BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Global AZ Media - ECPv6.16.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Global AZ Media
X-ORIGINAL-URL:https://globalazmedia.com
X-WR-CALDESC:Events for Global AZ Media
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20220101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230804T200000
DTEND;TZID=America/Phoenix:20230804T233000
DTSTAMP:20230720T155839Z
CREATED:20230720T154958Z
LAST-MODIFIED:20230720T155839Z
UID:17185-1691179200-1691191800@globalazmedia.com
SUMMARY:NF + Cordae at Desert Diamond Arena
DESCRIPTION:NF raps with raw grit and emotional authenticity\, born of a lifetime of taking hits and getting back up again. His intimate yet propulsive tracks received two consecutive No. 1 albums on the Billboard 200 with Perception and The Search. Often silent on self-promotion and social media\, NF’s massive achievements come from his music and lyrics resonating with fans. 
 Nate Feuerstein came of age in Michigan\, using music as an escape and expression\, a way to channel his pain. Through the years\, he’s demonstrated the power of vulnerability on hits like “Let You Down” and “The Search.” In 2015\, he signed with Capitol Records; setting the stage to climb to rap dominance beginning with his album\, Mansion followed by Therapy Session in 2016 and Perception in 2017\, which debuted at No. 1 and eventually went 2x Platinum. In 2019\, he dropped The Search\, which also hit No. 1 and went Platinum. His 2021 project CLOUDS (THE MIXTAPE) debuted within the top three on Billboard’s Top 200 Albums Chart and Top R&B/Hip Hop Albums Chart. 
 Today\, NF has tipped into global dominance having generated 30 billion streams\, 39 RIAA certifications\,14 Platinum plaques\, and 5 multi-Platinum honors and worldwide touring that has sold over half a million tickets. Emerging from a year of no new releases yet remaining one of the most consumed artists in the world\, NF releases his fifth studio album\, HOPE. \n \n \nCordae knows exactly what he wants to say. He chooses his words and phrases carefully. He speaks from a place of truth. That’s why the three-time Grammy Award-nominated platinum-selling Maryland-raised rapper has quietly become one of the modern generation’s most trusted narrators. A remarkable life has given him a lot to say. He went from the trenches and public housing with his mom to stratospheric success. After a series of buzzing singles\, he reached critical mass with his 2019 full-length debut\, The Lost Boy. It bowed in the Top 15 of the Billboard Top 200 and included four gold-certified singles— “RNP” [feat. Anderson .Paak]\, “Have Mercy\,” “Broke As Fuck\,” and “Kung Fu.” Beyond unanimous praise from Billboard\, Complex\, High Snobiety\, New York Times\, Pitchfork\, and Stereogum\, he garnered a pair of Grammy Award nominations in the categories of “Best Rap Album” for The Lost Boy and “Best Rap Song” for “Bad Idea”. He’s the rare artist whose presence can be felt on-screen in a Super Bowl commercial alongside legendary Academy Award-winning director Martin Scorsese and among XXL’s coveted “Freshman Class.” Along the way\, he linked up with Roddy Ricch for “Gifted” as well as joining forces with Eminem for “Killer.” Absorbing wisdom from a life-changing trip to Africa\, enduring the loss of a friend gone too soon\, and evolving as an artist and a man\, he tells this story in widescreen technicolor on his 2022 second full-length offering\, From A Bird’s Eye View.
URL:https://globalazmedia.com/event/nf-at-desert-diamond-arena/
LOCATION:Desert Diamond Arena\, 9400 W Maryland Ave\, Glendale\, AZ\, 85305\, United States
ATTACH;FMTTYPE=image/png:https://globalazmedia.com/wp-content/uploads/2023/07/NF-at-Desert-Diamond-Arena.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230805T200000
DTEND;TZID=America/Phoenix:20230805T233000
DTSTAMP:20230720T165904Z
CREATED:20230720T164850Z
LAST-MODIFIED:20230720T165904Z
UID:17190-1691265600-1691278200@globalazmedia.com
SUMMARY:Grupo Frontera & Luis R. Conriquez at Desert Diamond Arena
DESCRIPTION:It all started as a hobby which soon became a dream come true. \nFormed in the Texas Valley with roots from Tamaulipas and Nuevo León\, Grupo Frontera was established in 2022. \nThis group is characterized by its mix of norteño and cumbia rhythms. Their biggest success so far is in the song No Se Va\, which has led the members to become known throughout the United States and the Mexican Republic. \nTodo comenzó como un pasatiempo el cual pronto se convirtió en un sueño hecho realidad. \nFormado en el Valle de Texas con raíces de Tamaulipas y Nuevo León\, Grupo Frontera fue establecido en el 2022. \nEsta agrupación se caracteriza por su mezcla de ritmos norteños y cumbias. Su más grande éxito hasta el momento está en la canción No Se Va\, la cual ha llevado a los integrantes a darse a conocer en todo Estados Unidos y la República Mexicana. \n \n \nThe Mexican singer and composer of corridos\, Luis Roberto Conríquez is his birth name\, and his stage name is Luis R.Conriquez. He was born on February 1996 in Caborca\, Sonora. The artist was signed by the Kartel Music label since its inception and is now a partner of the company that supports more than 15 artists of various genres. \nKartel Music Hiring to kartelmusic2019@gmail.com \nEl Cantante y Compositor Mexicano De Corridos\, Luis Roberto Conrríquez Es Su Nombre De Nacimiento\, y Su Nombre Artístico Es Luis R.Conriquez. Nació Un Febrero De 1996 En Caborca\, Sonora. El Artista Fue Firmado Por La Disquera Kartel Music Desde Sus Inicios y Ahora Es Socio De La Compañía Que Apoya A Mas De 15 Artistas De Diversos Generos. \nKartel Music Contrataciones a kartelmusic2019@gmail.com
URL:https://globalazmedia.com/event/grupo-frontera-luis-r-conriquez-at-desert-diamond-arena/
LOCATION:Desert Diamond Arena\, 9400 W Maryland Ave\, Glendale\, AZ\, 85305\, United States
ATTACH;FMTTYPE=image/png:https://globalazmedia.com/wp-content/uploads/2023/07/Grupo-Frontera-Luis-R.-Conriquez-at-Desert-Diamond-Arena.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230809T190000
DTEND;TZID=America/Phoenix:20230809T233000
DTSTAMP:20230804T191041Z
CREATED:20230804T185238Z
LAST-MODIFIED:20230804T191041Z
UID:17344-1691607600-1691623800@globalazmedia.com
SUMMARY:The Offspring + Simple Plan and Sum 41 at Talking Stick Resort Amphitheatre
DESCRIPTION:Legends and innovators of the Southern California punk scene\, The Offspring have seen massive global success. \nThe story began when their punk pop sound became a popular sensation in 1994. The Offspring released their self-titled debut album in 1989. Four years later\, their 2nd album\, Ignition\, became an underground hit\, setting the stage for the huge success of their 3rd album 1994’s Smash which paved the way to radio success. The Offspring were played on both alternative and album rock stations\, confirming their broad-based appeal. \nFive successful gold and platinum albums followed: Ixnay on the Hombre; Americana; Conspiracy of One; Splinter; Rise and Fall\, Rage and Grace; and Days Go By. The band’s 10th album was their first in 8 years. But 2021 was the year that SoCal legends released their blistering new album Let the Bad Times Roll. Album highlights include the title track which takes a critical eye at the state of America in recent years\, the devastating urgency of The Opioid Diaries\, and the horn-fueled skank of “We Never Have Sex Anymore” a song that nods to the band’s cheeky humor. \nThe Offspring have sold more than 40 million albums worldwide\, won countless awards\, and have toured consistently\, playing more than 500 shows in the last decade alone. The band’s music has had a lasting impact across film\, television\, and gaming and continues to make its mark on pop culture today. \n \n \nFrom their new millennium rise to MTV superstardom through pop-punk’s modern resurgence\, SIMPLE PLAN have been an indelible part of pop culture since forming in Montreal in 1999. They’ve sold 10 million albums worldwide\, won multiple Juno Awards\, performed at the 2010 Winter Olympics – and\, most recently\, launched the omnipresent #ImJustAKid TikTok challenge that’s spawned more than 3.4 million videos\, including clips from Hilary Duff\, Ed Sheeran\, Usher and Venus and Serena Williams. \nHARDER THAN IT LOOKS is the first self-released album from drummer Chuck Comeau\, vocalist Pierre Bouvier and guitarists Sébastien Lefebvre and Jeff Stinco. The album respects Simple Plan’s storied career while pushing forward in new ways\, with songs like “The Antidote\,” “Ruin My Life” (ft. Deryck Whibley)\, “Congratulations\,” “Wake Me Up (When This Nightmare’s Over)” and “Iconic” set to stand as fan favourites for years to come. \n“It’s amazingly complex to be in a band for 20-plus years\, to keep going\, stay relevant and manage all the challenges that come your way\,” Bouvier says. “It’s the furthest thing from a ‘simple plan’ – it’s truly a lot harder than it looks. Throughout our career\, it’s taken a while to be mature enough to understand that our sound is an asset\, not a liability. On this album we said: ‘Let’s just embrace who we are and not be afraid to do what we do best.’ Making a good Simple Plan record is just as hard as making something off the beaten path. \n \n \nCanadian rock outfit Sum 41 hit the worldwide radar in 1996 after their hometown of Ajax\, Ontario\, proved unable to fully contain the foursome’s mixture of arena-sized riffing\, hip-hop poses\, and toilet-bowl humor. Their breakthrough major-label debut\, 2001’s All Killer No Filler\, featured the chart-topping MTV hit “Fat Lip” and follow-up “In Too Deep.” From there\, the band’s mischievous pop-punk style was steadily hardened with darker\, world-weary lyrics and a heavier\, metal-inspired attack. 2002’s Does This Look Infected? veered in that hardcore direction and still managed to maintain their popularity with singles “The Hell Song” and “Still Waiting.” By the time double-platinum third effort Chuck landed in 2004\, Sum 41’s metallic tendencies were at the fore on songs such as “We’re All to Blame.” Despite achieving a chart peak with 2007’s Underclass Hero\, the band soon found themselves in decline in the mainstream during the 2010s\, due in part to lineup changes and creeping health problems. While Screaming Bloody Murder produced the Grammy-nominated single “Blood in My Eyes\,” the album was the band’s lowest-charting effort since their debut. Soon after\, frontman Deryck Whibley announced serious health issues that would sideline the band until 2016\, when they issued the successful comeback record 13 Voices. \nIn addition to vocalist/guitarist Whibley\, the band also originally included guitarist/vocalist Dave Baksh\, bassist Cone McCaslin\, and drummer Steve Jocz. Wooed by the boys’ goofy antics and incendiary live show (and excited about the prospect of promoting their very own blink-182)\, Island put Sum 41 on the payroll in 1999. The Half Hour of Power EP followed\, and Warped Tour dates put the word out. They returned in 2000 with the fun-filled full-length All Killer No Filler\, and the singles “In Too Deep” and “Fat Lip” became staples of both modern rock radio and Total Request Live. An extensive tour followed\, and Sum 41 enjoyed their success the way all near-teenage boys would\, with plenty of towel-snapping\, groupie-loving\, and self-deprecating low-ball humor. In 2002\, they returned to wax with Does This Look Infected? While the album was a bit harder-edged\, it found the band as excited as ever to mix punk-pop business with sophomoric pleasure: The video for “Hell Song” featured the guys acting out a sort of rock-star debauchery cage match with the aid of a few celebrity action figures. Metallica\, Jesus Christ\, and the Osbournes all made appearances in the hilarious clip. \nIt was not all fun and games\, however\, as Sum 41’s involvement in the charity group War Child Canada had them lending a hand in the making of a 2004 documentary covering the effects of war in the Democratic Republic of the Congo. Five days into filming\, fighting and gunfire suddenly erupted around them\, and they barely escaped unharmed — these events led to 2004’s slightly more mature and serious effort\, Chuck\, named for the UN aid worker\, Chuck Pelletier\, who was instrumental in getting them to safety. The DVD Rocked: Sum 41 in Congo was released at the end of 2005\, and the live album Go Chuck Yourself appeared the following March. \nGuitarist Dave Baksh left the band during the spring of 2006 due to creative differences\, going on to form the metal-punk outfit Brown Brigade. Sum 41 continued as a trio\, and their first album as such\, Underclass Hero\, appeared in July 2007. They eventually returned to being a quartet\, replacing Baksh with guitarist Tom Thacker\, and began to work on a new album. Screaming Bloody Murder appeared in March 2011. “Blood in My Eyes\,” a single from the album\, was nominated for a Grammy that year. However\, due to a series of back injuries for Whibley (and other issues that would soon come to light)\, Sum 41 would not return with new material for half a decade\, despite their critical success. \nDuring the break\, Jocz left the band and was replaced by Street Drum Corps‘ Frank Zummo. Baksh also returned to the fold just in time for Sum 41’s comeback in 2016. The group signed with Hopeless Records and embarked on an international tour that included stops in China and a stint on that summer’s Warped Tour. Their sixth LP\, 13 Voices\, featured the lead single “Fake My Own Death” and became their third highest-charting release in their native Canada\, peaking just outside the Top 20 in the U.S. During promotion for the album\, Whibley revealed that he had been in an alcohol-related induced coma during the band’s hiatus in 2014. While recovery included learning to walk and play guitar again\, Whibley contributed a large part of his healing to the writing process of 13 Voices. To coincide with the album’s release\, the band embarked on an international tour dubbed “Don’t Call It a Sum-Back.” \nAfter setting out on another trek to celebrate the 15th anniversary of their breakthrough\, they returned to the studio. Their seventh set\, Order in Decline\, arrived in the summer of 2019. Intensely political and pulling no punches with their message\, the album included the tracks “Out for Blood\,” “45 (A Matter of Time)\,” and “The New Sensation\,” borrowing from Linkin Park\, Bad Religion\, and even Muse on a series of rallying cries aimed at waking up a society on the brink of moral collapse. ~ Johnny Loftus & Neil Z. Yeung\, Rovi
URL:https://globalazmedia.com/event/the-offspring-simple-plan-and-sum-41-at-talking-stick-resort-amphitheatre/
LOCATION:Talking Stick Resort Amphitheatre\, 2121 N 83rd Ave\, Phoenix\, AZ\, 85035\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2023/08/offspring-at-Talking-Stick-Resort-Amphitheatre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230811T200000
DTEND;TZID=America/Phoenix:20230811T233000
DTSTAMP:20230807T142629Z
CREATED:20230807T142130Z
LAST-MODIFIED:20230807T142629Z
UID:17356-1691784000-1691796600@globalazmedia.com
SUMMARY:DOGSTAR at Crescent Ballroom
DESCRIPTION:Dogstar – guitarist/vocalist Bret Domrose\, drummer Robert Mailhouse and bassist Keanu Reeves – epitomize the quintessential Southern California storytelling rock band they’ve always been in their hearts\, making deeply resonant music that literally comes from Somewhere Between the Power Lines and Palm Trees. Nearly a quarter century after what seemed to be their final album\, Happy Ending (released in 2000)\, Dogstar has reformed and taken a great creative leap forward\, establishing an entirely new path. “Our earlier records were almost in the wrong decade\,” says Robert Mailhouse. “Looking back\, it’s almost like we started a Seventies band that somehow got lost in the Nineties. When everybody else was shouting\, we were trying to tell stories because in Bret\, we’ve always had a singer-songwriter in the Jackson Browne tradition. But people kept saying `grunge’ because of the times we were in – or maybe because of the clothes we were wearing.” “This music just sounds like us\,” says Bret Domrose with a smile. “One of the things I love about this album is the variety of feel\,” says Keanu Reeves. “Every song is not the same – you can hear our diverse influences and a lot of different tones here. And I feel like finally on this album\, we’ve managed to take all those influences and our passion for playing together and once and for all turned it all into Dogstar.”
URL:https://globalazmedia.com/event/dogstar-at-crescent-ballroom/
LOCATION:Crescent Ballroom\, 308 N 2nd Ave\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2023/08/Crescent-Ballroom-Phoenix.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20230816T173000
DTEND;TZID=America/Phoenix:20230816T233000
DTSTAMP:20230814T161516Z
CREATED:20230723T211357Z
LAST-MODIFIED:20230814T161516Z
UID:17219-1692207000-1692228600@globalazmedia.com
SUMMARY:Mudvayne The Psychotherapy Tour At Talking Stick Resort Amphitheatre
DESCRIPTION:Heavy metal quartet Mudvayne formed in Peoria\, IL\, in 1996\, its members adopting the unusual pseudonyms sPaG (M. McDonough) (drums)\, Gurrg (G. Tribbett) (guitar)\, and Kud (Chad Gray) (vocals). The group’s original bassist was replaced after two years by Ryknow (Ryan Martinie). During their development\, the bandmembers began the practice of applying bizarre makeup. After self-releasing their first album\, Kill\, I Oughta\, they were signed by Epic Records and recorded their major-label debut\, L.D. 50\, which was released in August 2000 shortly after the end of their first national tour opening for Slipknot. The album later went gold and earned Mudvayne the first-ever MTV2 Video Award at the 2001 MTV Video Music Awards. Mudvayne continued touring and reissued their self-released debut EP\, Kill\, I Oughta\, in November 2001 as The Beginning of All Things to End. A year later the band returned with its official follow-up\, The End of All Things to Come\, which was recorded at Minneapolis’ Pachyderm Studios with Tool producer David Bottrill. With a new album came new personas\, this time as space aliens. The bandmembers changed their names accordingly\, taking the new monikers of Chüd (Kud)\, Güüg (Gurrg)\, R-üD (Ryknow)\, and Spüg (sPaG). They embarked on a European tour\, arriving back stateside in July to join the Summer Sanitarium shed tour\, featuring such heavyweights as Metallica and Linkin Park. In 2005\, the band released Lost and Found\, their third album for Epic. In September 2007\, Mudvayne announced they would allow fans to vote on the band’s website to determine the track selection for the compilation By the People\, for the People\, released the following month. The all new full-length New Game arrived in November 2008\, followed six months later by an eponymous 2009 effort. ~ William Ruhlmann\, Rovi \n \n \nCoal Chamber broke out of the Los Angeles alternative metal scene in 1997 with a sound often compared to Korn\, although both bands formed around the same time and are quality representations of the scene’s overall sound — the heavy\, detuned guitars of the murkiest Black Sabbath; grungy\, noisy textures reminiscent of White Zombie or Tool; the white-knuckle intensity of Pantera and hardcore punk; and perhaps a few hip-hop-influenced beats à la Biohazard. \nCoal Chamber were formed in 1994 by vocalist/lyricist B. Dez Fafara and guitarist Miguel “Meegs” Rascon\, who met through a classified ad; the two added drummer Mike “Mikee” Cox and bassist Rayna Foss\, the latter of whom heard about auditions through her roommate\, Fafara’s future wife. A huge local buzz following gigs at the Roxy and the Whisky a Go Go\, along with a demo tape championed by Fear Factory‘s Dino Cazares\, got the band an opportunity to sign with Roadrunner Records late in 1994\, but Fafara suddenly quit due to disagreements with his wife over the band. By the spring of 1995\, Fafara changed his mind and returned\, a decision that ultimately cost him his marriage\, but a renewed sense of energy helped Coal Chamber regain their Roadrunner deal by the end of the year. \nTheir self-titled debut was released in 1997; Chamber Music followed two years later. The album was a minor success but its mixture of goth rock imagery and nu metal thuggery made for an uneven album. They toured heavily behind it but by the time it came time to record the next album\, bassist Rayna Foss-Rose was gone to raise her daughter\, leaving the band with Nadja Peulen. Nadja took Foss-Rose’s place during her pregnancy between the first two albums\, but she accepted the invitation to come back as a full-time member during the recording of the next record. The resulting album\, Dark Days\, was released in the spring of 2002. \nBy May of that same year\, the band had begun to fall apart\, sparked by an on-stage altercation between Fafara and Rascon. The following year\, after issuing a remix and rarities compilation called Giving the Devil His Due\, the bandmembers announced that they had officially broken up\, with Fafara continuing on with his new band\, Devildriver\, with whom he would go on to release six studio albums. In 2011 Coal Chamber began hinting at a possible re-formation\, and by 2013 they made it official\, performing at Download 2013 and hitting the road with Sevendust\, Lacuna Coil\, and Stolen Babies. Rivals\, the band’s first studio recording in 13 years\, arrived in early 2015 via Napalm Records. ~ Steve Huey\, Rovi \n \n \nBlood. Spectacle. Lifestyle. Mythology. Costumes. And more blood. When you think of beloved shock-metal outfit GWAR\, those words are likely the first that come to mind. And with good reason. At a time when bands have become bland\, GWAR stands out for their performances and the intimate connection with their fans. The push-and-pull between GWAR and their fans creates a visceral experience that continues to add to the band’s legend and legacy\, one new tour at a time. Few\, if any band\, can break down a physical barrier with their audience quite like GWAR. Fluids fly\, substances spray and the lust for copious amounts of fake blood [and cutting heads off\, of course] leaves audiences thirsty for more. The mythological nature of their live shows may be at the forefront of people’s minds\, but it is GWAR’s meticulously crafted songs blend (ING) satire\, chaos and violence\, made them cultural icons. \n \n \nMasters of\, and pioneers in the nu-metal/rap-rock world\, Nonpoint has quietly been the biggest and best kept secret of the rock/metal genre. Their songs and renowned performances have had music legends\, from all corners of the genre and music industry\, standing side stage to revel in the mayhem\, to witness magic unfolding and audiences ignited. Hearing the chorus of the crowd as they recite the iconic melodies and lyrics of vocalist and frontman phenom\, Elias Soriano. Watching him tentacle his iconic dreadlocks feet from the spinning and flying bodies in front of him and surrounding him onstage. Then with just a look\, or wave of his hand\, he makes a sea of people transform. Behind Elias\, there’s roaring thunder created by co-founder and showman Robb Rivera as he flies through the air just before crashing down with unmatched force into their music. Nonpoint family\, rhythm guitarist\, vocalist and visual performance master Rasheed Thomas alongside the high-flying\, powerhouse on the bass and Adam Woloszyn both bringing force with medusa hair whips and flying guitars; they’ve re-defined the newest incarnation of Nonpoint. Now with the addition of Jason Zeilstra on lead guitar\, whose chemistry with the rest of its members has begun to create a concoction that is poised to intoxicate audiences both old and new. \n \n \nCementing their spot as metal veterans\, Butcher Babies have been crushing stages worldwide with their vicious live performance and explosive energy for nearly 15 blistering years. Their stage presence is a hypnotic spectacle that leaves audiences hungry for more. Frontwomen\, Heidi Shepherd and Carla Harvey\, guitarist Henry Flury\, drummer Chase Brickenden\, and bassist Ricky Bonazza juxtapose brutal\, aggressive riffs with beautiful melodies that wail with emotional redemption. With three albums and two EPs under their belt\, Butcher Babies have reached a new level of maturity solidifying a triumphant return after a brief creative hiatus to write and rebuild. Rather than sit still throughout the pandemic\, they released a barrage of singles followed by several groundbreaking tours celebrating the return to live music. The band is set to release their 4th LP in 2023\, reflecting their growth as a band. Butcher Babies are ready to take on new heights while they continue to knock down barriers. Butcher Babies have toured relentlessly among the likes of Megadeth\, Rob Zombie\, Marilyn Manson\, Five Finger DeathPunch\, In ThisMoment\, HollywoodUndead\, Cradle of Filth\, Black Label Society\, etc; played music festivals including Mayhem\, Download\, Hellfest\, Knotfest\, Wacken\, Soundwave\, Hell & Heaven\, Rock on The Range\, Carolina Rebellion\, Louder Than Life\, Aftershock\, Welcome to Rockville\, etc. They have appeared in the film ‘Alleluia! The Devil’s Carnival’ & the Netflix horror hit ‘Slasher’ \n \n 
URL:https://globalazmedia.com/event/mudvayne-the-psychotherapy-tour-at-talking-stick-resort-amphitheatre/
LOCATION:Arizona Financial Theatre\, 400 W Washington St\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2023/07/Mudvayne-the-PSYCHOTHERAPY-tour-at-Talking-Stick-Resort-Amphitheatre.jpg
END:VEVENT
END:VCALENDAR