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DTSTART;TZID=America/Phoenix:20240512T183000
DTEND;TZID=America/Phoenix:20240512T233000
DTSTAMP:20231212T134655Z
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SUMMARY:Sleep Token at Red Rocks Amphitheatre\, Morrison\, CO
DESCRIPTION:SUNDOWNING: “Sundowning\, or sundown syndrome\, is a neurological phenomenon associated with increased confusion and restlessness in patients with delirium or some form of dementia. The term ‘sundowning’ was coined due to the timing of the patient’s confusion. For patients with sundowning syndrome\, a multitude of behavioral problems begin to occur in the evening or while the sun is setting…” \nFrom June to November\, through 12 tracks and passing seasons\, Sleep Tokenreveals an evenly-spaced\, precisely-timed sequence of recordings that stand as both individual touchstones and carefully aligned musical pieces\, all informed by a common emotional thread plus a flow of graphics and videos specific to each song; the end result is a digital and physical release of the album on November 22\, with format choices embracing a bespoke box-set containing a variety of exclusive elements\, including early recordings. \nStarting with “THE NIGHT DOES NOT BELONG TO GOD\,” the opening track on the album\, the singles will be issued\, in sequence\, every two weeks at sundown (GMT). “The Night…” arrives on summer solstice when the sun is highest in the sky in London\, descending throughout the subsequent singles releases. \nSleep Token Tickets\n \n \n 
URL:https://globalazmedia.com/event/sleep-token-at-red-rocks-amphitheatre-morrison-co/
LOCATION:Red Rocks Amphitheatre\, 18300 WEST ALAMEDA PARKWAY\, MORRISON\, CO\, 80465\, United States
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DTSTART;TZID=America/Phoenix:20240518T190000
DTEND;TZID=America/Phoenix:20240518T233000
DTSTAMP:20240510T130524Z
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UID:18965-1716058800-1716075000@globalazmedia.com
SUMMARY:Dustin Kensrue at El Rey Theatre in Los Angeles\, CA
DESCRIPTION:“Death Valley Honeymoon” out now https://dustinkensrue.start.page/ \nDustin Kensure was still a teenager when he formed Thrice\, the dynamic and multifaceted rock band who have been bending and blending genres for the past quarter century. Before the group’s touring schedule took him around the world\, he spent his childhood in Southern California\, regularly heading into the desert to visit his paternal grandparents in Palm Springs. While there\, he would wander for hours through the rocky hills and sandy washes near their home\, and the landscape\, colors\, and stories of that sun-baked wilderness left a lasting impression. \nDecades later\, Kensure summons the spirit of the American southwest with his third original studio solo album\, the evocative and eclectic Desert Dreaming. It’s a transportive album that blurs the lines between genre and geography\, balancing the influence of old-school country western icons like Marty Robbins and Gene Autry with the sharp songwriting of a modern musician who’s spent 25 years on the road\, onstage\, and in the writing room. Kensure approaches these songs like a western novelist\, filling them with details of the desert—the sound of coyotes howling in the distance\, the smell of sage and lilac in the dry wind\, the lure of hidden treasure in the hills—and punctuating the recordings with pedal steel guitar\, train beats\, and the strongest melodies of his career. \n \n \nNestled in between Los Angeles and San Diego lies Orange County\, CA: a culturally\, economically\, and environmentally diverse community with an identity all of its own. The Brevet\, hailing from the heart of Orange County\, continues to create an ever-evolving sound that pushes stylistic boundaries. Just as Orange County is home to snow-capped mountains\, pristine beaches\, and bustling city centers\, The Brevet’s alternative rock sound draws authentically from folk\, surf\, and R&B influence\, but doesn’t shy away from thundering rhythms\, blistering guitars and progressive synths. \n \n \nbrother bird is a project from Nashville-based singer/songwriter caroline. And while another year is her most romantic-sounding collection yet\, drawing from the The Cranberries melodic vibe\, the shoegaze influence of Mazzy Star\, and the guitar tones of Big Thief\, under the surface lies a common muse: waiting for something to happen. And under all the pretty\, soothing sounds on the record lies the particular style of caroline. “I would say I’m a happy person and playfully sarcastic. But I get the most raw and honest I can be in my lyrics. My music is kind of like a vessel.” And it starts with a song that’s as raw and honest as they come\, “i’m sorry.” It flew right out of the stagnant space caroline found herself in\, surprisingly fast and near the end of the writing and recording process — almost as if shaking her creative bottle knocked something important loose. “It sounds more and feels more romantic\, but if you zoom out a little bit\, I don’t know that it is. I feel close to the words\, and I’m still kind of figuring out why\,” caroline says. \nThe tracks something better & quitter are twin flames embodying that style: confessional\, with a touch of satire and a drizzle of dissatisfaction. Okay\, more than a touch — caroline’s friends and collaborators had to be reassured she was okay after hearing them. “It feels like everyone has all these really impressive things to say\, and I’m holding on to things I did years ago\,” caroline says\, naming imposter syndrome as an inspiration.
URL:https://globalazmedia.com/event/dustin-kensrue-at-el-rey-theatre-in-los-angeles-ca/
LOCATION:El Rey Theatre\, 5515 Wilshire Blvd\, Los Angeles\, 90036\, United States
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DTSTART;TZID=America/Phoenix:20240524T180000
DTEND;TZID=America/Phoenix:20240524T233000
DTSTAMP:20240516T193614Z
CREATED:20240515T125122Z
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SUMMARY:Black Veil Brides at Marquee Theatre
DESCRIPTION:Before the birth of the BVB Army\, the thousands of lyric tattoos\, and the gold and platinum records that followed\, Black Veil Brides was simply a dark vision dreamt up by an only child in Ohio. \nHe loved Batman and KISS. Then\, the striking visage of Sweeney Todd: The Demon Barber of Fleet Street\, on the cover of his dad’s dusty CD (released a dozen years before he was born) kicked open the door for Andy Biersack. Sweeney Todd cleared the way for The Phantom of the Opera\, Misfits\, and all that followed\, culminating in the birth of Andy Black and the ascension of Black Veil Brides. \nThe Bleeders EP\, Black Veil Brides’ inaugural release in a new partnership with Spinefarm Records\, celebrates one of the singer’s first loves. The EP boasts the title track alongside a loving rendition of Sweeney Todd’s “My Friends” and a faithful cover of U2’s “Sunday Bloody Sunday.” \nThe group’s cinematic scope and unwavering commitment to self-expression strikes a familiar chord with their fellow “bleeders” who seek refuge (and revenge) in the power of the dark and imagination. \nThere are over 160 million views of “Knives and Pens\,” an early demo committed to music video before Andy (who moved to Hollywood at 18 and lived in his car) met his band of brothers. The RIAA-certified platinum single “In the End\,” itself close to 170M views\, further proves the group whose merch dominated Hot Topic before they’d even made their debut album was built to last. \nA treacherous DIY headlining outing in 2009 paved the way for the next 15 years of performances and beyond\, a history that includes the triple-co-headlining smash Trinity Of Terror Tour; multiple mainstage runs on Vans Warped Tour; treks supporting Avenged Sevenfold and Mötley Crüe; and just about every major rock and metal festival in North and South America\, Europe\, and Australia. \nGuitarists Jake Pitts and Jinxx joined the fold before the creation of BVB’s debut album\, 2010’s We Stitch These Wounds. The duo played in an earlier band with drummer Christian Coma\, who came aboard for their first Billboard Top 20 album\, Set the World on Fire\, featuring gold single “Fallen Angels.” Metalcore milestone Wretched and Divine: The Story of the Wild Ones followed in 2013. \nA no-frills fourth album\, 2014’s Black Veil Brides\, gave them another Top 10 debut. 2018’s Vale went to No. 1 on Billboard’s Hard Rock chart. 2021’s The Phantom Tomorrow\, the band’s first album with bassist Lonny Eagleton\, produced the No. 8 Rock single “Scarlet Cross\,” their highest charting yet. \nBleeders offers a taste of what will become Black Veil Brides’ most visceral\, theatrical\, and unrelenting era yet. They combine a unique identity with an unquenchable creative thirst. They’re an object of devotion for those who sing their anthems in unison\, a diverse BVB Army who never surrenders. \nBlack Veil Brides and their audience slash away at the darkness together\, bleeders one and all. \n \n \nGHØSTKID emerges in 2024 as an entity untamed\, unfiltered\, and resonating with the haunting echoes of raw\, unapologetic music. Formed from the depths of Sebastian “Sushi” Biesler’s unyielding creative spirit\, the band boldly ventures into new realms of expression\, weaving a tapestry of darkness\, aggression\, and unflinching honesty. GHØSTKID prepares to unleash their forthcoming album in early 2024! \nJoined by an assembly of kindred spirits and musical conspirators – Jappo Van Glory (guitar)\, Chris Canterbury (guitar)\, Stanislaw Czywil (bass) and Steve Joakim (drums) – GHØSTKID’s journey unfolded\, amplifying the convergence of metal\, industrial\, goth and pop. From the ferocious intensity of “HEAVY RAIN” to the emotive depths of “VALERIE” each track embodies a visceral narrative\, weaving tales of anguish\, passion\, and unrelenting determination. The band’s upcoming opus delves fearlessly into the dark recesses of the human psyche confronting the gritty truths of life\, love\, and the raw essence of being. \nPrepare to be engulfed in a cacophony of unbridled ambition and unfiltered emotion. GHØSTKID transcends mere auditory experience; it’s a visceral\, transformative journey – a convergence of haunting melodies and unapologetic aggression\, echoing in the corridors of your soul long after the music fades. \n \n \nHailing from Orlando\, FL this Hard Rock act shows us a side of darkness that brings a sentiment of anguish mixed with a sincere notion of understanding. The band’s new single “Paper Crown (feat. Bryan Kuznitz of Fame On Fire\,)” premiered on Octane is the newest release of the band’s growing discography. “Dancing Dead” and “Drown” are hair-raising tracks\, immersing fans in a fear-stricken world. Conceptual ideology aside\, the band brings hard hitting instrumentation and a vocal power that stands to cement the act as a fresh mainstay of the hard rock and metal genres for years to come. “The confines of Florida have seen some absolutely epic bands make names for themselves\, but it’s time to look to the future. There is a quickly rising band that is making all the right moves in all the right places.” Says New Noise about the band. They have recently shared the stage with Famous Last Words\, Limbs\, Until I Wake and The Word Alive. Fans can catch the band supporting Black Veil Brides & VV this fall. “Dark Divine is new to the scene but garnering a lot of attention quickly and rightfully so. They are hands down one of the best young bands out there\, and we are certain the BVB Army and VV fans will love them.” Andy Biersack / Black Veil Brides frontman says regarding their upcoming tour. Dark Divine’s debut ‘Deadly Fun’\, produced by Zach Jones (Chelsea Grin\, We Came As Romans\, Fit For A King) out now via Thriller Records.
URL:https://globalazmedia.com/event/black-veil-brides-at-marquee-theatre/
LOCATION:Marquee Theatre\, 730 N Mill Ave\, Tempe\, 85281\, United States
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