Papa Roach “Kill The Noise” Tour With Hollywood Undead and Bad Wolves

Papa Roach doesn’t do lanes.
 Be it rap-rock, electronic rock, rock ’n’ roll or anything in between, the quartet – vocalist Jacoby Shaddix, guitarist Jerry Horton, bassist Tobin Esperance and drummer Tony Palermo – have spent more than 20 years veering across freeways that most bands barely have the nerve to occupy, creating one of the most diverse and fearless discographies in music. 
 A hard left turn that sees them making their most daring maneuver yet, new single ‘Swerve’ is breathless in its unpredictability. Drawing inspiration from everything from jazz, funk and old-school hip-hop to hard rock and electronica, it’s a white-knuckle ride featuring a blistering array of rock solid beats, thumping bass lines, curveball saxophone licks and crunching guitar grooves, built around a chorus that features a stark warning cry of “Don’t swerve in my lane”, the track displays the fearless ability of its creators to cross as many as they desire.
 With Fever 333 frontman Jason Aalon Butler and rap sensation Sueco joining proceedings to create a triple-pronged vocal attack, ‘Swerve’ provides a first glimpse at one of the most varied and compelling periods of the the group’s career. Clear, confident and above all competitive, it sees them challenging perceptions and breaking new ground, tossing the handbrake out of the window in the process.

Hollywood Undead hail from the streets of Hollywood, California, mixing brash hip-hop, rock, and minor metalcore touches with cocky posturing. With their colorful pseudonyms and unique hockey goal tender-inspired masks, the band debuted in 2008 with Swan Songs, but didn’t hit their commercial stride until the release of their 2011 sophomore effort, American Tragedy, which cracked the Top Ten on the Billboard 200 chart. Subsequent outings like Notes from the Underground (2013), Five (2017), and the two-volume New Empire (2020) performed just as well, if not better, cementing the group’s reputation as one of rapcore’s leading lights.

Owing much of their popularity and exposure to the social networking website MySpace, the group started as the musical project of J-Dog and Tha Producer in June 2005. They uploaded some new music to their profile and very quickly started amassing song plays and online friends with tracks about drinking, sex, and emo kids. “The gang,” as the guys liked to refer to themselves, grew to include six members: J-Dog and Tha Producer alongside Charlie Scene, Johnny 3 Tears (formerly called the Server), Funny Man, and Da Kurlzz. As the band’s online profile steadily increased, MySpace head honcho Tom Anderson wasn’t immune and wound up featuring Hollywood Undead‘s song “No. 5” on MySpace’s first compilation album, in addition to giving them the distinction of being the first act signed to the site’s new record label (distributed by Interscope) in 2005.

Swan Songs finally appeared in 2008 on A&M/Octone Records. A year later, that label released an album of B-sides, live tracks, and covers titled Desperate Measures. In 2010, vocalist Aron “Deuce” Erlichman left the group; he was replaced by Daniel “Danny” Murillo, a former contestant on American Idol and lead singer of Lorene Drive. After shows with Avenged Sevenfold on The Nightmare After Christmas Tour, Hollywood Undead released their sophomore album, American Tragedy, in April of 2011, and the album debuted in the Top Five of Billboard’s Top 200. The following November, A&M/Octone Records released a remix version of the record called American Tragedy Redux, which featured mixes by Andrew W.K., Borgore, and KMFDM, among others.

In January of 2013, after embarking on The Underground Tour, Hollywood Undead released their third studio album, Notes from the Underground, which proved to be their highest-charting outing to date, landing at the number two spot on the Billboard Top 200 and soaring to number one on the Canadian albums chart. Their hotly anticipated fourth studio album, Day of the Dead, arrived in March 2015, and was preceded by the singles “Usual Suspects,” “Gravity,” “How We Roll,” and the explosive title cut. The band returned to the studio in late 2016 to record its fifth studio album, Five. With their contract with Interscope finished, Hollywood Undead set up their own label, Dove & Grenade Media, in collaboration with BMG to release the album. The first single, “California Dreaming” — a scathing look at the inequalities between the two sides of Los Angeles culture — was released in mid-2017, with the full-length Five arriving later that October. In 2018 the Undead released the standalone single “Gotta Let Go,” a summery blast of feel-good nostalgia about letting go of pain. The EP Psalms also arrived that year. Two years later, the band released their sixth album, New Empire, Vol. 1. A deliberate attempt to change their sound, it was heavier than before, with more electronic elements. The like-minded sequel, New Empire, Vol. 2., arrived in 2020.

Expectations never mattered to Bad Wolves. Instead, the Los Angeles band fused unpredictable metallic intensity and impressive instrumental proficiency to arena-ready hooks, transforming from underdogs into elite platinum-certified hard rock contenders without compromise or apology. Since 2017, the core group—John Boecklin [drums], Doc Coyle [lead guitar, backing vocals], Chris Cain [rhythm guitar], and Kyle Konkiel [bass, backing vocals]—have consistently subverted expectations and accomplished the seemingly impossible. In 2018, the band earned a platinum plaque, topped iTunes, and ruled Active Rock at #1 for three weeks straight. This momentum also propelled their debut album, Disobey, to a Top 25 debut on the Billboard Top 200. In between performing to sold out audiences on multiple continents with heavyweights such as Five Finger Death Punch and Megadeth, 2019’s N.A.T.I.O.N. yielded their fifth straight #1 at Active Rock, “Sober,” and brought their total stream tally past the half-billionmark—unprecedented for a modern rock band. Not to mention, LoudWire hailed it among the “50 Best Rock Albums of 2019” as Billboard and Consequence of Sound chronicled their rise. In the midst of 2021, Bad Wolves welcomed Daniel “DL” Laskiewicz—previously of The Acacia Strain—as lead vocalist, ushering in a new chapter with their third full-length offering, Dear Monsters,[Better Noise Music], led by the single “Lifeline.”