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DTSTART;TZID=America/Phoenix:20240313T200000
DTEND;TZID=America/Phoenix:20240313T233000
DTSTAMP:20240301T133444Z
CREATED:20240301T133444Z
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UID:18542-1710360000-1710372600@globalazmedia.com
SUMMARY:Nicki Minaj at Footprint Center in Phoenix\, AZ
DESCRIPTION:Nicki Minaj’s unique combination of ferocity and humor\, and a rap style built on razor-sharp wordplay\, mercilessly blunt lyricism\, and delivery that turns on a dime from sugary to snarling\, has skyrocketed her from mixtape phenom to enduring global pop star.The rapper’s early days included attempts at an acting career and losing her job at Red Lobster for being rude to customers\, but she progressed quickly from MySpace demos to nationally adored mixtapes to household-name status. Pink Friday\, Minaj’s 2010 album debut\, saw her appeal to a broader audience with chart-topping reception. Although she has had similar success with later full-lengths such as 2014’s The Pinkprint and 2018’s Queen\, her singles have made an even greater impact. In just over a decade\, Minaj has hit the Top 40 over two-dozen times as a headliner with singles such as “Super Bass\,” “Starships\,” and “Anaconda.” These and other highlights were compiled in 2022 for Queen Radio\, Vol. 1\, an anthology containing the number one hit “Super Freaky Girl” among its new songs. Her Top 40 entries as a featured artist are even more numerous and include Kanye West‘s “Monster\,” David Guetta‘s “Turn Me On\,” and Ariana Grande‘s “Side to Side.” In 2023\, Minaj finally released the long-awaited sequel to her debut with her fifth studio album Pink Friday 2. \nNicki Minaj was born Onika Tanya Maraj in 1982. Born in Saint James\, Trinidad and Tobago to parents who were both gospel singers\, she lived with her grandmother in Saint James until the age of five\, when she joined her mother\, who had relocated to Queens\, New York. In high school she discovered the performing arts\, setting her sights on acting as her main pursuit. She eventually transitioned into music\, working as part of a group called the Hood$tars in the early 2000s before going solo. In 2007 she was discovered by Dirty Money Entertainment CEO Big Fendi\, who happened upon her demos on MySpace and signed Maraj to the label. At Fendi’s suggestion\, Maraj took on the stage name Nicki Minaj\, jumbling her last name to reflect a more ruthless persona. Dirty Money Entertainment released both her 2007 debut mixtape\, Playtime Is Over\, and its 2008 follow-up\, Sucka Free. Industry buzz was already surrounding Minaj on her earliest releases\, and these mixtapes featured guest appearances from stars like Lil Wayne\, Gucci Mane\, Jadakiss\, and Lil’ Kim. \nThe 2009 mixtape Beam Me Up Scotty was a favorite among a growing fan base and included her first songs to hit the Billboard charts. In August of 2009 Minaj signed to Lil Wayne‘s Young Money Entertainment\, becoming the label’s first female artist. The floodgates opened from there\, as Minaj made cameo appearances on tracks from Gucci Mane\, Kanye West\, Pusha T\, and others as well as offering verses to hits like “Bedrock” and “Roger That” from the 2009 Young Money collaborative album We Are Young Money. An official non-mixtape debut album came in the form of Pink Friday\, released in November of 2010 but preceded by the hit singles “Your Love” and “Check It Out.” The album saw her leaning more into a pop style than the hard-edged rap of her mixtapes\, but the hybrid of the two proved immediately successful\, and the album debuted at number two on the Billboard 200 and went platinum\, selling upwards of 375\,000 copies during its first week alone. She earned a handful of 2011 Grammy nominations\, including Best New Artist\, Best Rap Album\, and Best Rap Performance. An all-out media blitz followed between albums\, with extravagant performances at award shows across the globe\, an appearance as a musical guest on Saturday Night Live\, and joining Madonna — alongside M.I.A. — for her Super Bowl XLVI halftime show. \nIn early 2012\, the Euro-dance-influenced single “Starships” signaled the coming of her official sophomore effort\, Pink Friday: Roman Reloaded\, an album built around her devil-may-care alter ego “Roman Zolanski.” Guest artists included Nas\, Lil Wayne\, Rick Ross\, Chris Brown\, and Beenie Man\, while production came from the likes of RedOne and Ke’Noe. The album hit number one on the U.S. album charts\, driven by a Top Ten showing for “Starships\,” and “Va Va Voom” also reached the Top 40. By the end of 2012\, Minaj had been announced as a judge for the 12th season of American Idol\, although she left at the end of the season. It hardly affected her success\, as she set two career records during 2013: the most-charted female rapper in the history of Billboard’s singles chart\, and the first person to win Best Female Hip-Hop Artist at the BET Awards four times in a row. \nIn December 2014\, Minaj released her third studio album\, The Pinkprint. First single “Lookin Ass” was also featured on the Young Money compilation Rise of an Empire released in March of that year\, while follow-up “Anaconda” was nominated for Best Rap Song at the 2015 Grammy Awards. Filled with songs about guilt and failed relationships\, the album was well received by critics and debuted at number two on the U.S. Billboard 200 chart. Throughout 2016\, Minaj guested on numerous singles\, including DJ Khaled‘s “Do You Mind” and Ariana Grande‘s “Side to Side\,” and she also released her own “Black Barbies.” In 2017\, she issued a trio of stand-alone singles: “Regret in Your Tears\,” “Changed It” with Lil Wayne\, and “No Frauds” with Lil Wayne and Drake. The latter track went gold and broke into the Top 20 of the Hot 100 and Top Ten of the R&B and rap charts. That year\, she also appeared on the Migos track “MotorSport” with Cardi B\, and on Jason Derulo‘s “Swalla” with Ty Dolla $ign. \nShe returned with the singles “Chun-Li” and “Barbie Tingz” in spring 2018\, paving the way for her fourth studio album\, Queen\, which arrived in August of that year. In addition to third single “Bed” featuring Ariana Grande\, the LP also features guests Labrinth\, Eminem\, Lil Wayne\, the Weeknd\, Future\, Foxy Brown\, and Swae Lee. Upon release\, Queen matched its predecessor with a number two debut on the Billboard 200. More singles arrived the following year\, including the non-album track “Megatron\,” “Tusa” with Karol G\, “Trollz” with 6ix9ine. Minaj was also featured alongside Murda Beatz on PnB Rock 2019 track “Fendi.” In February 2020\, the rapper returned with her own stand-alone song “Yikes.” Minaj’s third mixtape Beam Me Up Scotty was reissued in 2021\, eleven years after its original release. The project was given new cover art and the track listing was altered somewhat\, omitting some of the songs from the original 2009 release and including several new tracks. This new version of Minaj’s breakout project debuted in the number two spot on the Billboard 200\, making it the highest-charting mixtape from a female rapper up to that point. \nThroughout the early 2020s\, Minaj continued her usual bevy of guest features and collaborations\, appearing on tracks by Doja Cat\, former Little Mix vocalist Jesy Nelson\, BIA\, and Elton John. In 2022\, she scored more hits as a lead artist with the Lil Baby collaborations “Do We Have a Problem?” and “Bussin\,” then topped the pop chart with “Super Freaky Girl.” All three of these singles were included on Queen Radio\, Vol. 1\, a celebratory anthology released that August. Minaj kicked off 2023 with the flamenco- and trap-inspired “Red Ruby da Sleeze\,” which she followed with a feature on YoungBoy Never Broke Again‘s “WTF\,” as well as collaborative singles with Ice Spice and Kim Petras\, spots on tracks from Lil Uzi Vert and Sexyy Red\, and a very on-brand take on Aqua‘s “Barbie World” (again with Ice Spice) for the Barbie soundtrack Barbie The Album. In September of 2023\, Minaj released the slow-moving R&B song “Last Time I Saw You” following “Super Freaky Girl” as the second single to precede the upcoming album Pink Friday 2. The album\, Minaj’s fifth proper studio effort and sequel to her 2010 studio debut Pink Friday\, had been in the works since 2019 and was slated for release on December 8\, 2023\, the rapper’s 41st birthday. ~ David Jeffries & Fred Thomas
URL:https://globalazmedia.com/event/nicki-minaj-at-footprint-center-in-phoenix-az/
LOCATION:Mortgage Matchup Center\, 201 E Jefferson St\, Phoenix\, 85004\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240316T203000
DTEND;TZID=America/Phoenix:20240316T233000
DTSTAMP:20240304T133240Z
CREATED:20240304T133240Z
LAST-MODIFIED:20240304T133240Z
UID:18550-1710621000-1710631800@globalazmedia.com
SUMMARY:Madonna at Footprint Center in Phoenix\, AZ
DESCRIPTION:Madonna changed the trajectory of popular music not long after “Borderline” became her first Top Ten hit in 1984. Fusing post-disco dance with effervescent pop\, the song was unexpected and fresh\, a trick that soon became her signature. Over a career that lasted for decades\, Madonna ushered underground sounds into the mainstream\, specializing in trends percolating in dance clubs. As she arrived at the dawn of the MTV era\, she seized the possibilities of music videos\, creating a series of sexy\, stylish clips that earned her the reputation of a provocateur while also establishing the network as the bastion for hip culture in the 1980s. Madonna recorded many of the pop anthems that defined that decade — “Like a Virgin\,” “Material Girl\,” “Live to Tell\,” “Papa Don’t Preach\,” “Open Your Heart\,” “Like a Prayer\,” “Express Yourself” — and in the process she created the archetype of a modern pop star: one whose music was inextricably tied with its visual representation\, and one who was loathe to trade upon past glories. As Madonna entered her second decade of stardom\, she continued to take artistic risks; she delved into modern R&B for 1994’s Bedtime Stories and electronica for 1998’s Ray of Light. During the 2000s and 2010s\, Madonna continued to be driven by that restless artistic spirit\, a move helped put the entirety of her body of work into perspective\, emphasizing the common threads and consistency that run throughout her music — connections that were as evident on albums such as 2019’s Madame X as they were on retrospectives like Finally Enough Love\, a 2022 chronicle of her dance club hits. \nShe moved from her native Michigan to New York in 1977 with dreams of becoming a ballet dancer. She studied with choreographer Alvin Ailey and modeled. In 1979\, she became part of the Patrick Hernandez Revue\, a disco outfit that had the hit “Born to Be Alive.” She traveled to Paris with Hernandez\, and it was there that she met Dan Gilroy\, who would soon become her boyfriend. Upon returning to New York\, the pair formed the Breakfast Club\, a pop/dance group. Madonna originally played drums for the band\, but she soon became the lead singer. In 1980\, she left the band and formed Emmy with her former boyfriend\, drummer Stephen Bray. Soon\, Bray and Madonna broke off from the group and began working on some dance/disco-oriented tracks. A demo tape of these worked its way to Mark Kamins\, a New York-based DJ/producer. Kamins directed the tape to Sire Records\, which signed the singer in 1982. \nKamins produced Madonna’s first single\, “Everybody\,” which became a club and dance hit at the end of 1982; her second single\, 1983’s “Physical Attraction\,” was another club hit. In June of 1983\, she had her third club hit with the bubbly “Holiday\,” which was produced by Jellybean Benitez. Madonna’s self-titled debut album was released in September of 1983; “Holiday” became her first Top 40 hit the following month. “Borderline” became her first Top Ten hit in March of 1984\, beginning a remarkable string of 17 consecutive Top Ten hits. While “Lucky Star” was climbing to number four\, she began working on her first starring role in a feature film\, Susan Seidelman’s Desperately Seeking Susan. \nMadonna’s second album\, the Nile Rodgers-produced Like a Virgin\, was released at the end of 1984. The title track hit number one in December\, staying at the top of the charts for six weeks; it was the start of a whirlwind year for the singer. During 1985\, Madonna became an international celebrity\, selling millions of records on the strength of her stylish\, sexy videos and forceful personality. After “Material Girl” became a number two hit in March\, Madonna began her first tour\, supported by the Beastie Boys. “Crazy for You” became her second number one single in May. Desperately Seeking Susan was released in July\, becoming a box office hit; it also prompted a planned video release of A Certain Sacrifice\, a low-budget erotic drama she filmed in 1979. A Certain Sacrifice wasn’t the only embarrassing skeleton in the closet dragged into the light during the summer of 1985 — both Playboy and Penthouse published nude photos of Madonna that she’d posed for in 1977. Nevertheless\, her popularity continued unabated\, with thousands of teenage girls adopting her sexy appearance\, being dubbed “Madonna wannabes.” In August\, she married actor Sean Penn. \nMadonna began collaborating with Patrick Leonard at the beginning of 1986; Leonard would co-write most of her biggest hits in the ’80s\, including “Live to Tell\,” which hit number one in June of 1986. A more ambitious and accomplished record than her two previous albums\, True Blue was released the following month\, to both more massive commercial success (it was a number one in both the U.S. and the U.K.\, selling over five million copies in America alone) and critical acclaim. “Papa Don’t Preach” became her fourth number one hit in the U.S. While her musical career was thriving\, her film career took a savage hit with the November release of Shanghai Surprise. Starring Madonna and Penn\, the comedy received terrible reviews\, which translated into disastrous box office returns. \nAt the beginning of 1987\, she had her fifth number one single with “Open Your Heart\,” the third number one from True Blue alone. The title cut from the soundtrack of her third feature film\, Who’s That Girl?\, was another chart-topping hit\, although the film itself was another box office bomb. The year 1988 was relatively quiet for Madonna as she spent the first half of the year acting in David Mamet’s Speed the Plow on Broadway. In the meantime\, she released the remix album You Can Dance. After withdrawing the divorce papers she filed at the beginning of 1988\, she divorced Penn at the beginning of 1989. \nLike a Prayer\, released in the spring of 1989\, was her most ambitious and far-reaching album\, incorporating elements of pop\, rock\, and dance. It was another number one hit and launched the number one title track as well as “Express Yourself\,” “Cherish\,” and “Keep It Together\,” three more Top Ten hits. In April 1990\, she began her massive Blonde Ambition tour\, which ran throughout the entire year. “Vogue” became a number one hit in May\, setting the stage for her co-starring role in Warren Beatty’s Dick Tracy; it was her most successful film appearance since Desperately Seeking Susan. Madonna released a greatest-hits album\, The Immaculate Collection\, at the end of the year. It featured two new songs\, including the number one single “Justify My Love\,” which sparked another controversy with its sexy video; the second new song\, “Rescue Me\,” became the highest-debuting single by a female artist in U.S. chart history\, entering the charts at number 15. Truth or Dare\, a documentary of the Blonde Ambition tour\, was released to positive reviews and strong ticket sales in the spring of 1991. \nMadonna returned to the charts in the summer of 1992 with the number one “This Used to Be My Playground\,” a single featured in the film A League of Their Own\, which featured the singer in a small part. Later that year\, Madonna released Sex\, an expensive\, steel-bound soft-core pornographic book that featured hundreds of erotic photographs of herself\, several models\, and other celebrities — including Isabella Rossellini\, Big Daddy Kane\, Naomi Campbell\, and Vanilla Ice — as well as selected prose. Sex received scathing reviews and enormous negative publicity\, but that didn’t stop the accompanying album\, Erotica\, from selling over two million copies. Bedtime Stories\, released two years later\, was a more subdued affair than Erotica. Initially\, it didn’t chart as impressively\, prompting some critics to label her a has-been\, yet the album spawned her biggest hit\, “Take a Bow\,” which spent seven weeks at number one. It also featured the Björk-penned “Bedtime Stories\,” which became her first single not to make the Top 40; its follow-up\, “Human Nature\,” also failed to crack the Top 40. Nevertheless\, Bedtime Stories marked her seventh album to go multi-platinum. \nBeginning in 1995\, Madonna began one of her most subtle image makeovers as she lobbied for the title role in the film adaptation of Andrew Lloyd Webber‘s Evita. Backing away from the overt sexuality of Erotica and Bedtime Stories\, Madonna recast herself as an upscale sophisticate\, and the compilation Something to Remember fit into the plan nicely. Released in the fall of 1995\, around the same time she won the coveted role of Evita Peron\, the album was comprised entirely of ballads\, designed to appeal to the mature audience that would also be the target of Evita. As the filming was completed\, Madonna announced she was pregnant and her daughter\, Lourdes\, was born late in 1996\, just as Evita was scheduled for release. The movie was greeted with generally positive reviews and Madonna began a campaign for an Oscar nomination that resulted in her winning the Golden Globe for Best Actress (Musical or Comedy)\, but not the coveted Academy Award nomination. The soundtrack for Evita\, however\, was a modest hit\, with a dance remix of “Don’t Cry for Me Argentina” and the newly written “You Must Love Me” both becoming hits. \nIn 1997\, she worked with producer William Orbit on her first album of new material since 1994’s Bedtime Stories. The resulting release\, Ray of Light\, was heavily influenced by electronica\, techno\, and trip-hop\, thereby updating her classic dance-pop sound for the late ’90s. Ray of Light received uniformly excellent reviews upon its March 1998 release and debuted at number two on the charts. Within a month\, the record was shaping up to be her biggest album since Like a Prayer. Two years later she returned with Music\, which reunited her with Orbit and also featured production work from Mark “Spike” Stent and Mirwais\, a French electropop producer/musician in the vein of Daft Punk and Air. \nThe year 2000 also saw the birth of Madonna’s second child\, Rocco\, whom she had with filmmaker Guy Ritchie; the two married at the very end of the year. With Ritchie as director and Madonna as star\, the pair released a remake of the film Swept Away in 2002; the movie didn’t fare well with critics or at the box office. Her sober 2003 album\, American Life\, debuted at number one on the Billboard charts but it didn’t generate any hit singles in America\, but it did produce two hit singles in the U.K.\, “Nothing Fails” and “Love Profusion.” That same year also saw the release of Madonna’s successful children’s book\, The English Roses\, which was followed by several more novels in future years. \nConfessions on a Dance Floor marked her return to music\, specifically to the dance-oriented material that had made her a star. Released in late 2005\, the album topped the Billboard 200 chart and was accompanied by a worldwide tour in 2006\, the same year that I’m Going to Tell You a Secret\, a CD/DVD made during her Re-Invention Tour\, came out. In 2007\, Madonna released another CD/DVD set\, The Confessions Tour\, this time chronicling her tour of the same name. \nShe inched closer to the completion of her Warner Bros. contract with 2008’s Hard Candy\, featuring collaborations with the Neptunes and Timbaland. As poorly received as it was\, the bold album boasted a Top Five hit in “4 Minutes\,” and it was supported with the Sticky & Sweet Tour\, which concluded in September 2009 (a month prior to her filing for divorce from Ritchie) and produced yet another CD/DVD package\, released in 2010. It was her final Warner Bros. release and set the stage for her long-term recording deal with Live Nation. \nMadonna began work on her 12th album midway through 2011\, with the goal of releasing it early in 2012. The subsequent full-length\, MDNA\, featured production from French electronic musician and DJ Martin Solveig\, as well as longtime collaborator Orbit. The album’s title\, an abbreviation of Madonna’s name\, appeared on the heels of her performance at the 2012 Super Bowl. Preceded by the Top Ten single “Give Me All Your Luvin'” (featuring Nicki Minaj and M.I.A.)\, MDNA debuted at number one across the world\, including the U.S. and U.K. Her MDNA Tour took up the rest of the year\, as she performed in Europe\, the Middle East\, North America\, and South America. She filmed a concert special\, and also released the live album MDNA World Tour in September 2013. At the beginning of 2014\, Madonna announced that she was starting work on her 13th studio album. Taking to social media to capture the process\, she revealed that recording sessions with the likes of Avicii\, Diplo\, and Kanye West had taken place. Excerpts from the sessions leaked toward the end of 2014\, forcing Madonna to release a digital teaser EP by the end of the year. The full release of Rebel Heart came in March 2015; the album peaked at number two in the U.S. and U.K. She toured from the fall of 2015 to the spring of 2016\, playing more than 75 dates in North America\, Europe\, and Asia. \nIn April 2019\, Madonna began to issue singles leading up to the June release of her 14th album\, Madame X\, starting with “Medellín\,” a collaboration with Colombian reggaeton singer Maluma. The album featured co-production by Mirwais\, Mike Dean\, Diplo\, and Jason Evigan\, as well as collaborations with guest artists including Brazilian singer Anitta and rappers Swae Lee and Quavo. \nUpon its June 14\, 2019 release\, Madame X debuted at number one in the U.S. and number two in the U.K.\, generating four number one Billboard Dance Club hits: “Medellin\,” “Crave\,” “I Rise\,” and “I Don’t Search I Find.” Madonna’s remarkable four-decade run at the top of the Dance Club charts was chronicled on Finally Enough Love: 50 Number Ones\, a 2022 compilation that featured nearly all of her chart-topping dance singles. Finally Enough Love was the first release in a prospective reissue program by Warner\, launched in 2022 to celebrate her 40th anniversary as a recording artist. This catalog series coincided with Madonna developing a biopic chronicling her own career\, a film she planned to direct herself. In June 2023\, she joined the Weeknd and Playboi Carti for the song “Popular” as part of the soundtrack to the Netflix drama The Idol. A month later\, she embarked on The Celebration Tour\, her first greatest-hits-themed live show. ~ Stephen Thomas Erlewine\, Rovi \n \n \nBob the Drag Queen is a drag performer and recording artist best known for winning the eighth season of RuPaul’s Drag Race. She has released various hit singles since her run on Drag Race (Purse First\, Yet Another Dig) and appeared on television (A Black Lady Sketch Show\, We’re Here) and film (Cherry Pop\, The Queens). She currently co-hosts the podcast “Sibling Rivalry” with Monét X Change and continues to inspire others with his iconic comedy chops.
URL:https://globalazmedia.com/event/madonna-at-footprint-center-in-phoenix-az/
LOCATION:Mortgage Matchup Center\, 201 E Jefferson St\, Phoenix\, 85004\, United States
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DTSTART;TZID=America/Phoenix:20240319T193000
DTEND;TZID=America/Phoenix:20240319T233000
DTSTAMP:20240308T132314Z
CREATED:20240308T132314Z
LAST-MODIFIED:20240308T132314Z
UID:18559-1710876600-1710891000@globalazmedia.com
SUMMARY:Bruce Springsteen at Footprint Center in Phoenix\, AZ
DESCRIPTION:Bruce Springsteen’s recording career spans over 40 years\, beginning with 1973’s ‘Greetings from Asbury Park\, NJ’ (Columbia Records). He has garnered 20 Grammys\, won an Oscar and a Tony\, been inducted into the Rock and Roll Hall of Fame\, received a Kennedy Center Honor and was MusiCares’ 2013 Person of the Year. Springsteen’s memoir ‘Born to Run’ (Simon & Schuster) and its companion album ‘Chapter and Verse’ were released in September 2016\, and he was awarded the Presidential Medal of Freedom in November 2016. His historic 236-show run of ‘Springsteen on Broadway’ at Jujamcyn’s Walter Kerr Theatre from October 2017 to December 2018 also yielded an accompanying soundtrack album and Netflix special. In 2019\, Springsteen released ‘Western Stars\,’ his first studio album in five years\, and together with longtime collaborator Thom Zimny he co-directed ‘Western Stars\,’ a feature film released through Warner Bros. \n \n \n 
URL:https://globalazmedia.com/event/bruce-springsteen-at-footprint-center-in-phoenix-az/
LOCATION:Mortgage Matchup Center\, 201 E Jefferson St\, Phoenix\, 85004\, United States
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DTSTART;TZID=America/Phoenix:20240323T190000
DTEND;TZID=America/Phoenix:20240323T233000
DTSTAMP:20240319T132858Z
CREATED:20240319T132858Z
LAST-MODIFIED:20240319T132858Z
UID:18583-1711220400-1711236600@globalazmedia.com
SUMMARY:Go Ahead and Die\, with Bodybox and Deep Within at The 44
DESCRIPTION:Arizona death-crusters GO AHEAD AND DIE will deliver their caustic sophomore album Unhealthy Mechanisms on October 20\, 2023 via Nuclear Blast Records. A torrential whirlwind born from the livid minds of Igor Amadeus Cavalera (HEALING MAGIC) and Max Cavalera (SOULFLY\, CAVALERA CONSPIRACY). This new installment to the band’s dystopian catalog is a fresh dive into the madness of society and the pollution that ravages our minds. \nGO AHEAD AND DIE is: Max Cavalera | Vocals\, Guitar Igor Amadeus Cavalera | Vocals\, Guitar\, Bass Johnny Valles | Drums \n \n \n\nTWO FISTED TWO STEPPIN DOUBLEWIDE DEATH METAL. STRAIGHT FROM FLORIDA. MAGGOT STOMP. \n \n 
URL:https://globalazmedia.com/event/go-ahead-and-die-with-bodybox-and-deep-within-at-the-44/
LOCATION:The 44 Sports Grill and Nightlife\, 4494 W Peoria Ave\, Glendale\, AZ\, 85302\, United States
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