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DTSTART;TZID=America/Phoenix:20260801T190000
DTEND;TZID=America/Phoenix:20260801T233000
DTSTAMP:20260716T001749Z
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UID:21127-1785610800-1785627000@globalazmedia.com
SUMMARY:AC/DC + The Pretty Reckless at Allegiant Stadium
DESCRIPTION:With a limitless supply of dirty riffs\, snarling vocals\, and timelessly catchy\, anthemic choruses\, AC/DC is one of the most important and most lasting forces in hard rock. Founded in the early ’70s by Scottish-born brothers  and \, the Aussie band exploded onto the international stage in 1979 with the release of their multi-platinum-selling sixth album\, Highway to Hell. The death of charismatic frontman  in 1980 threatened to derail the group\, but AC/DC powered through. They recruited  vocalist  and unleashed their most successful effort to date\, Back in Black\, which has become the second best-selling album in history. The band continued to help define the sound of hard rock and metal throughout the ’80s\, ’90s\, and beyond\, spawning countless imitators and enjoying steady\, consistent commercial success. They also became one of the best examples of arena rock\, playing to enormous crowds as the years went on\, and rocking as hard as ever on studio albums like 1990’s pop-glinted The Razor’s Edge and 2020’s Power Up\, both of which reached the upper tiers of multiple charts. \nAC/DC were formed in 1973 in Australia by guitarist  after his previous band\, the Velvet Underground\, collapsed (no relation to the seminal American group). With his younger brother Angus serving as lead guitarist\, the band played some gigs around Sydney. Angus was only 18 at the time\, and his sister suggested that he wear his school uniform on-stage; the look became the band’s visual trademark. While still in Sydney\, the original lineup featuring singer Dave Evans cut a single called “Can I Sit Next to You\,” with ex- Harry Vanda and George Young ( and Angus’ older brother) producing. \nThe band moved to Melbourne the following year\, where drummer  (formerly of ) and bassist Mark Evans joined the lineup. The band’s chauffeur\, \, became the lead vocalist when singer Dave Evans refused to go on-stage. Previously\,  had been vocalist for the Australian prog rock bands  and . More importantly\, he helped cement the group’s image as brutes — he had several convictions for minor criminal offenses and was rejected by the Australian Army for being “socially maladjusted.” AC/DC were socially maladjusted. Throughout their career they favored crude double entendres and violent imagery\, all spiked with a mischievous sense of fun. \nThe group released two albums — High Voltage and T.N.T. — in Australia in 1974 and 1975. Material from the two records comprised the 1976 release High Voltage in the U.S. and U.K.; the group also toured both countries. Dirty Deeds Done Dirt Cheap followed at the end of the year. In the fall of 1977\, AC/DC released Let There Be Rock\, which became their first album to chart in the U.S. Mark Evans left the band soon after\, with  taking his place. Powerage\, released in spring of 1978\, expanded their audience even further\, thanks in no small part to their dynamic live shows (which were captured on 1978’s live If You Want Blood You’ve Got It). What really broke the doors down for the band was the following year’s Highway to Hell\, which hit number 17 in the U.S. and number eight in the U.K.\, becoming the group’s first million-seller. \nAC/DC’s train was derailed when  died on February 19\, 1980. The official coroner’s report stated he had “drunk himself to death.” In March\, the band replaced  with . The following month\, they recorded Back in Black\, which would prove to be their biggest album\, selling over ten million copies in the U.S. alone. For the next few years\, they were one of the largest rock bands in the world\, with For Those About to Rock We Salute You topping the charts in the U.S. In 1983\,  left after the recording of Flick of the Switch; he was replaced by Simon Wright. \nWith Flick of the Switch\, AC/DC’s commercial standing began to slip\, and they weren’t able to reverse their slide until 1990’s The Razor’s Edge\, which spawned the hit “Thunderstruck.” While not the commercial powerhouse they were during the late ’70s and early ’80s\, the ’90s saw AC/DC maintain their status as a top international concert draw. In the fall of 1995\, their 16th album\, Ballbreaker\, was released. Produced by \, the album received some of the most positive reviews of AC/DC’s career; it also entered the American charts at number four and sold over a million copies in its first six months of release. Stiff Upper Lip followed in early 2000 with similar results. AC/DC signed a multi-album deal with  in 2001 that resulted in a slew of reissues and DVDs\, and they returned to the studio in 2008 for Black Ice\, an all-new collection of songs that topped charts in numerous countries (including Australia\, the U.S.\, and the U.K.) and was followed by the group’s first world tour since 2001. Two years later\, the band’s music was featured heavily in the action movie Iron Man 2\, and a compilation was released in conjunction with the film under the title Iron Man 2. \nAs AC/DC began work on a new album with producer  in 2014\, they announced that  was suffering from dementia and had left the band; his nephew  took his place at recording sessions and the accompanying 40th anniversary tour\, and subsequently joined the group full-time. Just prior to the December release of Rock or Bust\, drummer  was arrested under charges of attempting to procure a murder\, threatening to kill\, and possession of cannabis and methamphetamine. Although the arranged murder charges were dropped\, the others remained and the drummer’s future with the band was uncertain. Nevertheless\, AC/DC marched forward with the release of Rock or Bust and plans for a tour in 2015. In 2017\,  died in November at the age of 64. Following a two-year hiatus\, the band reunited with producer  for their 17th studio album\, Power Up\, which became their third consecutive number one album in Australia and their third chart-topper in the U.S. ~ Stephen Thomas Erlewine\, Rovi \n \n \nA swaggering outfit influenced by rock\, post-grunge\, and metal\, the Pretty Reckless is the main musical vehicle for lead singer and actress Taylor Momsen. Emerging in 2010 after Momsen‘s success as a star on the hit TV series Gossip Girl\, the band grabbed fans with their glammy\, trad-rock sound\, inspired by the likes of Led Zeppelin\, AC/DC\, Hole\, and the Runaways. Following some early chart success\, the group broke through with 2014’s Going to Hell\, hitting number five on the Billboard 200 and topping the mainstream rock charts with the song “Messed Up World (F’d Up World).” They have continued to build a loyal fan base\, touring alongside veteran acts like Soundgarden and scoring more mainstream rock hits like “Take Me Down” (from 2016’s Who You Selling For)\, as well as the title track off 2021’s Death by Rock and Roll. The latter was followed a year later by a companion release called Other Worlds. The holiday-themed Taylor Momsen’s Pretty Reckless Christmas arrived in 2025\, with the full-length Dear God appearing the following year. \nBorn in 1993 in St. Louis\, Missouri\, Momsen grew up acting and modeling from a young age and initially rose to fame while still in her teens starring on the popular CW TV drama Gossip Girl. While acting was a main focus\, she had been raised listening to her parent’s classic rock albums and long harbored a love of singing. She formed the Reckless in 2009\, later changing the band’s name to the Pretty Reckless to avoid trademark problems. With Momsen on vocals\, John Secolo on guitar\, Matt Chiarelli on bass\, and Nick Carbone on drums\, the group began finding a balance between classic hard rock and more contemporary post-grunge. They worked quickly\, playing some initial shows in New York City before landing an opening slot on the Veronicas‘ North American tour several months later. The tour went well\, and Interscope Records signed the band before the year was up. \nThe Pretty Reckless completely revised their lineup in 2010\, with Momsen retaining her frontwoman role as guitarist Ben Phillips\, bassist Mark Damon\, and drummer Jamie Perkins all replaced her previous bandmates. After spending several months in the studio\, the group released their first single\, “Make Me Wanna Die\,” on the Kick-Ass soundtrack. The band’s first album\, Light Me Up\, saw release in Europe and Australia in late summer of 2010 and the record rolled out in North America in 2011. The Pretty Reckless toured steadily behind Light Me Up\, releasing the Hit Me Like a Man EP in March 2012. A year later\, the group’s second full-length album\, Going to Hell\, appeared. Going to Hell performed better than their first LP\, debuting at number five on Billboard’s Top 200\, partially on the strength of the mainstream rock hits “Heaven Knows\,” “Messed Up World\,” and “Follow Me Down.” The album also went to number eight in the U.K. \nTwo years later\, the Pretty Reckless returned with their third album\, the Kato Khandwala-produced Who You Selling For. Buoyed by the number one mainstream rock single “Take Me Down\,” the set reached number 13 on the Billboard 200 and spawned several more singles with “Oh My God” and “Back to the River.” The band toured for the album\, eventually joining Soundgarden as an opening act. They were with Soundgarden for the group’s last performance with singer Chris Cornell on May 17\, 2017\, at Detroit’s Fox Theatre the night before his death. \nBy November 2019\, Momsen and the Pretty Reckless were back in the studio\, working on tracks with Pearl Jam and Soundgarden drummer Matt Cameron. They eventually signed with Fearless Records and in February 2021 released their fourth full-length\, Death by Rock and Roll. The title-track single debuted on top of the Billboard Mainstream Rock Airplay chart and was followed by “And So It Went\,” which landed at number 12 and featured Rage Against the Machine‘s Tom Morello. The album itself hit number 28 on the Billboard 200 and was followed in October 2022 by Other Worlds\, a collection of covers\, remixes\, and alternate version of songs from Death by Rock and Roll. \nContinuing her close association with Soundgarden\, Momsen joined the surviving members of the band\, along with guests Brandi Carlile and Mike McCready\, for a live performance during their November 2025 induction ceremony into the Rock and Roll Hall of Fame. That same month\, she released the holiday-themed EP\, Taylor Momsen’s Pretty Reckless Christmas\, which featured a reworked version of the song “Where Are You Christmas?” (aka “Christmas\, Why Can’t I Find You?”) which she originally sang in her role as Cindy Lou Who in How the Grinch Stole Christmas. Dear God\, the band’s fifth studio long-player\, appeared the following year; it took an unflinching\, hard-rock-leaning collection of songs\, including the streaming hit “For I Am Death\,” that saw the Pretty Reckless pair their signature heavy sound with deeply personal songwriting.
URL:https://globalazmedia.com/event/ac-dc-the-pretty-reckless-at-allegiant-stadium/
LOCATION:Allegiant Stadium\, 3333 Al Davis Way\, Las Vegas\, NV\, 89118\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/07/ACDC-The-Pretty-Reckless-at-Allegiant-Stadium.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260802T193000
DTEND;TZID=America/Phoenix:20260802T233000
DTSTAMP:20260719T222149Z
CREATED:20260719T222149Z
LAST-MODIFIED:20260719T222149Z
UID:21134-1785699000-1785713400@globalazmedia.com
SUMMARY:The Pretty Reckless at The Van Buren
DESCRIPTION:A swaggering outfit influenced by rock\, post-grunge\, and metal\, the Pretty Reckless is the main musical vehicle for lead singer and actress Taylor Momsen. Emerging in 2010 after Momsen‘s success as a star on the hit TV series Gossip Girl\, the band grabbed fans with their glammy\, trad-rock sound\, inspired by the likes of Led Zeppelin\, AC/DC\, Hole\, and the Runaways. Following some early chart success\, the group broke through with 2014’s Going to Hell\, hitting number five on the Billboard 200 and topping the mainstream rock charts with the song “Messed Up World (F’d Up World).” They have continued to build a loyal fan base\, touring alongside veteran acts like Soundgarden and scoring more mainstream rock hits like “Take Me Down” (from 2016’s Who You Selling For)\, as well as the title track off 2021’s Death by Rock and Roll. The latter was followed a year later by a companion release called Other Worlds. The holiday-themed Taylor Momsen’s Pretty Reckless Christmas arrived in 2025\, with the full-length Dear God appearing the following year. \nBorn in 1993 in St. Louis\, Missouri\, Momsen grew up acting and modeling from a young age and initially rose to fame while still in her teens starring on the popular CW TV drama Gossip Girl. While acting was a main focus\, she had been raised listening to her parent’s classic rock albums and long harbored a love of singing. She formed the Reckless in 2009\, later changing the band’s name to the Pretty Reckless to avoid trademark problems. With Momsen on vocals\, John Secolo on guitar\, Matt Chiarelli on bass\, and Nick Carbone on drums\, the group began finding a balance between classic hard rock and more contemporary post-grunge. They worked quickly\, playing some initial shows in New York City before landing an opening slot on the Veronicas‘ North American tour several months later. The tour went well\, and Interscope Records signed the band before the year was up. \nThe Pretty Reckless completely revised their lineup in 2010\, with Momsen retaining her frontwoman role as guitarist Ben Phillips\, bassist Mark Damon\, and drummer Jamie Perkins all replaced her previous bandmates. After spending several months in the studio\, the group released their first single\, “Make Me Wanna Die\,” on the Kick-Ass soundtrack. The band’s first album\, Light Me Up\, saw release in Europe and Australia in late summer of 2010 and the record rolled out in North America in 2011. The Pretty Reckless toured steadily behind Light Me Up\, releasing the Hit Me Like a Man EP in March 2012. A year later\, the group’s second full-length album\, Going to Hell\, appeared. Going to Hell performed better than their first LP\, debuting at number five on Billboard’s Top 200\, partially on the strength of the mainstream rock hits “Heaven Knows\,” “Messed Up World\,” and “Follow Me Down.” The album also went to number eight in the U.K. \nTwo years later\, the Pretty Reckless returned with their third album\, the Kato Khandwala-produced Who You Selling For. Buoyed by the number one mainstream rock single “Take Me Down\,” the set reached number 13 on the Billboard 200 and spawned several more singles with “Oh My God” and “Back to the River.” The band toured for the album\, eventually joining Soundgarden as an opening act. They were with Soundgarden for the group’s last performance with singer Chris Cornell on May 17\, 2017\, at Detroit’s Fox Theatre the night before his death. \nBy November 2019\, Momsen and the Pretty Reckless were back in the studio\, working on tracks with Pearl Jam and Soundgarden drummer Matt Cameron. They eventually signed with Fearless Records and in February 2021 released their fourth full-length\, Death by Rock and Roll. The title-track single debuted on top of the Billboard Mainstream Rock Airplay chart and was followed by “And So It Went\,” which landed at number 12 and featured Rage Against the Machine‘s Tom Morello. The album itself hit number 28 on the Billboard 200 and was followed in October 2022 by Other Worlds\, a collection of covers\, remixes\, and alternate version of songs from Death by Rock and Roll. \nContinuing her close association with Soundgarden\, Momsen joined the surviving members of the band\, along with guests Brandi Carlile and Mike McCready\, for a live performance during their November 2025 induction ceremony into the Rock and Roll Hall of Fame. That same month\, she released the holiday-themed EP\, Taylor Momsen’s Pretty Reckless Christmas\, which featured a reworked version of the song “Where Are You Christmas?” (aka “Christmas\, Why Can’t I Find You?”) which she originally sang in her role as Cindy Lou Who in How the Grinch Stole Christmas. Dear God\, the band’s fifth studio long-player\, appeared the following year; it took an unflinching\, hard-rock-leaning collection of songs\, including the streaming hit “For I Am Death\,” that saw the Pretty Reckless pair their signature heavy sound with deeply personal songwriting. \n \n \nWith a clear vision\, open heart\, and guitar in hand\, paris jackson plugs into pure emotion at the source. She’s not just playing a signature brand of alternative rock; she’s tracing a lasting mark in the shape of a beautiful scar that’s cut into the skin by her raw instrumentation and relatable lyrics. The Los Angeles-based vocalist\, guitarist\, songwriter\, and consummate creative isn’t afraid to confront tragedy\, trauma\, or demons of any kind with a scream\, a smirk\, and a power chord. She creates the kind of music that can inspire you to take a look at yourself\, change your perspective\, or simply appreciate the messy magic of life in the moment. She introduced her artistry on 2020’s wilted—crafted with Manchester Orchestra’s Andy Hull and Robert McDowell. It vaulted to #1 on the iTunes Top Alternative Albums Chart and incited tastemaker applause from Associated Press\, Entertainment Weekly\, NME\, NPR\, NYLON\, Refinery29\, and Rolling Stone. On “lighthouse\,” she teamed with producer Butch Walker and tapped Mike McCready of Pearl Jam for its guitar solo. She evolved into a formidable live performer by headlining packed houses and supporting Queens of The Stone Age\, Incubus\, Silversun Pickups\, and The Revivalists. As a renaissance woman\, she extended her creativity with roles in Lee Daniels’ Star\, American Horror Stories\, Prime Video’s Swarm\, Doctor Odyssey\, Gringo\, The Space Between\, and One Spoon of Chocolate. \n \n 
URL:https://globalazmedia.com/event/the-pretty-reckless-at-the-van-buren/
LOCATION:The Van Buren\, 401 W. Van Buren St\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/07/The-Pretty-Reckless-at-The-Van-Buren.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20260808T200000
DTEND;TZID=America/Phoenix:20260808T233000
DTSTAMP:20260708T000233Z
CREATED:20260708T000233Z
LAST-MODIFIED:20260708T000233Z
UID:21101-1786219200-1786231800@globalazmedia.com
SUMMARY:Poppy at The Van Buren
DESCRIPTION:Los Angeles-based performance artist-turned-pop star Poppy makes music that deftly balances art and commerce as she takes on multiple genres — from metal to pop and all points in between — while never losing her essential Poppy-ness in the process. She gained a substantial following on social media with her early videos\, the subjects of which grew ever more absurd and bizarre. When she began making music for Diplo‘s Mad Decent label\, Poppy’s commentary on social media and fame became even more meta; the self-referential electro-pop of 2017’s Poppy.Computer and the forays into nu-metal and dance-pop on the following year’s Am I a Girl? further blurred the project’s boundaries. In 2020\, she boldly re-branded with the critically acclaimed\, Grammy-nominated I Disagree\, which fully adopted the pop-metal direction she had been teasing. Following 2021’s EAT EP\, she released the live-to-tape Flux\, which focused her riff-heavy execution even further. More genre explorations include 2023’s industrial-leaning Zig and 2024’s Negative Spaces\, which dips into synth pop and punk. Following an all-star collaboration with Amy Lee and Courtney LaPlante on 2025’s “End of You\,” she released her sixth LP Empty Hands in 2026. \nPoppy emerged on YouTube in 2014 with a video of her eating cotton candy in silence. Viewers were baffled\, yet it was just the start of Poppy’s brand of smart millennial theater. Wide-eyed\, platinum blonde\, and decked out in precious throwback outfits\, Poppy’s calculated wholesome persona\, budding style icon status\, and tongue-in-cheek clips — wherein she filmed herself reading the Bible for nearly an hour\, repeating her name for ten minutes\, or inflating a plastic rabbit — combined the satirical\, the subversive\, and the just plain weird. In early 2015\, she began releasing music\, starting with a Lana Del Rey-ified version of Mac DeMarco‘s “My Kind of Woman.” Her first official single\, “Everybody Wants to Be Poppy\,” arrived months later. Signing with Island Records\, she released the follow-up single “Lowlife” (and a remix featuring Travis Mills)\, a reggae-tinged jam that would serve as the first track on her debut EP\, Bubblebath. Released in February 2016\, the four-song set of catchy dance-pop showcased her musical range and sensibility\, attracting comparisons to Grimes\, Icona Pop\, Melanie Martinez\, and Charli XCX. That October\, she issued the experimental ambient album 3:36 (Music to Sleep To)\, a collaboration with polysomnographists from the Washington University School of Medicine that was designed to promote healthy sleep and dreaming. A year later\, Poppy’s official debut album\, Poppy.Computer (Mad Decent)\, arrived and peaked within the Top 40 on both the Heatseekers and Independent Albums charts. On 2018’s Am I a Girl?\, Poppy worked with Diplo\, Grimes\, and Lady Gaga collaborator Garibay on a set of songs that incorporated mainstream pop and nu-metal sounds and explored fame\, fashion\, and identity. While promoting the effort\, she began incorporating increasingly heavy elements into her music\, inspired by Nine Inch Nails\, Marilyn Manson\, and Rob Zombie. In a similar vein as Am I a Girl? selections such as “Play Destroy” and “X\,” Poppy’s 2019 single “Concrete” featured speedy metal riffs and pounding drums\, adopting a sugar-sweet attack similar to Babymetal‘s. This new direction was fully realized on her third studio set I Disagree\, which arrived in early 2020. Her first release on Sumerian Records\, the album was also her first to chart on the Billboard 200. The brash\, pop-metal style of I Disagree was a hit with critics and fans alike\, resulting in an expanded deluxe edition\, I Disagree (more). She continued an especially prolific period with Music to Scream To — the soundtrack to her graphic novel Poppy’s Inferno — and a holiday EP\, A Very Poppy Christmas. To cap off her banner year\, the I Disagree album cut “Bloodmoney” received a Grammy nomination for Best Metal Performance\, making Poppy the first female artist ever to be nominated in that category. The next year at the actual Grammy Awards ceremony\, she performed a new track — the scream-packed “Eat” — which landed on EAT (NXT Soundtrack). Arriving a month after the release of her cover of Jack Off Jill‘s “Fear of Dying\,” the aggressive EP also featured the track “Say Cheese.” \nAt the tail-end of 2021\, Poppy released her fourth album Flux. At a compact nine songs\, it was her most focused offering to date\, blending numerous hard rock styles on a straightforward and cohesive attack produced by Justin Meldal-Johnsen (NIN\, Deafheaven). Led by the defiant and unrelenting single “FYB\,” 2022’s Republic/Lava-issued Stagger EP paired thrashy\, punk-metal riffs with melancholic alt-pop. Poppy started 2023 with the industrial metal-leaning “Church Outfit\,” followed by a searing rendition of Canadian nu-metallers Kittie‘s 1999 track “Spit.” She also teamed with Stu Brooks and Danny Elfman for “They’ll Just Love You.” Capping a busy year\, she joined PVRIS for a joint tour before the release of her fifth full-length\, Zig (Sumerian)\, which featured additional singles such as the industrial-pop “Motorbike” and the vulnerable “Hard.” \nPoppy began 2024 with a collaboration with alt-rock group Bad Omens on the song “V.A.N.” (“Violence Against Nature”)\, toured both as a headliner and opening act\, then ended the year with her fifth album Negative Spaces. On it\, she expands her already wide-ranging approach to include ’80s-inspired synth pop and pop-punk while welcoming collaborations with Knocked Loose and Bring Me the Horizon‘s Jordan Fish. In the midst of her epic They’re All Around Us tour\, she teamed with Evanescence‘s Amy Lee and Spiritbox‘s Courtney LaPlante on “End of You\,” which hit the Top 20 of the Hot Rock and Alternative Songs chart upon release in September 2025. She then returned to the studio with Fish for “Unravel” and “Bruised Sky” from her sixth album Empty Hands\, which arrived in January 2026. The metal-laden assault featured additional single “Guardian.” \n \n \nMixing elements of metalcore\, pop-punk\, and even some light hip-hop\, LANDMVRKS have built a solid following as one of Europe’s heavy bands\, coming into their own with the energetic Lost in the Waves in 2021. A favorite on the live circuit\, they’ve also amassed a considerable following in Germany\, where Waves and The Darkest Place I’ve Ever Been hit the upper reaches of the local album charts. \nHailing from Marseille\, France\, the band was the brainchild of Hate in Front singer Florent Salfati and drummer Nicolas Soriano. Initially working under the name Coldsight in 2014\, Salfati intended to play only the guitar\, but couldn’t find a vocalist that matched his vision. The rest of the band gelled with the addition of bassist Rudy Purkart and guitarists Thomas Lebreton (rhythm) and Nicolas Exposito (lead); the group soon changed their name to Landmarks\, but amended the spelling within the year. \nAmid a series of singles and well-received performances\, including sets at England’s Deadbolt Festival and France’s Hellfest\, LANDMVRKS released their debut album Hollow in 2016. The follow-up Fantasy arrived two years later\, with new rhythm guitarist Paul Cordebard replacing Lebreton. Soriano was next to leave in 2019\, with Kévin D’Agostino taking his place on the drum kit. During this period\, the group toured even higher-profile dates\, supporting Australian metalcore act Polaris on a trek through Japan and sharing bills with similar ensembles like While She Sleeps\, Any Given Day\, and Stray from the Path. \nAfter waiting out the worst of the COVID-19 pandemic\, LANDMVRKS reconvened for their third album\, Lost in the Waves. It proved to be their most accessible release without sacrificing what made them unique\, and reached the Top 20 in Germany (where their label\, Arising Empire\, is headquartered). The de facto title track “Lost in a Wave” attracted new fans\, and a 2022 reissue added a live set plus well-received new tracks including “Suffocate\,” featuring vocals from Bertrand Poncet of Chunk! No\, Captain Chunk!\, and “Death\,” with a guest appearance by Drew York of Stray from the Path. The success of Lost in the Waves primed the pump for its follow-up\, The Darkest Place I’ve Ever Been\, which outpaced its predecessor\, peaking at number six on the German charts. \n \n \nBuried In Jade stands as a career-defining moment for Thousand Below\, distilling nearly a decade of sonic exploration into a cohesive yet diverse body of work. The album spans multiple sonic spectrums from crushing metalcore anthems and hook-heavy modern pop elements to atmospheric rock\, heartfelt ballads\, and the band’s signature post-hardcore roots. It’s a bold step forward—both sonically and thematically—for a band unafraid to grow beyond genre lines. \nProduced by Austin Coupe (The Devil Wears Prada\, Citizen\, nothing\, nowhere) — as well as Josh Gilbert on select tracks (“Palace Of Dread” “The Quiet And Cold”) and mixed by Joseph McQueen\, Buried In Jade captures the essence of Thousand Below’s past while boldly forging their future.
URL:https://globalazmedia.com/event/poppy-at-the-van-buren/
LOCATION:The Van Buren\, 401 W. Van Buren St\, Phoenix\, AZ\, 85003\, United States
ATTACH;FMTTYPE=image/jpeg:https://globalazmedia.com/wp-content/uploads/2026/07/Poppy-at-The-Van-Buren.jpg
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