevelle have gone from being moody\, Steve Albini-produced indie rockers to platinum-selling\, Ozzfest-playing rock stars. Their blend of alternative\, nu metal\, and post-grunge endeared them to the masses\, and on their first couple of albums\, a Christian lyrical slant piqued the interest of the faithful as well. While Chevelle eventually dropped the Christian-oriented themes\, they continued building on their success\, becoming one of the most high-profile active rock outfits of the 2000s. The band spent the 2010s and 2020s crystallizing their radio-friendly but punishing blend of alternative metal\, post-grunge\, and hard rock on anthemic\, commercial-grade outings like Hats Off to the Bull (2011)\, Niratias (2021)\, and Bright as Blasphemy (2025). \nFormed in 1995 and comprising brothers Sam (drums)\, Pete (vocals\, guitar)\, and Joe Loeffler (bass)\, the band began playing parties and outdoor events\, which quickly led to bookings at Chicago clubs when youngest member Joe was just 14 years old. In 1999\, Chevelle released their Steve Albini-produced debut album\, Point #1\, on Squint Entertainment. Three years later\, following tours with groups like Filter\, Sevendust\, Powerman 5000\, and Machine Head\, the band inked a deal with Epic and issued Wonder What’s Next\, released in August 2002. The album went platinum by the following summer\, propelled in part by its second single\, “Send the Pain Below\,” which became a number one hit on modern rock and mainstream radio. Main-stage dates with the annual Ozzfest tour followed that summer\, and 2003 brought a concert album\, Live from the Road. \nChevelle returned in the fall of 2004 with their third full-length effort\, This Type of Thinking (Could Do Us In)\, and with it came another hit song\, “Vitamin R (Leading Us Along).” Joe parted ways with his brothers in July 2005\, and though he was replaced on bass a month later by Dean Bernardini\, Chevelle remained a family affair\, since Bernardini was the siblings’ brother-in-law. With the new member came a newfound energy and optimism that replaced the internal bickering of the past\, and the guys carried that spirit into the recording of their next two albums\, 2007’s Vena Sera and 2009’s Sci-Fi Crimes. The following year\, the band celebrated their ten-year anniversary in the music business with a pair of live shows in Chicago\, later released on the concert film Any Last Words. \nIn 2011\, Chevelle announced that they were taking a break from touring to head into the studio\, eventually releasing their sixth album\, Hats Off to the Bull\, in the winter of that year. Following the touring cycle for that album\, they went back into the studio with Joe Barresi (Kyuss\, Tool\, Queens of the Stone Age)\, utilizing the producer’s vast collection of percussion instruments to subtly reinvent their sound once again. Arriving in early 2014\, their next release was the groovy\, aggressive single “Take Out the Gunman\,” from their seventh album\, La Gárgola\, which followed in April of that year. \nTwo years later\, the band released their eighth album\, North Corridor. The heavier effort — again produced by Joe Barresi — was showcased by lead single “Joyride (Omens).” In 2018\, Chevelle issued 12 Bloody Spies\, a compilation LP featuring B-sides\, covers\, rarities\, and remixes. Longtime bassist Dean Bernardini departed the following year\, leaving brothers Sam and Pete as the band’s core. Early 2021 saw the arrival of the single “Self Destructor\,” which appeared on the group’s long-awaited ninth full-length effort\, the sci-fi-inspired Niratias\, which arrived later that March. Early 2025 saw the release of the singles “Rabbit Hole (Cowards\, Pt. 1)” and “Jim Jones (Cowards\, Pt. 2)\,” both of which focused narratively on internet-era anxiety\, specifically doomscrolling. Later that August\, both cuts appeared on the group’s tenth full-length effort\, Bright as Blasphemy\, their first outing on Alchemy Recordings. \n \n \nThe stylistically ambitious Starset are a Columbus\, Ohio rock band who describe their sound as “cinematic rock” and emerged in the mid-2010s with a thoroughly developed thematic narrative already in place. With sweeping science fiction concept albums like 2017’s Vessels and 2019’s Divisions\, the band built a devoted audience and enjoyed chart success in the process. Starset’s fourth LP\, Horizons\, appeared in October 2021 and they landed a hit single a year later with the Breaking Benjamin collaboration “Waiting on the Sky to Change.” \nLed by former Downplay frontman Dustin Bates\, Starset have constructed an elaborate mythos surrounding themselves (as detailed on their website and shared through their social media posts)\, in which they insist they were recruited by one Dr. Aston Wise of the Starset Society to spread awareness of scientific phenomena that have been ignored or hidden from public view\, most notably transmissions believed to be of human origin that have been broadcast from the constellation Ophiuchus. However\, Bates and his bandmates first came together in July 2013\, when their debut single\, “Carnivore\,” was released online. A second track\, “My Demons\,” appeared in August 2013\, after which the band made its live debut in Salem\, Ohio on November 27\, 2013. \nStarset laid down their conceptual premise with 2014’s Transmissions\, their full-length debut. Released by Razor & Tie\, it cracked the Top 50 and was followed in 2017 with by their second studio effort\, Vessels. A breakout success for the band\, Vessels hit number 11 on the Billboard 200 and yielded a hit in the single “Monster.” Capitalizing on their momentum\, Starset released a deluxe version of the LP (Vessels 2.0) in 2018 featuring reimagined\, acoustic\, and remixed versions of its songs. During this period\, Bates also debuted his electronic side project\, MNQN\, after which Starset returned to work\, releasing their third proper full-length\, Divisions\, in September 2019. The set debuted at number 37 on the Billboard 200 and further expanded the band’s ongoing narrative about a dystopian future world. It was also their first release for the Fearless label\, which also issued Starset’s fourth album\, Horizons\, in October of 2021. In August 2022\, the band collaborated with Breaking Benjamin on the single “Waiting on the Sky to Change\,” a song previously recorded by Bates‘ old band Downplay. It made a Top 20 showing on Billboard’s Mainstream Rock chart. A flurry of singles\, including the blazing hard rock hit “Brave New World\, ” appeared in 2024\, heralding the arrival of the band’s forthcoming fifth full-length effort slated to appear in 2025. \n \n \nWith her mix of edgy alt rock and bratty pop\, Kami Kehoe brings a sense of personality to songs which have resonated with audiences\, especially on social media. The Las Vegas native began releasing music in the early 2020s and found breakout success with tracks like 2023’s “Loaded Gun” and “SLEEP WHEN IM DEAD.” Following her debut album\, Drama Queen\, Kehoe issued the 2024 follow-up REVIVED\, then collaborated with Colorblind and Ekoh on the 2025 single “Safehouse.” \nKami Kehoe grew up in a musical Las Vegas family\, playing drums in a band with her sisters at the age of six. Over time\, she began writing her own songs on keyboards\, inspired by artists like Amy Winehouse and Lana Del Rey. She was in her late teens when she released her debut single\, “SLOW.” More songs followed throughout 2022 as she explored a mix of pop\, punk\, R&B\, and alt-rock. After signing with Oxide Records\, Kehoe released her debut album\, 2023’s Drama Queen. A follow-up single\, “SLEEP WHEN IM DEAD\,” found viral success on social media platforms and was included alongside other popular tracks like “KAMELEON” and “LA LA LAND” on her sophomore album\, REVIVED\, in October 2024. Her first song of 2025 was “Safehouse\,” a collaboration with labelmates Colorblind and Ekoh.
URL:https://globalazmedia.com/event/breaking-benjamin-chevelle-at-talking-stick-resort-amphitheatre/
LOCATION:Talking Stick Resort Amphitheatre\, 2121 N 83rd Ave\, Phoenix\, AZ\, 85035\, United States
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DTSTART;TZID=America/Phoenix:20261020T190000
DTEND;TZID=America/Phoenix:20261020T233000
DTSTAMP:20261004T002626Z
CREATED:20261004T002626Z
LAST-MODIFIED:20261004T002626Z
UID:21254-1792522800-1792539000@globalazmedia.com
SUMMARY:Weezer at Mortgage Matchup Center
DESCRIPTION:As one of the most popular groups to emerge in the post-grunge alternative rock aftermath\, Weezer merges the heavy power pop of arena rockers like Cheap Trick and the angular guitar leads of the Pixies while injecting their melodies with doses of ’70s metal gleaned from bands like Kiss. What truly sets the band apart\, though\, is their implied geekiness. None of the members of Weezer\, especially leader Rivers Cuomo\, were conventional rockers: they were kids who holed up in their garage to play along with their favorite records when they weren’t studying or watching TV. As a result\, their music is infused with a quirky sense of humor and an endearing awkwardness that made songs from their debut\, Weezer (aka “The Blue Album”)\, into big modern rock hits during the mid-’90s. Weezer’s early singles turned into hits with immeasurable help from clever videos\, and the quickly canonized 1994 debut was followed by a more artistically than commercially motivated 1996 sophomore effort\, Pinkerton\, which was adored by critics and set the tone for what became the band’s long and winding career. As years turned into decades\, Cuomo‘s idiosyncratic personality seeped more and more into his songwriting\, resulting in albums that ranged from the catchy nerd rock of 2009’s Raditude to the enduringly tender orchestral pop songcraft of 2021’s OK Human\, as well as their ambitious four-part EP series SZNZ in 2022. The band’s 20th album — 2026’s Gold Album — featured them in back to basics mode with a heavy sound that recalls their early days. \nRaised in Massachusetts\, Rivers Cuomo moved to Los Angeles to attend college in the late ’80s. During high school\, he had played with a number of metal bands\, but upon his move out west\, his interests broadened to include alternative and post-punk music. By early 1992\, he had fused such interests together and formed Weezer with bassist Matt Sharp and drummer Patrick Wilson. Over the course of the next year\, the group played in the competitive Los Angeles club scene\, eventually landing a deal with DGC during the post-Nirvana alternative signing boom. Three days before Weezer began recording a debut album with producer Ric Ocasek\, they added guitarist Brian Bell to the mix. Upon completing the record\, Weezer went on hiatus; Cuomo was studying at Harvard when their eponymous debut record came out. With the support of DGC and a striking\, Spike Jonze-directed video\, “Undone (The Sweater Song)” became a modern rock hit in the fall of 1994\, but what made Weezer a crossover success was “Buddy Holly.” Jonze created an innovative video that spliced the group into old footage from the sitcom Happy Days and the single quickly became a hit\, making the album a multi-platinum success as well. \nBy the time the album’s final single\, “Say It Ain’t So\,” was released in the summer of 1995\, the group had gone on hiatus once again\, with Cuomo returning to Harvard. During the time off\, Sharp and Wilson formed the new wave revival band the Rentals\, who had a hit later that year with “Friends of P.” During the hiatus\, Cuomo became a recluse\, disappearing at Harvard and suffering writer’s block. When Weezer reconvened in the spring of 1996 to record their second album\, he had written a loose concept album that featured far more introspective material than their debut. Ironically\, the band sounded tighter on the resulting album\, Pinkerton. Released in the fall to generally strong reviews\, the record failed to become a hit\, partially because Cuomo did not want the band to record another series of clever videos. Grudgingly\, the remainder of the bandmembers contented themselves being a supporting group for Cuomo\, largely because each member had his own solo project scheduled for release within the next year. DGC\, however\, had the band make one last stab at a hit with “The Good Life\,” but by the time the single was released\, MTV and modern rock radio had withdrawn their support not only of Weezer but their style of guitar-driven punk-pop in general. \nShortly after the tour in support of Pinkerton was completed in 1997\, it appeared as though Weezer had fallen off the face of the planet. Stung by the public’s initial reaction to their sophomore effort (Rolling Stone even named Pinkerton the Worst Album of 1996)\, the band took time off to regroup and plan their next move. Unhappy with the sluggish rate of the reassessment period\, Sharp left the group to concentrate more fully on the Rentals\, fueling rumors that Weezer had broken up. But a funny thing happened during Weezer’s self-imposed exile — while their copycat offspring were falling by the wayside (Nerf Herder\, Nada Surf)\, a whole new generation of emocore enthusiasts discovered Weezer’s diamond-in-the-rough sophomore effort for the first time\, and their audience grew despite not having a new album in the stores. \nOnce Weezer’s members wrapped up work on their side projects (Bell with Space Twins; Wilson with the Special Goodness)\, the band recruited former Juliana Hatfield bassist Mikey Welsh to take the place of Sharp and began working on new material. Before they could enter the studio to record their third release\, however\, Weezer tested the waters by landing a spot on the 2000 edition of the Warped Tour\, where they were consistently the day’s highlight. Hooking up again with the producer of their 1994 debut\, Ric Ocasek\, Weezer recorded what would be known as “The Green Album” (an informal title given by fans\, since it was actually their second self-titled release). The album was an immediate hit\, debuting at number four in May 2001 and camping out in the upper reaches of the charts for much of the spring/summer\, during which such songs like “Hash Pipe” and “Island in the Sun” became radio and MTV staples\, reestablishing Weezer as one of alt-rock’s top dogs. During their tour that summer\, Welsh fell ill and was replaced by Scott Shriner\, also of the band Broken. (Welsh died in Chicago in October 2011 at the age of 40.) That fall and winter\, the group busied itself with touring alongside bands like Tenacious D and recording their next album\, Maladroit\, which arrived a year after The Green Album‘s release. \nJust before Maladroit‘s release\, former bassist Matt Sharp sued Weezer\, seeking compensation and songwriting credit for songs such as “Undone (The Sweater Song)\,” “El Scorcho\,” and “The Good Life.” The band eventually reconciled with Sharp\, though he didn’t rejoin\, and Weezer continued with the lineup of Cuomo\, Bell\, Wilson\, and Shriner. The limited-edition live EP Lion and the Witch appeared in May 2002\, and Maladroit‘s “Keep Fishin'” was released as a single. Most of 2003 was spent on side projects; Cuomo did some hired-gun songwriting\, Bell‘s band the Space Twins put out End of Imagining\, and Wilson‘s Special Goodness project issued Land Air Sea. Weezer returned to the studio in 2004\, working with Rick Rubin on their fifth full-length album. Make Believe appeared in May 2005\, prepped by the single “Beverly Hills\,” and eventually went platinum in multiple countries. Weezer (Red Album) followed in 2008 and featured a more collaborative approach with several bandmembers contributing songwriting ideas and lead vocals to the tracks. One year later\, the group returned with Raditude. Greeted with mixed reviews\, Raditude marked Weezer’s last album for Universal. They jumped to the indies in 2010\, releasing Hurley on Epitaph. The new album was quickly followed by two archival releases: an expanded deluxe edition of Pinkerton and the outtakes collection Death to False Metal. \nWeezer took their time returning to the studio\, finally re-emerging in the autumn of 2014 with Everything Will Be Alright in the End\, a record produced by Ric Ocasek and released on Republic Records. Greeted by generally good reviews\, the album debuted at five on the Billboard 200 upon its October 2014 release. In the fall of 2015\, the band delivered a pair of new singles — “Thank God for Girls” and “Do You Want to Get High? — the first fruits of their sessions with producer Jake Sinclair. One other single\, “King of the World\,” appeared in January 2016\, timed to arrive at the announcement of their tenth studio album. Another self-titled\, color-coded (this time\, it was white) album saw release in April. Weezer’s White Album peaked on the Billboard 200 at number four and was followed by an extensive tour with Panic! At the Disco. \nA year after the release of the White Album\, the band returned with “Feels Like Summer\,” the first single from their 11th LP\, Pacific Daydream. Released in October 2017\, Pacific Daydream boasted a more modern sound than its predecessor and rose into the Top Four of the Billboard Alternative and Rock charts. Months later in 2018\, the group placated social media fan demand by delivering a faithful cover of Toto‘s classic “Africa\,” but not before they first issued a cover of that band’s “Rosanna.” “Africa” became Weezer’s first Hot 100 hit since 2009’s “(If You’re Wondering If I Want You To) I Want You To\,” entering the chart at number 89. Toto returned the favor by covering “Hash Pipe” in August 2018. \n“Africa” turned out to be the cornerstone of the surprise January 2019 release Weezer (The Teal Album)\, a collection of covers. Two months after The Teal Album\, Weezer finally delivered Weezer (The Black Album)\, a record Cuomo began teasing during the promo cycle for Weezer (The White Album). Produced by Dave Sitek of TV on the Radio\, The Black Album appeared in March 2019. In 2020\, the band issued the singles “Hero” and “The End of the Game\,” both of which were slated to appear on their forthcoming album and return to huge\, Van Halen-inspired guitars\, Van Weezer. After multiple setbacks related to the COVID-19 pandemic disrupted the completion of Van Weezer\, the band returned to material they’d first conceptualized and started work on several years earlier. A collection of songs inspired by Harry Nilsson and the Beach Boys\, complete with string parts played by a 38-piece orchestra\, OK Human was released in January 2021 as Weezer’s 14th full-length album\, with Van Weezer pushed back for a release later that year when touring could resume. Van Weezer wound up appearing in May 2021\, just prior to their summer tour. \nWeezer quickly followed their twin albums of 2021 with a four-EP project called SZNZ. A mock abbreviation for “Seasons\,” each of the four EPs is pegged to a different season in the calendar; the intent is for the music to match its respective season. SZNZ: Spring arrived in March of 2022\, followed by SZNZ: Summer in June\, SZNZ: Autumn in September\, and SZNZ: Winter in December. Each EP consists of seven new songs. The band toured behind the releases\, then headed back out on the road in late 2024 in conjunction with a deluxe reissue of their debut album. Sessions for their next album kicked off with the four members of the band holed up in a practice space working on tracks together\, then moved to the studio with co-producers Klas Ahlund and Kenny Beats at the helm. The latter pledged to make the most violent Weezer album yet\, and 2026’s Gold Album leans heavily into grungier guitars and thundering drums. The uncompromising sound is paired with Cuomo‘s usual bag of lyrical tricks\, this time with many songs that revolve around the band’s career\, both past and present. It was the group’s first album to be released under their new deal with Reprise Records. \n \n \nThe Shins are a GRAMMY nominated American band formed by James Mercer in Albuquerque\, NM in 1996. Their debut full length\, Oh\, Inverted World caused a seismic shift in the indie rock world upon its release in 2001\, singlehandedly ushering in the modern era of the genre. With six full length albums released to date\, including The Worm’s Heart which is comprised of “flipped” or alternate/opposite versions of each of the original songs on Heartworms\, the band continues to redefine and push the boundaries of indie and alternative music. \n \n \nA sense of urgency drives Silversun Pickups. The GRAMMY® Award-nominated L.A. quartet create & perform with eloquence & intensity all at once. Guitars may restlessly roar and rumble\, only to be reined in by the spell of a saccharine melody or a honeyed hook. This push-and-pull has catapulted the group—Brian Aubert [vocals\, guitar]\, Nikki Monninger [bass\, vocals]\, Chris Guanlao [drums]\, & Joe Lester [keys]—out of a crowded and competitive local scene & into the wide open space of some of the world’s biggest stages. Their full-length debut\, Carnavas [2006]\, went Gold & spawned the Platinum staple “Lazy Eye.” On its heels\, they logged two back-to-back Top 10 entries on the Billboard 200 with Swoon [2009]—featuring the Gold-certified “Panic Switch”—and Neck of the Woods [2012]. Coursing through culture\, they have landed dozens of film & TV placements\, ranging from the cult classic Jennifer’s Body to NETFLIX’s The Lincoln Lawyer. They’ve held their own on tours with the likes of Foo Fighters & Muse\, sold out successive headline jaunts\, & performed on late-night TV shows such as Jimmy Kimmel LIVE! Beyond praise from NPR\, Consequence\, and more\, Pitchfork hailed 2022’s Physical Thrills as “their most varied and carefree songs in over a decade.” Now\, SSPU meet the moment with their seventh full-length LP\, Tenterhooks. It’s an anxious\, emotionally charged\, and unapologetic collection of ten tracks appropriate for the times\, yet as timeless as anything they’ve done.
URL:https://globalazmedia.com/event/weezer-at-mortgage-matchup-center/
LOCATION:Mortgage Matchup Center\, 201 E Jefferson St\, Phoenix\, 85004\, United States
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